| Never | a sense of coldness about life
When it comes to episodes that are suitable for winter reliving, "Please Answer 1988" must be listed.
When I first watched it, I was impressed by the few Hong Kong film shots that flashed by, and many scrawled memories were revived at once, and I couldn't help but rummage through the boxes and cabinets to find the old card discs.
It seems that the whole of East Asia often cherishes nostalgia for the beauty of the old days. The past era also preserved some of the sound and light of the time, when the whole of Asia was thriving and moving upwards, and the blurred picture quality made the heroines more romantic and unattainable.
The beautiful people in Hong Kong films are recognized by inland audiences at the end of the century as the white moonlight in their hearts, and the two major factions led by Wang Zuxian and Lin Qingxia can still set off a bloody storm today.
▲ Lin Qingxia also praised Zuxian in the Weibo comments two days ago, which is also very cute
Cultural barriers must also shake hands in the face of this beauty. Korean students in the 1980s often collected pads and cardboards from Japanese and Hong Kong stars; our parents talked about Momoe Yamaguchi and Miho Nakayama as much as you and I when they were chasing stars.
▲ Wang Zuxian and Zhou Runfa's former Korean beverage advertisements were sold well that year
In an era when information was not yet developed, these beautiful characters generously broke through the shackles, relying on subtle exotic accents and unfamiliar accents to bring a lot of fresh tension to the neighboring countries.
In addition to the Hong Kong style, which is often mentioned today, there is another showa beauty that symbolizes the style of Toei, and The well-known Yamaguchi Andako Sakai, who are familiar to you and me, are representative figures at that time.
Showa refers to The showa in terms of time from 1926 to 1989, Japan, the social economy showed an unprecedented prosperity, the literary and artistic circles were full of celebrities, the screen broadcast is full of light-hearted and laughable art programs and bright commercials, the crowds in the central streets are never stopping, and the future is like a golden dream hanging over everyone's head.
Red qi raises people, not to mention that the whole era is pushing people upwards. The beauties of this era show their vivid vitality in every move.
In recent years, Yoshinaga Koyuri, who has also been steadily producing works, is an example, and when filming "The Dancer of Izu", he even alarmed Yasuhito Kawabata to come to the set to take a peek.
Her smile is calm and powerful, and as she ages, she becomes more and more rounded inward.
Those who have a stronger sense of power also have wild beauty such as Harada Mieko, who has a kind of vitality that is almost jade and stone.
She has long been determined to establish herself on her acting skills, and she is extremely bold and bold in choosing a script, nude scenes, hysterical mothers, extreme roles have tried a lot, and beauty seems to be an extra bonus to her.
In the early stage of the bubble economy, the emergence of girl idols brought a new pattern.
The army of idols, represented by Matsuda Seiko and Nakamori Akira, is almost the first footnote of showa beauties, and is surrounded by sentient beings in the beautiful lights and the slowly rotating stage.
As the two giants of the idol industry, every three or five fans quarreled for them in the dark, and the TV station did not arrange for them to share the stage in large performances in order to create gimmicks.
Domestically, it seems that there is a greater preference for the ethereal immortality of Nakamori Mingcai, but in Japan, Aunt Shengzi is still a stable guest of the Red and White Song Society, and has appeared for the 24th time this year (equivalent to 24 Times on the Spring Festival Gala).
The idol's blowout period is also coming soon. Shizuka Kudo, Tomoko Koizumi, Asaka, Miho Nakayama... Even if you have not seen the full picture of the hundred flowers blooming at that time, in the childhood collective memories of "Crayon Little New", "Detective Conan", "Cherry Pills", it is not difficult to imagine the grand situation of that year. Someone on the Internet has done a detailed inventory, and a casual search can find a lot.
▲ Xiao Xin's favorite weather announcer, Dashi Hui, is so beautiful that wang Bingbing estimates that it is difficult to shake
▲ Yoko Okino, who is in the heart of Maori Kogoro, corresponds to Yoko Minano, and the half-tied hair + big bow shape that is in the limelight was the trend she set off
Compared with the various small flowers of today, these former beauties are sitting far more than beautiful, and when they raise their eyes and side of their bodies, they all shake off some vivid and vigorous tension, which cannot be hidden and are about to break through the ground.
In Japanese, it is called 雰囲気, which is replaced by the current popular phrase, which is probably the sense of atmosphere. If most of the showa beauties' facial features are taken apart and looked at, they must have lost a lot of interest in talking and resting.
Compared with the well-known Hong Kong style beauties of the same era, the latter has more bright and strong ingredients, and you can remember seven or eight points at a glance, and showa beauties are understated, and there are some shadows between the eyebrows, covering the meaning of life.
There are enough white spaces and gaps in the makeup to make room for this beauty to breathe, and the heroines move slightly, and they also have the illusion of aftersounding across the screen.
Nakamori's "Difficult Ship" is a very appropriate example, you can not be unaware of her encounter, but also inevitably be indoctrinated by this injury. There are domestic idols who try to copy her charm for a few seconds, which is really rare.
This year has seen too many hot searches of the new generation of actresses, all kinds of glamorous press releases and modeling entries, a party is bound to be neatly organized. The audience is extremely tired, and the next time I see the little flowers who have changed their suits, they may not be able to recognize them, which is really confusing.
Showa beauty people change more sets of clothes, there are still their own shadows, their respective temperaments, have long been rubbed into the hands and feet, you think that she is the only center in the picture.
In fact, Nakamori was also guided by the firm in the early days and tried a more mainstream and flat route, but starting with the release of "Kita-aki", which was released in 1984, the previous vocal techniques that focused on sweetness and girliness were completely abandoned, and the iconic bass and air sound dominated.
At that time, when it came to the idol of the royal road, there was almost only a pure and cute flat image, and she was the first to break the situation.
Now many people talk about her, only think that she is a miserable beauty who has been dragged down by the scumbag for half a lifetime, and it is biased. She herself is not an easy vase to manipulate, otherwise there would be no modern girl in "Ten Commandments (1984)" who steps forward with avant-garde figure eight steps.
▲ The dance moves and costumes on stage each time are designed by myself, and they are not outdated until now
▲ The lyrics of 1984 are avant-garde, and I hope that a small number of modern men who are emotionally excited can also look at it
Another name that must be mentioned is Yuki Saito.
Nowadays, when it comes to her, it is inevitable to talk about her rich personal love history and the "Queen of Unruly" hats on the outside world, and her achievements in acting are almost covered up by the scolding of personal morality. But it is also true that people have strong business capabilities, the morning dramas that have starred in the past have received an average rating of 41.7%, and the singer's career has also developed very steadily.
▲ When you are young and when you are older, you are the beauty of two flavors
The external evaluation did not affect her at all, and she also showed calm restraint at the thank-you press conference, in a country like Japan, which is extremely unfriendly to scandal actresses, has relied on excellent acting skills and years of connections to survive until now, ushering in a new world.
Here must be scolded Japanese media, several of the men involved have long been whitewashed move on (I am talking about Watanabe Ken and Ozaki Toyo, of course, they are not the only ones who do this), why does the woman have to clamp her tail for a lifetime?
▲ In 1993's "Same Window Society", although the drama is bloody, her Ando July is beautiful, her private affairs are very popular during filming, and her lines have also been elaught with many deep meanings
The sense of atmosphere that stands out in these former beauties is mostly related to the exposure of the self.
Even if it causes great discussion, the most popular idols are not wrapped up in some strange rules, they are alive, they are themselves, and those real, unruly temperaments give more subtle expressions to their already abundant beauty.
Just as we miss the beauty of Hong Kong, we miss those girls who grew up barbarically and dared to speak and dare to do, and the same is true in neighboring countries, there are always people who want to see more vivid and more real beauties.
Some time ago, many Japanese programs have done showa-related special topics, "Human Observation" has called together former advertising actresses to resurrect the fragments of the year, "Tonight is a comparison" and "Matsuko does not know the world" also gathered young girls who dreamed of 80s idols to talk about the past prosperity.
▲ There are so many people who miss them, it is really gratifying
Nostalgia has a slight sense of avoidance, but some of the beauty of the past has really happened, and it is more and more intolerable to the discipline and barrenness of beauty.
When we miss showa beauties, we are not only coveting the beauty of the golden light of the past, but also missing the various, three-dimensional and vivid female faces of the past, and the era of some chaos but fierceness.
Content Editor: Koge, obsessed with beauty and a fierce day.
The original article was first published in the public account of "New Weekly" "Miss F Miss F"
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