Counting with her fingers, you can count a lot of Feng Girls, but the first generation of Feng Girls is actually very little known, and the name of JuXue may be unfamiliar to the younger generation, but people in the 80s and 90s are impressed by her.
Feng Xiaogang commented on her as: "A woman who can let a man go down to the sword mountain and the sea of fire for her without speaking!" ”
Born in 1968, she still insists on filming, and she has won many awards in fact, her emotional life is slightly bumpy, and she has been single after divorcing director He Qun.
As the first generation of Feng Girl, the appearance of The Snow is very recognizable, the forehead is full, the cheeks are round, the eyes are like silk, the nose is round, the temperament is between sweet and fresh, very sunny and natural, and it is very age-old in the old stills.
In the heart of The Small Plate, the drama snow in the film and television drama is full of spirit and has a vitality of life. Today, we will review the changes in the appearance of the snow -
In 1986, the 18-year-old Drama Xue was still in his first year of high school, and he played the third lady in the movie "Father and Son", when the face was fleshy, the cheeks were pink, and the delicate girlish feeling came to the face.
In 1989, in "One Year of Marriage", Meiqin's eyes were clear, her apple face was round and cute, and she was embellished with some bangs, a little girl with bright teeth.
The Jiahui in "The Thief of Change", as its name suggests, the white dress bow, the tranquility is beautiful, and the appropriate sweetness of the snow makes her full of the sense of nobility of Miss Big Household, but not delicate.
In 1990, in "Married Girl", Ju Xue dressed up in a simple appearance, smiled sweetly and harmlessly, and gave people a sense of intimacy.
In 1991, Xiao Feng in "Fire Golden Steel" had more layered characters, the messy desolation under the red makeup, and the face shape gradually lost weight, and the sense of womanhood became stronger.
In 1992, Ju Xue and Ge You collaborated on "Shang Yi Dang", in which he played the role of an intern teacher, in which Ju Xue had light makeup, long hair was loose and warm, the forehead was bright and round, and the light smile was gentle and moving.
In 1993, in "Disappearing Woman", the short curly hair of the drama snow became fashionable, and the characters became smart after the heavy eye makeup.
In "Phoenix Qin", she cooperated with Li Baotian, playing a rural girl who was proud and wanted to change her fate with the college entrance examination, two small braids were really full of baby, and the tearful eyes covered her face in a stubborn little look, which was painful.
In 1994, the flight attendant Yang Yan in "Never Lose My Love", with a fashionable style and a fiery personality, matured a lot of drama in the film, and her vigorous style of doing things was very eye-catching.
This film won her the Best Supporting Actress Award at the 15th Golden Rooster Awards of Chinese Film.
In 1995, in "Mixed in Beijing", Ju Xue was the art editor JiZi in the publishing house, who simply pulled his hair up, quite artistic, and Ju Xue was very suitable for thick eyebrows, appearing to be very energetic.
In 1996, in "Red Hair Card", the side of the snow side of the drama is soft, the bridge of the nose is upright, and the jaw line is smooth, but when there is no expression, the corners of the mouth are down, and there is some bitterness.
In 1997, the qipao of the drama snow in "The Return of the Snowy Night" was stunning, and she had a classical temperament, and the white qipao of the moon lined her more expensive and elegant.
In 1998, jiu'er, an amorous woman in "The Legend of Liulichang", was dressed in red and charming, and smiled playfully and sweetly, as if she were a person walking out of old Beijing.
In "Supreme Rights", Ju Xue wears a wedding dress, the hairstyle is thick and tall, just neutralizes the width of the forehead, laughs and bends the eyebrows, really hooked.
In 2000, in "The Goddess Who Came Out of the Smoke", Ju Xue wore a military uniform and two ponytails, and the 32-year-old was still full of girlish spirits, and I saw pity when she was sad.
In 2002, in "Cao Cao and Cai Wenji", Ju Xue played the heroine, the costume style is also very photogenic, and Cai Wenji, played by Ju Xue, has a sense of beauty when she falls into the rivers and lakes, although simple but difficult to hide her posture.
The palace dress is luxurious and elegant, and the temperament is outstanding, but the hair is too high to show that the forehead is slightly wider.
In 2003, in "The Tiger Head of the KnifeMan in Guanzhong", the drama snow was too thin, the face flesh was concave, the wrinkles were obvious, and it revealed a fierce force.
In 2004, in "The Tree of Affection", Ju Xue played Yu Xin, the side face is really too beautiful, the nose is sweet, this kind of peace of mind on the shoulders of the lover, very life-like.
In this drama, she won the Outstanding Actress Award at the 24th China TV Drama Feitian Awards.
In 2006, in "West Holy Land", her fine lines were obvious, the fireworks were very strong, and the temperament on her body was very calm.
In 2007, the judge played by Ju Xue in "Chinese Female Judge" can see the traces of age without applying powder, but his short hair is capable and his aura is not angry.
In 2008, the short hair style of "The End of the World" is very flavorful, the atmosphere is beautiful, and at the same time, the aura is strong, and it is very sisterly.
In 2010, the role of The Last Lecture in the drama snow has a large time span, both the appearance of a green girl and the elegance of middle age, and the temperament of Kochi and gentle elegance in the snow drama.
In "Yongyi Fragrance", Ju Xue plays Wu Yifang, president of Jinling Women's University, with a dark velvet cheongsam, thin-rimmed glasses, a powerful aura, and a full belly of poetry, which is intimidating.
In 2012, Ju Xue and Xu Fan collaborated again on "Youth Forty", in which The maintenance of Ju Xue was not bad, the facial muscles were tight, and it was very lifelike.
In 2013, in "May Blossom in the Depths of Desert Love", the snow was long and fluttering, the wrinkles deepened, and the light in the eyes was still very energetic.
In 2015, in "The Taste of Hot Dry Noodles", Ju Xue's face was slightly fatter, and his curly hair made him look dashing and wanton, and he was dressed stylishly and had a strong woman's feeling.
In 2018, the mother figure of Ju Xue in "Unbelievable" is very vivid, with short hair and soft hair, and a very maternal brilliance.
In 2019, the impact of the drama snow costume in "The Musician" is very strong, and the green tendons on the forehead under grief burst out, and the sharp and strong.
After watching so many stills of the drama snow, in fact, her acting skills and popularity were very eye-catching, which role do you think she has penetrated into the hearts of the people?