Has everyone watched HBO's new work "East Side Nightmare"?
This suspense drama tells the story of multiple crimes that occurred in the fictional city of "East Side", and uses detection as a clue to weave the ecosystem of the entire town.
Each episode is 1 hour, a total of 7 episodes, excellent reputation, and the weekend of the film is absurd.
Kate Winslet's performance is king-of-the-art in the film, typical of dimensionality reduction strikes.
The heroine Mel, played by her, is a common "small funeral" persona for the audience.
The bloated figure is a portrayal of the faded aura of a girl;
Dark gray clothing is a sign of compromise with boring life.
People reach middle age, and they are strong and strong.
Son died prematurely due to drug abuse;
Leaving only one child waiting to be fed;
The husband can't stand the pain of losing his son and finds a new love;
The old mother has limited mobility and leans under the eaves;
Mel takes care of the little ones, serves the old ones, and feeds the family alone.
Nominally the police station "Detective Zo", but everything in the town has to be taken care of;
The old lady of the Zhang San family reported a fake case, and the drug addicted teenager of the Li fourth family was swept out of the house.
Mel's daily routine is to deal with chicken feathers in the town and at home.
Kate puts the exhaustion of a middle-aged woman into the slightest;
You can't relate this woman to Rose in the Titanic's first class cabin;
Whether it is the puffiness on the face, the impatience in the corners of the mouth, or the slightly awkward posture, it is completely integrated into the story of this gray town with a kind of courage to break the reshaping.
The British rose on the Titanic, the arrogance of the hand, was drained by Kate like a pump.
The most is that the human world cannot be retained, zhu Yan resigns the mirror flower and the tree.
Kate was born in 1975 and is now approaching the 50 mark.
She knows that her appearance has nothing to do with freezing age, and her figure is also a typical fat type;
In fact, as early as after the "Titanic" fire, Kate rarely appeared on the screen as a "girl", and "Warm Inner Cold Light" counted as one.
After that, it was on the road of "middle-aged women" that they went farther and farther.
In 2008, Kate was very fruitful, she first broke the audience's love fairy tale with Leo in "Revolutionary Road" in an almost tearing quarrel;
After that, he appeared in the film, playing the conductor who swayed between shame and dignity in "The Reader", and won the Oscar;
In the confined space of "Killing", Kate's turbulent aura and the confined space form a strong contrast;
From the initial gentleness, to the later spitting, Kate presented the hypocrisy of the middle class.
Kate's last film that shined was 2015's The Tailor;
She was very calm about her blessed figure, and her luxurious clothes were wrapped in a graceful shell, as if the buttons would break at any moment.
Last year, there was an unpopular LES film "Ammonite", Kate's appearance in the film, like suddenly getting old in her teens and twenties, especially with Ronan, the whole person revealed the vicissitudes after the corrosion of the years.
Kate opens high and walks high, and her works span a variety of genres, thousands of people, and there is no fixed way of performing.
One fan commented particularly well:
Kate in every work is beautiful, but not Rose's kind of beauty.
In the past two years, the domestic "middle-aged actress did not shoot" the call is very high, before Yao Chen ma Yili shouted for opportunities, and then There was Liu Xiaoqingnian nearly 70 actors.
The single theme, the homogenization of the script, and the low market acceptance are of course the objective reasons that cannot be solved for a while and a half;
But breaking the established drama path, trying different genres, and giving the audience a surprise is not necessarily the path for the actor to upgrade himself.
In fact, there are many actresses in the international film world, who were incredibly beautiful when they were young, and after entering middle age, they self-destructed their images and took over one or two roles with great contrasts, and opened the second spring of their careers.
Cohen's sister-in-law is now in her sixties, but her career is in the ascendant, completely free from her husband's light.
When Cohen was young, she was also a flower in the genre film, taking the intellectual and sweet route.
Perhaps inspired or instructed by the Coen brothers, she quickly recognized the harsh truth of time, gradually adjusted from the vase route to the acting route, and tried a variety of drama paths.
Subsequently, they began to pull out on the road of "vixen" and "neurotic";
In "Insignificant Life" and "Three Billboards", completely open to self;
Dry, wrinkled, rickety, full of foul language...
From a flower, withered into a dry grass;
Flowers have the vividness of flowers, and grass has the strength of grass.
After winning the second little golden man, Cohen's sister-in-law's performance strength did not need to be proven, and then transformed into a producer, and after winning the highest award at the Oscars last year, her career entered its third peak.
Then there's a goddess-like figure: Amy Adams.
Invincible in appearance, eyes like blue waves, nose tip like eagle hooks, a red curtain hair, set Italian style and a body;
Appeared in the "Cat and Mouse Game" for 10 minutes, and once stole the limelight of small plums;
Since then, she has hung all the way, unleashing her beauty in Hollywood urban films;
But in the works of these two years, Amy Adams has changed, from a vase selling beauty to a mature and stable family woman.
In the same route as Kate, in the 2018 American drama "Sharp Weapon", she starred in an alcoholic and decadent "problem policewoman", who was also deeply hurt by her original family and went deep into a small town to decrypt the murder case.
Later, Amy Adams ate herself fat, gained 30 pounds, and starred as a moody and drug-addicted failing mother in "The Lament of the Countrymen".
An active attempt and an active transformation for her nomination for last year's Oscar.
There are many more examples of breaking the aura, jumping out of the human set, and self-destructing the image;
Charlize Theron, Julian Moore, Nicole Kidman, Scarlett Johansson...
Pick out which one you want, all of them have been the darlings in the spotlight, and they all have the confidence to make the world tremble;
Nowadays, people are old and yellow, their appearance is no longer, whether they are ugly or crazy, they have opened the second spring of their careers.
In the eyes of the audience, they are twilight beauties;
For them, they are performers, not screaming human flesh machines.