Ingres, one of the representatives of the neoclassical school, the last leader of the French neoclassical school, an academician of the Royal Academy of Fine Arts, he is a follower of the only classical model.
Ingres was born into a noble family, his father was an academician of the Montauban Royal Academy of Fine Arts, and he was in a strong artistic environment from an early age, and was well educated by art.
Ingres came to Paris at the age of 17 and entered the studio of David, the master of the neoclassical school at that time, and his study here had an extremely important impact on the future artistic path of Ingres.
Ingres, as a representative of neoclassicism, represented the conservative academic school, and he greatly admired Greco-Roman art and the classical aesthetics represented by Raphael during the Renaissance. Angle perfectly integrates the rational beauty of classical art with the natural image, refining his own simple and simple style.
The nude in Ingres's paintings is a very important subject for him and represents his best achievements. Ingres's have no thoughts, no faith, no marks of the times, and are completely left with the purest artistic creation.
Throughout his life, Ingres pursued a classical idealized, calm and solemn aesthetic, making this aesthetic his highest pursuit of washing. Therefore, Ingres is very strict about the modeling requirements, even if it is a stool or a smaller object in the corner of the picture, he must do his best to shape it. Perhaps because of this, Ingres's picture appears to be somewhat rigid, becoming a pure art divorced from reality.
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