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There was a problem that bothered me for a long time.
That is, because of the "cold winter" of the film and television drama industry brought about by the epidemic, what kind of impact has it brought?
Is it "Avatar" and other "blockbusters" that can't stand loneliness and re-screen gold?
Or does the film and television drama no longer invite too many actors, and an actor goes from infancy to adolescence, and then to middle age and twilight?
Don't understand.
In 2017's "The Rise of the Great Qin Empire", Zhang Bo, who was not very old at the time, played Qin Zhaoxiang Wang Yingji in the play. But in The boyhood of Yingji, the crew did not let Zhang Bo play directly, but chose the real "juvenile actor", liu Zhaohong, who was only 18 years old at the time.
But in just a few years, times have changed.
In "Great Qin Fu", Zhang Luyi starred as the 13-year-old Ying Zheng;
In "Shangyang Fu", Zhang Ziyi starred as the Young Queen;
Last year's "Deep Love" was more direct, and Liu Jialing directly starred in Gu Manlu.
"Tenderness" is a science.
Nowadays, among the people who study this knowledge, there is one more figure that everyone is equally familiar with: Liu Tao.
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Last night, the "heroic" of 8 episodes was thrown out, and Li Shaohong's "Great Song Palace Words" finally revealed its true face.
This "Great Song Palace Words" has just been online for a few hours, and it has created a record, that is, "Douban has the fastest opening score".
Although there is no authoritative data to prove it, the speed of douban scoring in "Great Song Palace Words" is definitely among the best.
Initialization: 6.1 points.
It's now 4.9.
The downward trend has not slowed down.
Why?
Is it just because Liu Tao's actual age is far older than the characters themselves in the play?
I'm afraid it's not that simple.
Holding the principle that without investigation, there is no right to speak, I tried to watch 6 episodes in one breath.
After reading it, there was only one feeling, and Li Chengru's "three consecutive criticisms" suddenly sounded in his ears: like a fish in the throat, like a man stabbing his back, like sitting on a needle felt.
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First of all, the most important question must start with the actors.
Liu Tao's acting skills, if you don't blow or black, are no problem. In addition to the early age of Liu E, the line skills, body performances and facial expression control she showed in the play are still within the normal range.
But the important characters in the first few episodes are obviously a big disappointment.
For example, as a veteran actor and Golden Horse Film Emperor, Tu Men was supposed to play the role of a "pillar of the stage" in this drama, but unfortunately, he was lost in the rush editing of "Great Song Palace Words".
The same problem also appeared in Qi Xi's body.
Coupled with the fact that director Li Shaohong has always "preferred" to use Taiwanese male actors (referring to Zhou Yumin in this drama), this "Great Song Palace Words" does not know what magic power there is, so that these actors who were originally very good suddenly become unable to act.
Except for Zhao Wenxuan.
Of course, he has gloriously gone offline.
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Clips and BGM (background music).
When the scenes are changed, "The Words of the Great Song Palace" almost never uses empty shots to make appropriate eye and psychological transitions for the audience.
This leads to a very direct feeling, that is, the pace of "Great Song Palace Words" is too fast, and the story line tends to flow into the account mode.
Many blamed this on the part that was cut before the show aired.
But on closer inspection, this is not the case.
Imagine if you had to cut out a part of it to keep the length of 61 episodes, you could have cut out some of the unimportant episodes. Instead of struggling to "cut out" those empty shots little by little at each transition.
In addition, the BGM in the play basically maintains the consistent style of director Li Shaohong.
Sometimes it's soft and inaudible, sometimes it's loud enough to want to annihilate everything.
But no matter how loud or small the sound, the biggest feature is "weird".
This is also why many viewers will feel that most of director Li Shaohong's works are like "ghost films".
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Inexplicable bridges and inexplicable lines.
Whether the "Golden Alliance" exists or not, whether the content is "three-way covenant" or something else, is an unsolved case in real history.
But the biggest beneficiaries of the "Golden Alliance" were Zhao Guangyi and Zhao Pu.
One ascended to the throne "justifiably" after his brother's violent death, and the other worshipped him again.
After Zhao Guangyi ascended to the throne, the "Alliance of The Golden Dagger" became a stumbling tool, because his younger brother King Qin was still alive.
Then, under the ruins of the palace, Zhao Guangyi confessed to his brother that he had killed his second brother in order to ascend to the throne, and he really couldn't understand what his intentions were.
People are going to die, secrets are out?
Lin Er's death was also strange, a squirrel, a small dagger, completed a shocking assassination.
And this sentence "The father and emperor liked the third brother since childhood", is a sick sentence? Or is it that the black belly wants to show that the ancient people got married and had children too early?
A large number of lines in the play prove the lack of language ability of this screenwriter.
Many viewers believe that the costume of "The Words of the Great Song Palace" is of high quality.
But it may not be as good as the same webcast "Crane And Hua Ting".