The recent hit "Ideal Shines on China" just saw wang Yibo's "Choice" chapter, the most infectious should be his role in the choice, here is a detail.
When Jiang Xianyun (played by Wang Yibo) turns to leave after giving Xu Zhizhou a military salute, the camera focuses on Jiang Xianyun's feet and finds that his shoes are all wrapped in dry dirt.
The close-up shot with mud shoes appears more than once in the "Choice" unit, which is a key foreshadowing in the entire plot, and in addition to showing Jiang Xianyun's hardship and perseverance when training in the rain, it also paves out the "divergence road" of each important turning time of Jiang Xianyun.
What I can think of is that this close-up camera locates Jiang Xianyun's "brilliant life" in this short 20-minute plot, that is, a metaphor for the road he chose, which is a road full of mud and thorns, and it is definitely not easy to take, but this road is the road that Jiang Xianyun is determined to always take.
<h1 class="pgc-h-arrow-right" > to emit light, shine together</h1>
In this unit, Jiang Xianyun's biggest "resistance" is Xu Zhizhou, who is microcosmed by the background of the national faction, and his rivalry with Xu Zhizhou can be said to run through the entire storyline.
The amazing thing is that Wang Yibo is the protagonist, but while watching Wang Yibo's performance, I will not ignore the role of his opponent, Xu Zhizhou's performer Song Xi.
In addition to Song Xi's own strong acting skills, it is also because Wang Yibo will not steal the role because he is the protagonist, but strives to keep up with the rhythm of the other party, so that the gap between them becomes minimal.
Speaking of the scene where Xu Zhizhou let Jiang Xianyun choose, Wang Yibo's sonorous and powerful lines and resolute eyes, combined with the suffocating sense of oppression in Song Xi's eyes, produced a super infectious force like "in the face of strong pressure, I resolutely chose the path I decided to take".
Therefore, at that time, the mud on Wang Yibo's shoes was close-up, which seemed so appropriate, and then so many people followed Wang Yibo, and it felt very natural.
Some netizens once said, "No matter how good a person's acting skills are, they can't support the whole drama." "So only a rigorous plot and a group of actors with good acting skills can make this drama have an intriguing charm."
Sometimes, not stealing the scene is also an ability.
< h1 class= "pgc-h-arrow-right" > acting, you have to cooperate</h1>
In addition to Xu Zhizhou, the "opponent", there are also two key big figures in the play, one is Mao Zedong and the other is Chiang Kai-shek.
Wang Yibo and the actors of these two actors are also very interesting to play.
When Jiang Xianyun first saw Mr. Mao, the whole camera was only facing Wang Yibo alone, and from Wang Yibo's joyful expression of honor when he met his confidant, he could make the audience brain supplement Mr. Mao's state and expression at that time.
When the scene of Jiang Xianyun and Chiang Kai-shek meeting appeared, Wang Yibo was in a completely different state.
When facing Chiang Kai-shek, Jiang Xianyun exuded a state of awe and respect, almost did not look directly at each other, even if the two were close to each other later, they could feel the distance between the two of them across the screen.
Wang Yibo's demeanor not only reflects the heart of the character, but also sets off a sense of majesty of the character Chiang Kai-shek.
Because the roles of these two big people are not much (especially Mr. Mao), only from Wang Yibo to match the role positioning of each other through two completely different states, can we reflect the completely different character settings of these two big people from the side.
Wang Yibo cooperated with his opponent to act, and the achievement was between the two sides of the role.
At the end of the plot, Jiang Xianyun lit a match alone, the faint light flashed in his eyes and the darkness around him produced a strong contrast, and then a torch suddenly appeared beside him, a strong light shone on his face, on the marching road, his look back smiled to give the audience a blank of infinite reverie.
At this moment, I felt as if the whole plot was just Jiang Xianyun's "monologue", which was just the illusion of Wang Yibo's "one-man play".
"Letting" the opponent act first, and then "picking up" the opponent's play, may be a good way to enrich the protagonist's "life story", which requires strength and even more literacy.
#影视杂谈 #