"In the Name of the People" Small Flower He Xinlin: Post-90s Righteous Responsibility
Directed by Li Lu, written by Zhou Meisen, and starring Lu Yi, Zhang Fengyi, Zhang Zhijian, Wu Gang, Ke Lan, He Xinlin, and others, the realist TV drama "The Name of the People" tells the story of the anti-corruption drama of the Supreme People's Procuratorate and the Central Discipline Inspection Commission to investigate and rectify the political ecology of Handong Province from the light and dark lines, and the story of Hou Liangping, director of the Handong Provincial Anti-Corruption Bureau, investigating and dealing with corruption at the front desk, bringing out people from all directions, pieces, gangs, and other people, in which the positive characters and the villains are good at their own strengths. Of course, there are also some relatively marginal melon-eating masses, facts have proved that the melon-eating masses are also important participants in anti-corruption, and the source of the title of the film in the name of the people is so, he Xinlin's "sweep away all pests" has grown rapidly from watching to change China to witnessing the anti-corruption war of relatives.
He Xinlin starred in an anti-corruption drama for the first time, starring as Liu Shan, a post-90s little girl with both a university education level and an unworldly experience. Some people say that He Xinlin's role is not much, at most he is a "soy sauce". This sentence only sees the surface - there are not many scenes, but I forget the important existence of this role, because the character of Liu Shan has played a role in carrying forward the upper and lower levels, and is also a vivid representative of the post-90s generation. Of course, for He Xinlin, the role of Liu Shan is a self-challenge and an interpretation of the role of creating vitality, after all, she has interpreted Liu Shan's well-behaved and cute, justice and heroism.
I remember that the famous drama master Stanislavsky once said: "Where there is life, there is action; where there is action, there is activity; where there is activity, there is speed; where there is speed, there is rhythm." That is to say, as an actor, if he can't grasp the "speed" of the role, then his performance is doomed to failure. In the TV series "In the Name of the People", Liu Shan, as the post-90s "woman" behind the "little uncle" Hou Liangping's family, has both the role of a bridge for the emotional transmission of the three generations of young and middle-aged children, and the justice and heroism of the little girl herself. He Xinlin is dressed in light clothes, and as soon as he appears, he gives people a sense of heroism and simplicity, and the performance is not cramped and does not have a delicate and contrived attitude. In Hou Liangping's home, Liu Shan, as a young man, not only has to maintain consistency with her aunt and uncle, but also counsels Hou Haoran, but He Xinlin can freely change the emotions of the role and show a multi-faceted Liu Shan.
Specifically, on the one hand, Liu Shan has the "cuteness" of post-90s girls. In the sister-in-law's home, Liu Shan seems to be a converter of emotions, ostensibly an indispensable "little person", but in fact, it is the pivot of the generation, bearing the group portrait expression of the post-90s. Therefore, in the family, she can talk freely with her aunt /uncle, and she can also have fun with Hou Haoran. Take a scene in which Liu Shan, Hou Liangping, and Hou Haoran go to a math tutoring class, and Liu Shan shows a cute and worried side. At the dinner table, she could talk to her aunt about the panic of the tutoring class, and hide the mood of taking money to play without reporting for the class, and there was a sense of righteousness and pride in punishing the bad guys. In the counseling class, when she watched her little uncle Hou Liangping fight with those "scum", she was a little scared and a little worried, although she protected Hou Haoran.
On the other hand, Liu Shan has a side of justice and righteousness. Living in the "official" family of her sister-in-law, she was full of thoughts that she would not take a crooked road and dare to fight against corrupt elements, so that her every move would also show this vigor. In Handong Province, the demolition of the Gale Factory was raging, and Liu Shan, as an "intelligence officer", showed the frankness and heroism of the post-90s girl. Liu Shan can collect information on the network in time, report to Hou Liangping at the first time, and expound her own views, which highlights the righteous atmosphere that post-90s girls should have. Of course, for this, some viewers said that Liu Shan's role is Huashi Tianfeng. As everyone knows, Liu Shan is a symbolic figure after the 90s and a character who grew up in the "Internet" era, so her every move is an allusion to this era. In this way, this character has become the finishing touch of the play, which is of far-reaching significance.