The day before yesterday, I just wrote "New 85 Flowers, Start the Expedition", which was originally just an analysis of the four post-85 actresses who were covered in pearl dust.
As a result, the comments were full of praise for Reiza's acting skills, and the regret that Magnolia had returned home.
It is so warm that netizens affirm the role and actor.
Let's start with the characters.
There is a script of "Mountains and Seas" as the foundation, compared with other heroines, the splash, is the most three-dimensional in the interior.
It may also be one of the best female characters in domestic dramas in recent years.
On the one hand, she represents hundreds of millions of poor women in Chinese society, manipulated, suppressed, and degraded by feudal traditions.
On the other hand, her tenacity and bravery are perfectly in line with today's mainstream call for women's self-improvement.
The character design itself is already a ceiling, pleasing enough.
What's more, the actor is still Reiza.
A victim who also suffers a male gaze in reality because she is also a woman.
It is also because of self-improvement that female warriors stand up to this injustice.
We have already talked about the adaptability of the characters and actors in temperament, but there are very few such fits from the persona to the spirit.
Therefore, it is necessary to write another article for Reiza.
Perhaps, we can also take some inspiration from Reiza's performance as an actor, as a woman, and even as a mother.
Although nominated for the heroine, to be honest, in "Mountains and Seas", the splash scene is actually not much.
The series consists of 23 episodes and a total of 17 hours.
The splash scenes add up to only 1 hour and 44 minutes, which is equivalent to 4 minutes per episode.
However, even with such a small number of scenes, Splash has become the most likable and heart-wrenching character in the play.
Water splashes are flowers that grow from bitter water.
Although he was smart and beautiful since he was a child, he grew up in such a poor place as Xihaigu.
He had excellent grades, but had to drop out of school because his family did not have money.
When he grew up, the boy of Qingmei Bamboo Horse became a village cadre, but he had to be exchanged by his father for a donkey, two sheep, and two cages of chickens.
Although he also had the opportunity to escape, he married because he was worried about his father's safety.
Fortunately, after marriage, her husband was kind to her and could live a good life.
But a few days later, the husband was crippled because he was digging a water cellar.
The top beams and pillars of the home fell, and the splash still did not complain.
The days must go in a good direction, and it is necessary to find their own way.
So Shui Hua put all his belongings and her husband and daughter on the board and dragged them alone for seven days and seven nights.
Singing songs, going to the hanging village.
The Gobi Desert is a loess soil, and when you first came, you can only live underground.
But Shui Hua still smiled, looked at the new life, and said, "Good, fine."
After that, she began to learn to grow mushrooms from professors from Fujian.
The mushrooms were dirty and smelly, and the men in the mushroom shed said that the stench was unbearable, but the splash was always in front of them.
Because she knows that only by enduring these sufferings can life become sweet.
Some people say that it is difficult to see such a female image in the current film and television industry, even in the past.
It looks thin and tolerant, but in fact it is tough and strong.
The hardships of life did not bend her back, but made her stand up straighter.
When we see the end, we will find that Splash is not a woman who will only be virtuous in traditional domestic film and television dramas.
It is a Northwestern woman with new ideas and great wisdom.
Good characters and good actors are mutually accomplished.
On the basis of the script, Reiza's performance also fills in many details for the image of the splash.
Let's say that the splash runs through the two details of the whole play.
One is that although there is always a smile on the face of the water splash, it is always timid when talking to people.
This point shows the inferiority complex of the splash.
The other is that the water always walks with open hands, even if it is farm work, it is necessary to wear gloves.
Because Reiza felt that although Splash was in a dirty place, she was still a person who loved cleanliness, so her hands must be clean.
Although he has low self-esteem and is in a harsh environment, Shui Hua has never given up the pursuit of a better life.
In an interview with Southern People Weekly, Reiza said:
There is no way to do things about the environment, and no one wants to choose the days of poverty, otherwise there would be no word for 'poverty alleviation'. Everyone wants to go to a good life. When they don't have that condition, they can only live that way, but they will at least live a better life under the conditions at that time.
Reiza understands the splash and understands that she does not represent the humiliation of traditional women in the face of suffering.
It is the courage to endure hardships but still be optimistic and tenacious.
Since you can't change the outside world, try to make life better.
Since he has lost the possibility of knowledge and love, he wants his daughter to be free to study and fall in love.
Found no.
In fact, most of Reiza's characters are like this.
Although fate was arranged by others, I tried to make progress within my ability.
Ye Lanyi in "The Biography of Zhen Huan in the Harem" and Tan Qi in "The Twelve Hours of Chang'an" are all carrying a certain identity given by the outside world, but the characters always have a beam of light in their hearts.
And part of this light came from Reiza himself.
In the whole drama of "Mountains and Seas", the most touching scene of the water splash is that she drags her husband and daughter to the hanging village.
Behind him, there is the suffering of the past, the fate of being sold, the disability of the husband, the hopeless life.
Ahead, maybe splash doesn't know what awaits her in front of her.
Face the endless loess wilderness and the dark clouds rolling in the sky.
Splash didn't flinch, didn't shout tired.
While dragging the scooter, she taught her daughter to shout "Fast, fast."
And this sentence is also Reiza's impromptu play, deliberately learned from the locals.
Reiza thought that it was not easy for a strong woman to walk in the Gobi Desert for seven days and seven nights.
Splash needs a force, and her daughter is her best hope.
In this moment, Reiza thought of her daughter.
In fact, at the time of filming "Mountains and Seas", Reiza was still breastfeeding.
In order not to give up breast milk, Reiza began to carry milk, and more than 20 bags of frozen milk were prepared for turnover before leaving.
As a result, when I fast-forwarded to the group, I blocked my milk, and even began to pus, and it hurt to walk and ride in the car.
In order not to affect the shooting, Reiza did not choose surgery, but asked the doctor to pump pus with a needle.
Inserted a very long needle into the chest and smoked for a day off, Reiza smoked for four days, and took medicine halfway through.
At the boot ceremony, others were making wishes for a smooth shooting, and Reiza still hoped not to block the milk.
Throughout the filming, Reiza had to milk the cows while memorizing lines, and she had to learn dialects while taking the children.
Until the end of the shooting, she lost a total of 5 pounds.
It can be seen that some of the disobedience to lose on the splash must come from Reiza.
Although it was once popular because of Ye Lanyi, Reiza really entered the vision of netizens, in fact, it was still the previous entanglement with netizens.
In July 2019, a photo of Reiza in a low-cut yellow suspender shirt at the airport sparked a heated discussion across the Internet.
Some people scolded her for being morally illogical, and some people said that women can wear whatever they want...
Fueled by public opinion, such noise has risen all the way to the discussion of Chinese women's freedom of dress.
When a personal event becomes a public event, the average celebrity chooses not to say a word.
But Reiza was not partial, so he had to prove my heart with a pen and explain the response again and again.
Many people advise Reiza not to care too much, the network is so big, of course, there are dissent.
But Reiza did not want to oppose, but was more sober than anyone.
For girls to wear clothes, she believes that not discussing is the greatest freedom and respect.
When it is said that these behaviors will affect the impression of netizens, Reiza said that she does not need to be perfect, she only wants to do her duty as an actor.
Reiza's loneliness is a quality that many celebrities, even women, rarely possess at the moment.
We often say that women should be gentle and friendly, but Reiza tells us that female stars should also have their own attitude and courage.
In terms of being a person, Reiza is also a person who wants to be strong, does not accept defeat, and is not willing to be evaluated by others.
Kao Nortel because her mother said a sentence "you can't pass the exam."
When the actor also because of the teacher's sentence "You may not have any roles in the future 'out'".
She wanted to prove herself.
In fact, when the casting of "The Twelve Hours of Chang'an" was announced, netizens did not agree with her at first.
But Reiza knows that the best response is to play a good role.
So she stopped working, read, studied, and trained for a whole year.
Finally, he successfully created another classic role of his own.
After that, there's the splash.
In this way, relying on acting skills, Reiza finally passed through the netizen scolding war, the thorny jungle, and finally was praised and appreciated.
The arrival of the daughter also allowed the audience to see her gentleness and beauty.
At this point, after several rounds of spring and autumn, what Reiza suffered, paid, fought for, and received finally converged into a broad road.
And the process of facing the pain of life, the evaluation of others, how to reconcile with herself, and how to go one step further are also worth using as a reference for women who are still in a confused state.
Reiza's straight back on the Internet reminded Piao of Fu Ma's words:
"Quarrels are meant to maintain order in my heart."
The same goes for Reiza.
All kinds of disobedience and disobedience inside and outside the play are in order to do their best to protect their edges and corners under various circumstances.
These inner edges and corners are pieced together to be a complete "her" herself.
This maintenance of the "self" also exists in Reiza, who has become a mother.
Children are an inescapable part of her life.
However, in her view, the identity of "mother", which worries many young girls today, is not a bondage.
Becoming a mother is not an "unavoidable" stage in life, but an "intractable" stage in life.
It can jump out of the current moral kidnapping or anti-kidnapping of motherhood.
With that, or those three words, be yourself.
In the current situation, calling on mothers to be themselves has become a trend of consciousness, compared to this, Reiza seems to be slightly "outdated".
She will hide her negative emotions for the sake of the child's happiness, and even maintain a high-frequency emotional state in the face of the child's every moment.
Such a mother, put to the current public opinion, is roughly to be criticized as "losing herself."
But it is not from the vulgar, and it has always been the label on Reiza's body.
Although she has worked hard for her children, she and her daughter get along very equally, like friends.
She will look at her daughter beyond the identity of a mother, calling her a "woman", and making no secret of her appreciation as an independent individual.
The first time her daughter looks up and turns over for the first time, she sees both her child's progress and her own role model.
Reiza believes that accompanying her daughter to grow up is actually a time in her life that she has no memory when she first came to the world.
The daughter is by no means a stumbling block to her "being herself".
Instead, it is to become a good partner for her to accept herself and move towards a better self.
The arrival of the child made her frankly accept the characteristics of her "paying personality".
She chose to reconcile with it and enjoy the pleasures it brought with peace of mind and moderation.
Because she believes that accepting herself is the first step to truly being herself.
Under the topic of "motherhood", we do need a moderate reminder.
As Reiza puts it, there is too much superficial advocacy mixed in with true self-consciousness awakening.
It's like wearing a beautiful shirt and soaking in a disco to show your true self.
Thinking only of yourself is equivalent to being yourself.
And every effort and concession is regarded as the enemy of the "self".
From this perspective, the role of "mother" is a bit "tragic" because it must be considered for the child.
But if you think about it, if the "self" that you insist on never needs any effort, how can it be precious and rare?
There is no "get" in the world that is not priced.
The identity of the mother is just a new topic on the long road of "sticking to oneself".
It gives you a new identity, allows you to recognize the definition of yourself, to measure sacrifices, to make choices.
Plainly.
The so-called "being yourself" has always been a compliance with one's own heart, and a deep identification with the three views and attitudes towards life.
Rather than relying on external material satisfaction to flaunt it.
When the shackles carried by the thinking that "motherhood must be rigid" are lifted.
The last thing we should go to is the other extreme of "mothers can't make any sacrifices for their children."
Because that is essentially another kind of kidnapping of the identity of the "mother".
Just like when "Hello, Li Huanying" was released, it touched most people.
Some people also suggest that the image of the mother in the movie is portrayed too beautifully, and it is also a manifestation of the mother's identity on the altar.
The reason is that we should not create such a perfect mother who blindly pays and does not ask for anything in return.
Regardless, for a film in a private context where a child misses his mother, such a review seems to be high.
As long as you have seen the movie, you know that Li Huanying's kindness, optimism, or "happy and healthy" oriented values are all qualities that were possessed before becoming a mother.
Although he did not make good friends with Wang Qin, he never wanted to confront him.
When choosing a mate, he chose Jia Wentian, who could make him happy, instead of Shen Guanglin, the son of the factory director.
Such a Li Huanying has become the infinitely perfect mother in Jia Xiaoling's heart, which should have been logical.
Nor is she asking for anything in return.
Even if there are bad things interspersed with things like not getting into a good university.
But Jia Xiaoling also became an optimistic, kind and filial child like her at that time.
This return, yu Li Huanying's values, is the best.
However, under the influence of the concept of blindly advocating the liberation of motherhood, Li Huanying's gentleness and tolerance for Jia Xiaoling was regarded as a requirement of society for her motherhood.
Completely forgot that before becoming a mother, she was such a gentle girl.
To paraphrase a phrase from the movie, "She chose the way of happiness herself, how can the critic just not believe it?" ”
To put it bluntly, the identity of a mother is not the whole of a woman.
While respecting the child as an independent individual, we must not forget that the mother is also an independent individual.
She had to be allowed to maintain her own personality and advocacy.
Similarly, under the premise of respecting the child as an independent individual, we must also respect the dedication of women as a mother.
Mothers, they should not blame themselves for "not paying enough" or apologize for "not being enough."
Otherwise, it would simply change the color of the moral shackles that were placed around the neck of the "mother".
Reiza also mentioned the father in "A Beautiful Life" in the interview.
In the concentration camps of World War II, he created an illusion of a perfect world for his children, telling his son that it was nothing more than a big game.
Even when the gun is pointed at him, he uses funny body language to convince the child that this is always a game.
He was originally such a person, and when he pursued his wife, he used optimism and humor to resolve the class gap between the two.
After becoming a father, he still protects the child's world with optimism, bravery and kindness, and creates many good memories for the child.
The same goes for Reiza, who is a mother.
In order for the child to hide the emotions, cover up the fatigue, and even write some small scripts for the child to interpret.
Just to create some good memories on the way to growth.
Whether it was in the past or in the present, it was a woman or a mother.
Reiza firmly accepted his wholeness and transformation.
I completely accepted who I was at that time
She is still herself.
She is also the mother who cares for her children along the way.
In her case, the two identities do not conflict and are blended together.
Such an attitude towards life not only pins on the expectation of children, but also a gentle reminder to thousands of women who have become mothers.
Even if the identity of the mother cannot be reversed, the responsibility of the mother is bound to bring exhaustion.
But as long as your heart is firm, you can still be the most vivid self at the beginning of life.
Being yourself is a proposition that every woman has to face.
Reiza, who has become a mother, has a clear cognition and attitude in solving this question.