Compared to other male actors of his generation, Gary Grant (1904–1986) has worked with the most big-name female stars, from film queen Catherine Hetharine Hepburn (1907–2003), goddess Ingrid Bergman (1915–1982), angel Audrey Hepburn, and noble Grace Kelly Grace Kelly (1929-1982), to the glamorous Sophia Roland Sophia Loren, the sexy Marilyn Monroe (1926-1962), and the screen witch May Whistle Mae West (1893-1980).
Almost all of the big stars of the time, with the exception of Vivien Leigh (1913-1967) and Elizabeth Taylor Elizabeth Taylor (1932-2011), worked with him. But even with so many actresses, there has never been a single rumours of discord like Clark Gable Gable (1901-1960) and Vivien Leigh, as well as Humphrey Bopgart (1899-1957) and Catherine Hepburn, gary Grant's gentlemanly demeanor and femininity in Hollywood.
Without forming a regular on-screen couple with Spencer Spencer Tracy (1900-1967), Catherine Hepburn and Gary Grant co-produced three comedy films in a row, Baby-Feeding Up Baby (1938), Holidayday (1938), And The Philadelphia Story (1940), which were often very well received.
This is a still from the movie "Baby-Raising Wonderland" and also shows for the first time the sexy scene of Gary Grant wearing women's clothes on the screen, through the mouth of Gary Grant. For the first time, the word "GAY" appeared on the screen – homosexuality.
This is still from Katherine Hepburn and Gary Grant starring in "Holiday Day" (1938), Catherine Hepburn is a well-known lesbian in Hollywood, and the reason why she and Spencer Qusay came together was to cover up some truths, or they would not have been together for so many years. In some biographies of Catherine Hepburn's private life, Hollywood lace writers have not underreported her material, and have the opportunity to elaborate slowly.
This is still from The Philadelphia Story (1940), starring Catherine Hepburn and Gary Grant, which made Katherine Hepburn make countless dollars, and she was once madly obsessed with Greta Garbo (1905-1990), but Greta Garbo and she were both lesbian T.
It's Catherine Hepburn and Gary Grant dubbing the World War II promo.
The film Beauty Plan (1946) is a post-war masterpiece by Gary Grant. His glamorous performance with Ingrid Bergmanju made the film a masterpiece of Alfred Hitchcock's (1899-1980) directorial career. Ingrid Bergman and Gary Grant were really good friends at that time, because at that time they both had their own belongings, and they were very punctual on the set, just like white-collar workers today.
This is still from Ingrid Bergman and Gary Grant's collaboration on Indiscreet (1958). True and False Princess/Anastasia (1956) re-embraced Ingrid Bergman, who was "exiled" to Europe by American audiences, when her old friend Gary Grant went to Hollywood on her behalf to help her receive the award, and the comedy film "Fishing for the Golden Turtle" was revived by american audiences.
This is a group photo of Ingrid Bergman and Gary Grant attending the promotion of the movie "Fishing for a Golden Turtle Indiscreet" (1958).
Ingrid Bergman and Gary Grant were filmed on location in the filmIng for the Golden Turtle Indiscreet (1958).
Promotional photo of Grace Kelly and Gary Grant for the film To Catch a Thief (1955).
Grace Kelly has always loved to fall in love with older people in Hollywood, perhaps because of her childhood with her father. After filming High Noon (1952) with Jaly Cooper (1901-1961) and Clark Gable on Red Dust Mogambo (1953), there was no end to the "gossip" with the two emperor superstars.
Grace Kelly got into a fight with Gary Grant during the filming of To Catch a Thief (1955). But this time Grace Kelly learned to be obedient, did not stalk and scare away Gary Grant, but began to enjoy the relationship between them, Grace Kelly met the Prince of Monaco and decided for life while promoting "To Catch a Thief" in Cannes, and then Gary Grant and Grace Kelly A friendship across time and space was born, until Grace Kelly returned to heaven.
Grace Kelly and Gary Grant were on location in the film To Catch a Thief (1955).
After Grace Kelly got married, as long as there was any activity, Gary Grant would definitely rush to the scene if there was no special reason, rain or shine.
Promotional photo taken by Audrey Hepburn and Gary Grant for the film Charade (1963).
In 1962, Audrey Hepburn and William Holden William Holden (1918-1981) collaborated again very unpleasantly, and during the filming of Paris Holidays Paris - When It Sizzles (1964), William Holden was often drunk, lost his temper, and did not even have the heart to star with the entire cast, for which Paramount had to store the film for two years.
At this time, Mel Ferrer (1917-2008), the husband of Audrey Hepburn, who was filming in Spain, had a scandal spread, and some gossip writers wrote that Audrey Hepburn and William Holden's cooperation was again for revenge, and Audrey Hepburn was very sad, on the one hand, for Mel Feller's derailment, on the other hand, for the rumors of the scandal. And the truth is, audrey Hepburn and Mel Feller have a big rift.
"Paris Holiday" was followed by "Lost in the Fan" (1963) with Gary Grant, and in this Alfred Hitchcock-esque film, the real protagonist was Audrey Hepburn, and everyone else made a wedding dress for her, and naturally Gary Grant did not receive good courtesy.
Stills from Audrey Hepburn and Gary Grant from the film Charade (1963).
But the film was a great success, and the other success was President Kennedy. In 1963, after Marilyn Monroe, Audrey Hepburn sang his birthday song, and there are no more gossipy biographies of Audrey Hepburn about her with the former president.
Stills from Audrey Hepburn and Gary Grant from the film Charade (1963).
This is a promotional photo of Marilyn Monroe and Gary Grant in the movie Magic Business (1952).
Although Marilyn Monroe was not the heroine in "Magic Spring Love Monkey Business", it now seems that her bridge with Gary Grant in the film has been very effective, and her beauty has been highlighted, but at that time, Gary Grant's mind was on Marlon Brando (1924-2004).
This is a still from Marilyn Monroe and Gary Grant from the movie Monster Business (1952).
Moreover, marlon Brando, when filming "Desire Streetcar A Streetcar Named Desire" (1951), in addition to taking a brief taste of Vivien Leigh, "took" her husband Lawrence Oliver Olivier (1907-1989) and kicked the British couple.
It was filmed by Marilyn Monroe and Gary Grant during the filmIng Of Magic Spring Moonkey Business (1952).