A hundred years is quite short, and in a flash, one-fifth of life—perhaps more than one-fifth—passes plainly.
If people love anime for a certain number of years, I am now a little scared, have I come closer and closer to that age?
After all, born in China, where the atmosphere of the second dimension is not very strong, after all, the future is difficult to predict -
Life can take away your love, games, or dreams of something at any time, it is not impossible, and after all, we are not Miyazaki, not Osamu Tezuka, not Toshio Suzuki, as animators, so that they can accompany you for a lifetime, you can say "no love" again and again and then regret it again and again, thinking that "it is better to die in nothingness than to die at work".
We can't, but hopefully we can.
We still remember "EVA", remember the obscure kiss between Shinji Tsurugi and Asuka, and remember the Lingbo goddess who just smiles.
We still remember "InuYasha", remember the inuyasha and kirito's persistent love through time and space.
We remember Spirited Away, the strong and kind girl and the faceless man who followed behind, and the tram at sea.
We remember "Your Name," we remember Mitsuba and Taki, we remember the night when Comet Diamat landed.
We also remember Hideaki Anno, remember his evangelion;
Remember Miyazaki hayao, remember the fairy tale world he brought us;
Remember Katabuchi Tsutomu, remember his fantasy-filled magic;
Remember Takahata, remember his "The Tale of Hui ye hime", and the years he has walked with Ghibli;
Remember Makoto Shinkai, who knows that the speed at which cherry blossoms fall is five centimeters per second.
They use their work and art to tell their way of thinking about the world, and they also influence our view of the world, including growth, loneliness, nature, and love.
Just like Hosoda Mori's "Wolf's Child Rain and Snow", the simple painting style, warm and delicate story.
The growth of Xiaoyu and Xiaoxue is diametrically opposed, a growth from human nature to animal nature, a growth from animal nature to human nature, let me know that a person's thinking will change drastically due to personality and environment as they grow up.
The child's change also affects the mother's life, the previous light rain of the sticky people and the naughtiness of the little snow although it makes the flowers very hard, but it is not lonely, but as the light rain chooses the life of the wolf into the deep mountains, the small snow rises to a school farther away, and the huge quaint house only leaves the shadow of the flowers to guard their childhood jumping, and the lonely people are tearful.
So I also know that the so-called growth of children is to let the mother be cumin. This is the only animated movie I watched and rushed to show to my mom. Even though she doesn't like animation.
An anime can really change so many people, courage, gratitude, dreams, values, and even worldview.
Before watching Parasite, I had never thought about this question: if humans weren't at the top of the food chain...
If intelligent creatures that feed on humans appear in the world, in the anime, parasitic beasts are inhuman, cruel and bloodthirsty, and are natural enemies of humans, because they eat humans, so they are like demons.
But what about the lives that we bring to the table as food? Are we also cruel and bloodthirsty to them, as demons?
"Countless small beings, they were born in this world but could not escape the fate of sacrificing for mankind." The parasitic beasts shouted, what's wrong with us being hungry!?
The laws of nature, there are no demons, no one is wrong, it is all the fault of the laws of nature, it is the fault of the ministers.
Sometimes I wonder if the chickens and ducks are too unintelligent, so they can only be reduced to human food.
Then I wondered if the Buddhist argument that all beings are equal is too irresponsible.
And then it dawned on me, oh, that's why they're only vegetarian. Since then, I have not been as at ease when I have eaten meat.
I value the story more than the style and character of an anime.
The story is the soul of an animation, like the trunk of a tree, only strong enough, the painting style, the human setting as branches and leaves can flourish.
So I remembered "Forever Summer Vacation, Rainbow Fireflies", knew the summer day when the cicadas were noisy, the fireflies that were flooded by the reservoir, and saw the magic of nature.
I also remembered "The Tale of Hui Ye Ji", remembered "Letter to Peach", knew that every drop of raindrops is the concern of relatives, they will turn into monsters to follow you, please do not be afraid of them, do not drive them.
Also remember Princess Aletti, Fantasy Photons and Millennium Magic, and much more...
A friend once wanted to watch "InuYasha", but because he could not accept the painting style of his time, he wanted to give it up. I said, why give up a story that may still be able to recall emotions in middle age because of the style of painting.
I know that when people reach middle age, anime may not know which corner we put it in, just like games, from junior high school to college, from CF to LOL.
From love to fading out of your life, there is no pain of cutting, no wounds, not even scars for you to reminisce about.
This does not mean that this crossfire, QQ flying car is outdated, of course, there are still people playing, but they are much older than you.
At this time, I found that I had fulfilled my childhood dream of growing up quickly, and I also found that I did not want to grow old too quickly, because I did not want Miyazaki, Makoto Shinkai, and Naoru Katabuchi to fade out of my life too quickly, and I did not want to let it be too far away from my world without the pain of separation and without scars.
If you can, want to remember these names, to gray-haired, Alzheimer's disease.
I hope that in the name of our loved ones, we will remember the names that we will eventually forget.
Today's Author: Dingdong Jun
Edit: New Fanjun
The image comes from the Internet
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