Founded in the 30th year of the Qing Dynasty (1904), xiling seal society is located in the western foothills of gushan in the West Lake Scenic Area of Hangzhou City, Zhejiang Province, including a number of ancient ming and qing dynasty architectural sites, with an area of more than 7,000 square meters; founded by Zhejiang seal engravers Wu Yin, Ye Ming, Wang Zhen, Ding Ren, etc., with the purpose of "preserving gold stones, studying printing, and combining calligraphy and painting", it is the academic group with the longest history, the highest achievements and the most extensive influence on gold stone seal carvings at home and abroad, and has the reputation of "the first society in the world". The founder of the Xiling Four Friends Poetry calligraphy and painting can all have their own strengths, non-special seal engraving Mingshi, Fuchang seal first, Qianquan seal first, auxiliary collection of scores first, and Ye Zhou is the first. Ma Heng is also one of the founders of the society, following Wu Changshuo, serving as the second president.
Wu Yin (1867-1922), formerly known as Jin Pei, was a native of Shaoxing, Zhejiang. Modern seal engraver and cultural entrepreneur. When he was young and poor, he went to Hangzhou at the age of ten to learn the inscription, and in his spare time, he traveled with Ye Ming at the gate of Dai Yongbai, learned ancient Chinese, learned Xu shu, and bought jinshi Tuoben to study by himself. When he was more than twenty years old, there was a poem cloud: "Dare to wait for the years to idle, and break the remnants of the monument to a room Luo." Jin Shi can portray the subject, with his sword pen Han Xiao He. "Cover to self-condition. In the 30th year of Guangxu (1904), Ding Fuzhi, Wang Fu'an, Ye Ming, etc., founded the Xiling Printing Society in the Isolated Mountain of the West Lake, as a place for printing research, Shi Qian participated in the fundraising, expanded the land, and spared no effort. In the ninth year of Yue, Xuanhe Garden, which had already taken shape, and the sealed genealogy and the golden stone map book were also impressive, so xiuqi made a covenant and invited his colleagues to join the society, which was the Chongyang Festival of The Ugly (1913). Mr. Wu Changshuo was elected as the first president. Mr. Pegatron asked Leye's descendants, seeing that Shi Qian and his wife Sun Jin (Zhiyun) had made a combination of ink clay and good deeds, so he ordered him to establish an authoritarian printing clay enterprise to meet the needs of the development of seal engraving art after the establishment of the society. In the same year, Shi Li had set up a company in Shanghai, still called Xiling Printing Society, and sold the pure Chinese printing clay made by shi lily. In 1921, Mr. Pegatron pro-sealed the signboard, guided the improvement of the formula, selected the color, and in 1916 named the first variety produced as "beautiful cinnabar printing mud". With fine production, strict ingredients, delicate and thick texture, calm and distinct color, winter is not frozen, summer is impermeable, printed on paper has a three-dimensional sense, named Qianquan printing clay; once it is launched, it is famous for printing altars. After the revival of the production of "special treasure cinnabar printing mud", "refined high-grade vermilion printing mud" excellent products, so the name of the qianquan printing mud, the benefit is not to go away. With good income, he used his spare funds to collect ancient seals, ancient and modern seals, and gold graphite books such as pottery, bricks, and ancient coins, edited picture books, and engaged in publishing. Mr. Pegatron used the seal engraving of his calligraphy and paintings to show his trust. Shi Qian has successively compiled dozens of kinds of "Chasing Golden Stones", "Collecting Ancient Seals", "Ancient Pottery Deposits", "Ancient Bricks", "Selected Ancient Seals", etc., which are popular for a while; and more than 300 families of ancient and modern celebrities are condensed and carved in stone, known as "Ancient and Modern Yang Lianhui Carvings", which is particularly huge. The woodcut created imitates the Song Dynasty, typeset books, and is also praised for its goodness, and the compilation of "Series of Books on Printing And Printing" and "Series of Books on Stones", that is, it is a kind of publication that is published in the world, and it is a great deal to flood the art forest. Shi Qian thought that he had become well-off, so he was quite enthusiastic about the construction of the Indian Society. In the west of the Printing Society, the number of halls is built, and the name day is "one by one", with the title of Wu Xiande and Zhang Zuyi: "Neither the world is boring; the ghost of the hidden virtue is emitted". Later, because the mountain spring shoveled the stone and soil, it was channeled into a canal, and the pond was called "Hidden Spring"; and the "Weiyin Pavilion" was built before the cup. They are all dedicated to the society, and they also want to pass on their names through the new traces of the lake and mountains. In front of the Shan Chuan YuLu Library, the old Shi Quan wrote a book: "Gas smelting copper and sharp stones, allocating wax and selling gold, dissolving the Han people into a printing place; rubbing ai yan sand, sealing mud signature paper, circulating genealogical records Ren Junshan." "Whether it exists is now unknown. In the ten years from Jiachen to Jiayin, Shi Qian raised donations four times, donating a total of 490 yuan to the ocean, which was the largest number. Ishizumi died of illness in April 1922 at the age of 56. The third son, the eldest son, ZhongyouQian, and the second Zhengan, can all pass on their skills.
Wu Yinneng poetry calligraphy and painting, good at engraving and printing, seal, Li Qi into the ancient times, beautiful landscapes and new ideas, especially famous for refining printing clay. More created imitation Song Juzhen typeset books. Taste the collection of ancient and modern celebrities Yang Ti shrunk carved in stone, the name of ancient and modern Yang Lianhui carving, and the collection of seals for the ancient seal of the Yuanyi collection. There are also books of ancient pottery, springs, bricks, and golden stones. The Zhejiang sect of the Early Sect of The Seal of the Emperor, since Mr. Changshuo taught the method of blunt knife centering, the printing style pi change, and widely involved the ancient and pottery seal sealing mud, reference for the wrong use, the pure and thick, compared with the previous is the victory, the China Printing Society once had the "Wu Qianquan Seal Spectrum" series. Mr. Pegatron has two masterpieces of "Portrait of The Title and the Scroll", sentence cloud: "The lake is haunting the sky blue, and the Zen tong character stone is the same as the reference." Thirty years of Yinxue was peculiar and dared to talk to Long Hong (i.e., Ding Jing). "I am not alone in the Printing Society, and I am not alone, and I am worried about it." He again waded into the Xiling Road in the past year, and endured to find a monument to rely on the wine urn. Between the lines, I saw the praise of Shi Qianzhi and the friendship between the two people. Ding Fuzhi has a collection of "On the Seal of Absolute Sentences" with Yong Shi Qian, the poem said: "The stunt knife hides the number of gongs (Shen Xin), and ah who discerns the true dragon with both eyes (Ding Jing). There are more Wu Gongzi in the wind and current, and the iron pen worker (Yang Fuji) is also passed on by the Pavilion. "It's seamless.
The Republic of China Wu Yin seal carved two pieces
Wu Yin's calligraphy is as old as its seal, and it is especially good at sealing and belonging to ancient times. Mr. Li Lian, which is found in the four words collected by the Xiling Printing Society: "Situ Hongdao, Taishi Shu Nian." "Ancient humble and heavy, big and simple, there is a sense of character like its people; its seven words are affiliated with the Union (Mr. Lin Qianliang's collection): "High wind since the happy stone longevity, the old rain is not empty." "Sign" Ding You(1897) Noon Moon Stone Submarine Wu YinShu Yu Wish To Learn Changsheng Building". This association is the work of Mr. Li's early years, which is close to the Huashan Temple Stele, and has been seen in the Lifa. His writings follow the Tang and Song dynasties, and he has both law and spirit. The inkblots that have been handed down are mostly found in Xinzha, Lishu "Jie Linwu Spot Stele", "Seven Words of Gao Feng Old Rain" and so on.
Republic of China Wu Yin Lishu Festival Linwu Ban Stele
"Jie Linwu Ban Stele", a vertical scroll on paper, 48 cm in length and 33.5 cm in width. Book: "Festival Linwu Ban Stele, 遯盦." "钤印:" 遯盦 (白文)." "Wu Ban Stele" full name "Dunhuang Changshi Wu Ban Stele", the stele was erected in the first year of Han Jianhe (147), 172 .6cm in length, 76.5 cm in width. The name of the person who signed the letter at the end of the stele is "Ji Boyun", which is rare in the Han stele. The stele is now in the Stone Carving Museum of the Wu Clan Tomb Group in Jiaxiang, Shandong. The inscription describes the life and merits of Wu Ban. The stele is square and elegant, similar to the "Shi Chen Monument". The knotted characters of this stele are neat and fine, in the middle and on all sides, the waves are clear, the square edges are square, the pen is thick and thick, the structure and meaning are prepared, showing the thickness of the calligrapher's skill.
Ye Weiming (1866-1948), also Ye Ming, Zi Pan Xin, Zi Pin San, Ye Zhou, Huizhou Xin'an people, sent to Xinzhou, lived in Qiantang, Zhejiang (now Hangzhou). One of the founders of Xiling Printing Society. Shaoshan Seal Li, more than ten years old, that is, the work of iron pen, the first Emperor Xiling family. In the 30th year of Guangxu (1904), together with Ding Ren, Wang Zhen and Wu Yin, he founded the Xiling Printing Society, with the purpose of "preserving the golden stone and studying the study of printing". Later, back to the Zhou and Qin Dynasties, yu ancient seals, Han iron seals, chisel seals, jade seals and Song and Yuan Zhu Wen seals, all of which are profound in skill. Gtuo Yi ware knowledge, especially the secret transmission of monks Liuzhou and Li Jinhong. There is a hand copy of the "Zhou Qin Seal Seal Spectrum". The inscription is also exquisite, and the study of the gold and stone examination is restored. And "Liexian Seal Play" is for his mother's sixtieth birthday to wish the person, engraved with the legendary names of the immortals, with different asanas engraved stones, azure and impressive, Ding Licheng as the inscription poem cloud: "With iron as pen stone as paper, Shou Tong Jinshi song music only." Pa Shu Yan Xi Xiang Gao Tang, Feng Xiang Shou did not know the ji. The immortals are more than hemp, and the childlike face is drunk and flowing. With the heart to print the heart of the infinite, Changchun Hall north of the mushroom flowers. It was also engraved as "Tiehua Box Printing Collection". In the summer of the 15th year of the Republic of China (1926), Wu Changshuo, Huang Binhong, Wu Guxiang, Huang Shanshou, Lu Lianfu and other 25 famous painters were invited to compose the "Visiting Monument map of Shexian County", which has been collected for 10 years. In his later years, he ruled the fine line Yuan Zhu Wen and the Warring States Xiaoxi, xiurun and energetic, elegant and natural. He died at the age of 82. His biography includes "Seventy Memoirs", "Huizhou Visiting Monuments", "Ye Zhou's Notes" in 8 volumes, "Guangyin Ren Biography" in 16 volumes, "Re-continuation of the Yinren's Small Biography", "Erjin Butterfly Hall Seal Spectrum", "Supplementary Guangyin Ren Biography", "Jinshi Family Biography", "Shexian Jinshi Zhi", "Saying Literature", "Yiyuan Printing Series", "Relics of the Hidden Nunnery", "Pine Stone LuYinhui" and so on. The collection includes "Guangyin Biography", "Ye's Seal Genealogy", "Liexian Printing Play", "Tiehua'an Seal Collection", "Ye's Series", "Social History" for the 10th anniversary of Xiling Printing Society, etc., and edited the "Commemorative Journal of the 30th Anniversary of Xiling Printing Society", and Wu Changshuo carefully selected and approved 10 volumes of "Jinshi Calligraphy and Painting Record", the original of which are all treasured by the members of Xiling Printing Society.
Ye Ming is erudite. Good at gold stone calligraphy and painting, good at carving stone monuments, known as "Zheng Qian's three absolutes"; fine gold stone evidence, has returned to Li many times to visit ancient monuments. Ye Zhoujing Jinshi examined the evidence, and his "Biography of Guangyin People" was the most famous. According to the writing of the history of the Indian people, it began with Zhou Lianggong in the early Qing Dynasty. The Zhou family collects seals as a spectrum, that is, the deeds of each Indian are inscribed on it. After Liang Gong's death, his son Zaijun was recorded in a book, divided into three volumes, from Wen Peng to Li Ying, together with an unknown person, a total of sixty-three people, published in the world, entitled "Biography of the Indian People". Although the original inscription is an inscription, the mentioned historical sites of the Indians are all the beginning of the Indian people's biography. In the Qianlong Period, Wang Qishu compiled the "Seal of FeihongTang" and imitated the works of Liang Gong, and wrote a biography of the ancients with the help of Shi Xian's elite hand, and became the eight volumes of the "Biography of the Continuing Indians", all of which were one hundred and twenty-eight. After the two books, Ye Zhou did not continue for more than a hundred years, but spent many years of energy, searching for historical biographies, side collection of Zhicheng, and private records, from the Yuan Ming Dynasty to the modern era, into the "Continuation of the Small Biography of the Indians", five hundred and fifty-one people, fifty-one supplements, and paid in the summer of 1910. In the winter of the same year, on the basis of the "Small Biography of the Re-Achievements of the Indians", Ye Zhou re-wrote the two books of Zhou and Wang, supplemented the Guangshi, and the history of the people, and became the sixteen volumes of the "Biography of the Guangyin People" and one volume of the Supplement, with a total of 1,886 people (of which the sixteenth volume was sixty-three Japanese Indians), which was printed by the Xiling Printing Society. Wu Yin called it "a special master of the past six hundred years, immersed in great preparation, rich in snare, compiled by the worker, Mao Yi Tender, contemptuous to add!" In words, its number is indeed far superior to that of Zhou and Wang, and the detailedness of historical events and the elegance of the words are not enough for Ye Zhou. The supplementary part is provided by many references, and it is often unknown, or the fate can be attached, and it may not be true that the seal is long- There are also "Biographies of the Jinshi Family", "Ye's Seal Genealogy", "Shexian JinshiZhi" and so on. Ye Weng Shi Kai Printing Society systematically studied the wind of printing.
Republic of China Ye Wei ming seal engraving works
Ye Zhou seal carving, patriarchal Qin, Han Yu, tracking Song, Yuan, modern Anhui and Zhejiang families, are carefully imitated, integrated, profound skills, iron line Zhu Wen You Lingxiu, the essence of the ancients. Judging from the seals of "Bright Moon and Thousand Autumns", "Self-Is a Stroke", and "Guan Zi Zhai", it has won the charm of the Qin and Han people. Professor Liu Jiang's "Ninety Years of xiling printing society" supplemented Baiyun in several words: "Ye Weiming in the management of the seal, the patriarchal Qin and Han, the ancient seal, the Han seal, the Yuan Zhu, as well as the modern Anhui and Zhejiang families, are carefully practiced, integrated, profound skill, diverse faces, rules and regulations change, the knife method is skillful and not slippery, the calligraphy is stable and not stagnant, and the breath is high and ancient and peaceful." Especially Han Zhu and Yuyin all the way, they can get the essence of the ancients. At the age of seventy-nine, mr. Zhu Wen and Xiao Xi of the Warring States can still make thin lines, and he is beautiful and energetic, elegant and natural, which is really rare. ”
Republic of China Ye Wei Ming Festival Pro Zhong Ding Wen
Ye Weng is also good at writing, especially good at sealing, simple and simple, with a rigorous body, condensed with a pen. "Jie Lin Zhong Ding Wen", ink paper gold text, 91 cm in length, 41 cm in width. Seal: "Ye Clan Inscription, Ye Clan Old Man, Born in Ding Di, Xiao Shaped Seal". Jianzang Seal: "Great Reward". Inscription: "Mr. Ming Xiang Ya genus, Nong Wu Xia, Ye WeiMing, when the age of seventy and six." "This piece of gold calligraphy is stable, neat and beautiful, simple and thick, dignified and elegant.
Wang Fu'an (1880 ~ 1960), formerly known as 禔, Shouqi, Zi Weiji, No. Fu'an, No. No. 1 Line, No. Innu, Yin Maid, Don't Sign Qu Que, Luo Cha Jiangmin, after the age of seventy, called the Old Man of Zhimo, the name of the Elk Ken zhai. A native of Hangzhou, Zhejiang, he lived in Shanghai at the age of 50. Modern calligraphy seal engraver, one of the founders of Xiling Printing Society. Father Tongbai, who studied Jinshi, has books such as "Shigu Wenshu Lian", "Tangqi Shixin", and "Wulin Cong dialect" that have been handed down. Mr. Fukuan inherited his family's education at an early age, and he was rich in literary exegesis and poetry. At the age of 10, he was engraved with calligraphy. At the age of 25, he and Ye Ming, Ding Ren, Wu Yin and others founded the Xiling Printing Society in the Lonely Mountain of the West Lake, and they were all drawn together to achieve the bottom. In his early years, he served the railway with his proficiency in arithmetic and mapping techniques. In 1922, he roamed Xiangchu Ezhu . Later, he was invited to Beijing to serve as the technical director of the Printing and Casting Bureau, and the co-workers were Tang Zuishi and Feng Kanghou Zhugong, both of whom were shi Junyan, and the official seal of the whole country was cast by the seal of the Printing and Casting Bureau. He is also a member of the Supervisory Committee of the Antiquities Exhibition Institute of the Palace Museum, and the compilation of "Jin Xue Liu Zhen", and powerful Yan. At the age of 46, due to the electric shock of the electric fan switch in his hand, he was sick for two years, and after recovering, he felt dizzy and dizzy every time he was a little longer. After that, the engraving will lie on his back on the rattan bed, holding the knife in his right hand, holding the stone in his left hand, hanging a small mirror on his little finger, making it with his hands in the air, and illuminating it with a small mirror while carving, accustomed to it, and doing the same for the side paragraph. The stone chips between the chests are all over the place, and they don't care about it. Because the print is facing downwards, the blade is more difficult to take, and the pen strength is not unaffected. In 1930, he returned to the south, settled in Shanghai, self-sufficient in art, bought a house in Siming Village, and studied day and night. Good storage of Qingtian old stone, hidden very rich, self-proclaimed Indian maid. If you get an uncarved stone, you can play the knife to save yourself. The threshold for print seekers at home and abroad is to wear, and the number of life engravings is tens of thousands. Like smoking, where the engraving and writing, between the lips will contain - pipe, smoke extinguished or not, think that this can help the text, otherwise it will feel lost. Peaceful and easy, happy to help the younger generation. Not only do we pass on the art, but also do our best to help those who are in difficulty in life. Among the disciples, Ruo Han Deng'an, Dun Lifu, Wu Putang, Xu Jiazhi, and Jiang Chengzhi were deeply favored by him. In his later years, Fu Lao was hired as a librarian of the Zhejiang Provincial Research Museum of Literature and History and a painter of the Shanghai Academy of Chinese Painting, and served as the director of the Preparatory Committee of the China Golden Stone Seal Engraving Research Society. The prostate swelling was opened and failed to heal, but the recovery turned into pneumonia, and he died in 1960.
Wang Fu'an fine seal carving, encouraged by Wu Changshuo, opened another way, specializing in small seals and gold texts. The Zhejiang sect of the early Yin Sect, and later the strength of the Anhui sect, reverted to the ancient seals of the Zhou and Qin dynasties, and became its own physique; in the whole, it also had the grace of being old and thick; and even the Ming Dynasty Inge, also had a heart. Especially proficient in fine Zhu Wen multi-character printing, the same way and the match. Among the modern Indians, it is allowed to be called a leader. Shen Yuzhong's "Miscellaneous Songs of the Indians" has a poem: "The Law is exquisite and strict, the old Fu'an, and the ancient Wenqi characters are the most proficient." And when Wu Zhao can be next, Dingzu will be divided into three worlds. And note the cloud: "Wang Fu'an, mingfu, a native of Hangzhou." The printing method is dignified, especially proficient in the six bodies, and the essay is raised without thinking. At the same time as Wu Changshuo and Zhao Shuru, each family was named. The lyricist Yao Jingzhi once had a poem entitled "Hundred Character Order" with its printed manuscript: "Poor years of vultures, shou Gao Zeng, straight to win Liu Lingyue." I am the only one who can take this Thei? Chiseled white Li zhu, the weekly rules are folded, and the hair is sharpened. Le Mingcai adjusted, and Jingya urged the old Huafa. Can sigh as hard as possible to carve the dragon, a compilation of dignified, against the lottery of Qiongmu. It is expected that Sven Tian has not been lost, and Zhen Zai has infiltrated the subject Jie. Soldiers and elephants are the same, silicon is in accordance with the contract, and the origin of different generations is connected. The breeze is based on a few, and the punch is long and chaste. "Cover its masterpiece also. He is the author of the "Examination of Differences in the Ministry of Literature and Literature" - volume, "Lu Yan Zhai Made Seal Pass" in ten volumes; the Tibetan seal was compiled into sixteen volumes of the "Fu'an Tibetan Seal"; the self-engraved printing of the "Luocha Jiangmin Seal Manuscript" eight volumes, "Lu Yan Zhai Seal" twenty volumes (there are 1936 editions, 1938 sequels, 1947 Xuanhe Printing Society editions). In the 1930s and 1940s, Fu Lao's collection of ancient seals and famous family seals for friendship was at most, no less than dozens of articles, double beauty of text, shenghui genealogy, sometimes exquisite insights, compilation into compilations, and also - good works of printing and learning. From the year before his death, Fu Lao had dedicated more than 300 fine products of his life to the Shanghai Museum. After his death, his wife, in accordance with her will, donated more than 300 seals from her family collection and more than 400 kinds of calligraphy and painting inscriptions to the Xiling Seal Society, in order to provide the posthumous scholar Si Zhi Shanye. His calligraphy is several bodies, gold text, small seal, uniform and vigorous; in his later years, he learned from the Han wash text that he was interested in heaven, and participated in the method of arranging the miao seal to make a seal, simple and ancient, especially when he was alone in the crown; Li Kai also came out of the machine, which was unique. The small seal written is neat and standardized, beautiful and vigorous. The seal "Speaking of the Head of the Literature Department" and the "Saying Of The Seal of the Seal of the Seal" were affirmed to the connoisseurs and became a model for learning the seal. The inkblots passed down from generation to generation include "Speaking of the Head of the Wenbu", "Poetry of Sun Zhongyi Chun of the Song Dynasty", "Jie Lin Xi Bo Pan Inscription" and so on.
Republic of China Wang Fu'an seal engraving works
Wang Fu'an's "Speaking of the Head of the Text" is one of his typical masterpieces, its pen is pure and single, the lifting, starting and ending, and turning have achieved a rounded and thick three-dimensional effect, the knot body is balanced and accurate and has a rhyme, and the rules of the seal law are not lost, reflecting his maturity in grasping the small seal and the ultimate performance. Below we take this as a model, select words for specific technical analysis and guidance, in order to have a preliminary understanding of the small seal.
Republic of China Wang Fu'an Festival Linxi Bopan inscription
"Jie Lin Xi Bo Pan Inscription", gold on paper vertical axis. Xi Bo Pan is also known as Xi Tian Pan or Xi Bo Ji Father Pan, Western Zhou Dynasty bronze ware. Unearthed in the Song Dynasty. The inscription is one hundred and thirty-three words. It is recorded that Xi Jia (i.e., Yin Jifu) accompanied King Xuan of Zhou in his conquest of the Hun and levied tribute to Nanhuaiyi. Qing Wu Shifen's "Ancient Records of The Ancient Records of The Ancient Records" volume 3 is "Xi Tian Pan", Wu Dacheng's "Ancient Records of the Collection of Sorrows" volume 16 is "Xi Bo Pan", and Fang Junyi's "Interpretation of the Relics of the Yi Instrument" Volume 7 is "Xi Bo Ji Father Pan". The original book is thick and magnificent, with thick strokes, and has a unique style in the golden calligraphy of the Western Zhou Dynasty, which is the precursor of the use of fat pens in the Spring and Autumn Period. Compared with the original inscription pen law of the Wang family, the law of the original inscription is thin and vigorous, and the knot body is slightly square and handsome.
Ding Fuzhi (1879 ~ 1949), originally known as Renyou, later changed his name to Ren, the character Fuzhi, the number of Helu, also known as the Lord of the Cold Nest, and later in character lines. A native of Hangzhou, Zhejiang, he is the grandson of Ding Songsheng, the famous bibliophile of the late Qing Dynasty, "the owner of the Eight Thousand Scrolls Building". Modern seal engraver, calligrapher and painter. His family is famous for its abundant collection of books. Early family learning. At one time, he worked with Wang Zhen in the Shanghai-Hangzhou Railway Bureau. In his spare time, he discussed the paintings and calligraphy of Jinshi. In 1904, together with Wang Zhen, Wu Yin, Ye Zhou and others, he initiated the founding of the Xiling Printing Society in Gushan, Hangzhou. The address of the company is located in the Ding's Early Childhood Reading Office. With the aim of "preserving the golden stone and studying printing", the society played an active role in the creation, research and development of seal engraving, calligraphy and painting art at that time and later. In his prime, he traveled to the famous mountains and rivers of the motherland, accumulated seven years of merit, composed more than 100 poems, and wrote them into the "Collection of Mountains and Mountains in Bu Wen". After living in Shanghai, he and his brother created a square Juzhen imitation Song version of the font around 1916, providing the Shanghai Zhonghua Book Company for typesetting poetry collections, which were assigned to the bookstore in 1921 to print a large series of books "Four Preparations". He began to learn painting at the age of forty-six, starting with plum blossoms, and then pine, cypress and melon fruits, which were painted with colored boneless methods, and his shape was wonderful, the strangeness of the chapter, the transmission of color, and the elegance of pen and ink, all of which showed unique ingenuity and extraordinary skill; he often met with Wu Changshuo, Wang Yiting, Tong Danian, Huang Baoyi, etc. at the Golden Stone Calligraphy and Painting Club of the Maritime Inscription Hall to discuss Jinshi calligraphy and painting. In 1929, it became "Full Rhyme Painting Plum Poem", which was composed of five and seven rhymes, followed by a poem of Mei Yue Ling, which was quite difficult to see. In 1899, the Oracle was introduced, which attracted the attention and study of cultural people. Ding Fuzhi was well-versed in the exploration of Shangbu Wenci, and on the basis of Luo Zhenyu and others, he collected his own poems and poems, and in 1928, he published the "Shangbu Wenshu Lian (Supplementary Collection of Poems)". In the ninth month of the lunar calendar in 1932, he traveled with Guo Heting, Fang Jiekan and others to Yandang Mountain, composing more than 40 poems of the Yanshan Ji, and in the same year, he participated in the Shanghai Yousheng Tour Group to make Huashan mountain and Kaifeng Luoyang tour, and was fifty-five years old. "In 1934, he joined the Yousheng Tour Group as Hua'er's companion, including Wang Fu'an and Fei Xinmei. In the first month of 1935, he traveled with Wang Fu'an to Fenghua Xuefu, and in April, he traveled with Chen Shutong, Wang Fu'an, Li Chew xue (Dream Bear) and Zhu Gongxiu to revisit the old land of Yandang, and traveled to Zhouzhou, Lishui, Xinchang and other places. In 1938, he published "Shang Bu Wen Rhymes", "Tang and Song Three Hundred Collections", "Quan Yun Painting Plum Poems", and "Guan Shui You Shan Collection". In 1949, Ding Fuzhi suffered from an eye disease for many years.
Ding Fuzhi was blessed with smoke at an early age, and was supervised by his father from an early age, and he studied hard and diligently, and had a deep knowledge of poetry, calligraphy and painting, seal carving, ancient characters, and collections. Good at poetry, there are "Guan Shui You Shan Collection", "Helu Poetry Manuscript", "Helu Inscription Painting Collection". Good at painting flowers and melons, especially plum blossoms, the picture of the work is colorful, and the connoisseur calls it "the magic of the extremely brilliant fangfei". Obsessively addicted to printing. The seal carving is strong with a knife, the layout is serene, the patriarchal Qin and Han dynasties, and the strengths of the people, deeply won the mysterious truth of the Zhejiang School. His ruling seal patriarchal Law Qin Han also admired the Zhejiang school. In the prints, the imitation jade seal, the Warring States official seal, and the private seal have their own demeanor, their sword techniques are exquisite, and the printing style is lush and simple. Ding Fuzhi's refined study of the Zhejiang School, although he did not often use blade stones, he used a sword to be strong, the layout was serene, and he had deep skill. What is particularly valuable is that its printing surface is smooth and moist, not artificially mottled and rambling, and it is extremely rigorous in printing, and has compiled nearly twenty kinds of seals in his lifetime, and has compiled the seals of his family collection and self-collection into thirty volumes (1904) and four volumes (1925), the "Hangjun Seal Series", the "Sorrowful Seal" and the pocket-sized "Ding's Qin and Han Seal Spectrum" in two volumes. Its work book, longer than the oracle bone seal, the knot stops evenly, the pen is thin and thin, and the unbridled and natural quaint bu calligraphy style is neat and beautiful and has a decorative effect, which is quite holistic. The inkblots that have been handed down include "Guan Shui You Shan Ji", "Oracle Bone Twelve Words", "Four Screens of The Book of Letters" and so on.
The Republic of China Ding Fuzhi seal engraved four pieces
"Twelve Words of Oracle Bones", vertical axis of ink paper (two paintings), single axis length 135 cm, width 22 cm. Seal of Plutonium: "Seal of Auxiliary Present Affair, Ding Renyou, Ding Fu". Inscription: "Yang Ming has words that is, knowledge and deeds are one, and Hua Feng wishes for many blessings and many lives and boundless life; Yongyi Mr. Yazheng, Jia Shu (1934) Jiaping Yue Wangxiling, Crane Lu Resident, Ding Fuzhi Seal at the Sea Xiaolonghongguan." "Ding Fuzhi's writing of oracle bones began in 1928, his calligraphy is exquisite, he deliberately pursues the effect of knife and pen with his pen, and his dot paintings largely maintain the true color of brush calligraphy, and the starting and closing pens pay attention to the hidden edge, and the sharp edge is not exposed, so his works are introverted and reveal a light and elegant book atmosphere.
Republic of China Ding Fuzhi GuanShuiyou Mountain Collection Album Page (Partial)
"Watching the Water and Traveling mountains", xuan paper album, length 26cm, width 15.5cm. This volume is a travel poem for him when he visited the famous mountains and rivers and ancient monuments, and was written in the 1930s of the last century by the calligrapher Guo Daxiang, and at the end of the volume, there are afterwords of Wang Fuchang, Wang Yuyin, Gao Yehou and others of the Jinshi family. Although Ding Fuzhi is famous for his iron pen and collector, and his calligraphy skills are also very profound, especially in oracle bones, in the past, he has seen the oracle bone couplets, banners, etc. written by him, and the long poems written in oracle bones like "Guan Shui Yu Shan Ji" are extremely precious, thus showing his superb achievements and ink level on the oracle bones. Looking at the writing of the whole collection, the momentum is vigorous, the breath is well-rounded, the atmosphere is smooth and rich, and the rich smell of gold and stone is permeated between the stroke lines, highlighting the calligraphy and modeling ability of his seal carver. Such a poem written when I first visited the West Sea Gate of Huangshan, "Looking at the West Sea Gate, panyou is happy in my heart." Springs and melodies, trees Gulisensen. Thousands of rocks are high and low, and the loop is a valley deep. The view of Cloud Mountain is insufficient, and the lion forest is staying at dusk. "The pen is cool and spicy and sharp, and the structure is stable and flexible. In particular, its writing is dignified and the pen is swift, in order to show a kind of engraving momentum, vividly showing the magnificent beauty and majestic power of the oracle bone, which is extremely delicious. After the poem, as a small kai of interpretation, it is also elegant and elegant, and the body is rigorous and harmonious, which has won the charm of the "Lingfei Sutra".
Ma Heng (1881~1955), a native of Yinxian County, Zhejiang Province, was a native of Yinxian County, Zhejiang Province. The second president of xiling printing society, a gold stone archaeologist and calligraphy seal engraver. In his early years, he studied at Nanyang Public School, where he studied the history of scripture and the study of jinshi. In 1922, he was hired as the director and supervisor of the Archaeological Research Office of guoxuemen of the Institute of Peking University, and taught part-time at Tsinghua University, Beijing Normal University, and Beijing Women's Normal University. In his early years, he was the director of the Archaeological Research Office of the Guoxuemen of the Institute of Peking University. In November 1924, he was hired by the "Clearance Committee" to participate in the work of counting and inspecting the items in the Qing Palace. After the establishment of the Palace Museum in October 1925, he served as a member of the Provisional Council and deputy director of the Antiquities Museum, and in December 1926, he was appointed as a standing committee member of the Palace Museum Maintenance Committee. When the Nanjing government took over the Palace Museum in June 1928, he was appointed by Yi Peiji, the representative of the takeover, to participate in the takeover of the Palace Museum. After 1929, he served as a director of the board of directors of the Palace Museum and deputy director of the Antiquities Museum, in July 1933 he was appointed as the acting president of the Palace Museum, and in April 1934, he was appointed as the president of the Palace Museum. During the War of Resistance Against Japanese Aggression, he presided over the maintenance of the cultural relics of the Palace Museum's westward relocation. After the victory of the Anti-Japanese War, he presided over the demobilization of the Palace Museum and the work of relocating cultural relics from the west to Nanjing. At the end of 1948, the Pingjin Campaign began, and the National Government in Nanjing sent frequent letters and calls, urging Ma Heng to leave for the south and select the treasures and cultural relics of the Beiping Academy of the Forbidden City to be transported to Taiwan. However, from the perspective of the people's will and protection of cultural relics, Ma Heng, who was nearly ancient, accepted the invitation of the Communist Party of China, determined to stay in Beiping to await liberation, and worked hard to make the Nanjing side's plan to seize the treasures and cultural relics of the Beiping Courtyard of the Forbidden City frustrated. In order to ensure the safety of the forbidden city's buildings and cultural relics, he insisted on the post of dean, and together with celebrities, called on the Kuomintang authorities to avoid war and protect the ancient city of Beiping culture. After the liberation of Peiping, he continued to serve as the director of the Palace Museum. In 1952, he was transferred to the chairman of the Beijing Cultural Relics Consolidation Committee. He died in Beijing in March 1955 at the age of 74.
Mr. Ma Heng has a wide range of interests, such as poetry, calligraphy and painting, kunqu opera, riding and so on. His life is devoted to the study of jinshi archaeology, perseverance, proficiency in the Han wei stone classics, focusing on literature research and field investigation. Many research conclusions have been regarded as definitive by the gold and stone archaeology community at home and abroad, and their reputation has been enjoyed for a long time. He is the author of "Collection of Han Shi Jing", "Fan Jian Zhai Seal Storage", etc., and "Fan Jian Zhai Jin Shi On Cong" and so on. Mr. Ma Shuping is proficient in seal carving, and his seal can really be described as a large golden stone family carving insect art, lifting heavy weights and playing with ease. His emphasis on writing is far greater than his calculation of the sword method, and he once wrote in an article: "If he does not practice the sword method in vain and does not talk about calligraphy, he who does not know himself is either ugly or vain." To know and pretend to be a cunning painter is to deceive others. He believes that "in vain, he will attack the stone of every inch" and must be "a sword, vicious and terrible, and there is no sense of beauty to speak of." His seal, the law is rigorous, directly chasing the Zhou and Qin and the two Han Dynasties, the overall style is elegant, subtle and simple, with everyone's style.
Republic of China Ma Heng seal engraving works
In calligraphy, he is almost an all-rounder of seals, li, truth, line, and grass, and his calligraphy and poetry are simple and indicted, the chapters are even, the lines are flexible and natural, and the elegance is elegant and has a book flavor. Han Mo's works have the charm of Shang Zhou Jinwen, the style of writing is quaint and elegant, natural and natural, combining pen and ink with seal carving, deeply grasping the law of inscription, forming a unique style of personal calligraphy that is not simple and unpretentious, and enjoying a high reputation in the four seas. At the time of the founding of xiling printing society, he was already listed in the society, and he was Chinese New Year's Eve years old. Mr. Ma Heng was widely respected by the students of Yilin at that time for his outstanding academic and artistic achievements. There are many ink marks passed down from generation to generation, including the collection of stone drum texts "Shuo Ren Wu Dao Seven Words Lian", the four screens of the Seal Book, the Scroll of Poetry in The Book of Letters, and the Lishu "Seven Words of the Ear to the Ear" and so on.
Republic of China Ma Heng Seal Shu Shuo Ren Wu Dao Seven Words Union
"Shuo Ren Wu Dao Seven Words Lian", set stone drum text large seal paper couplet. The content is "Shuo ren has his own peace of mind, and my way is in the entertainment." "Entered the "Muling Brothers and Two Politics", and the section was "Shuping MaHeng Collection Qin Hunting Jie wen". Qin seal "Ma Heng no blame". Mu Ling, also known as Zhuang Shangyan,61 Weng, took his family from the mainland to escort the ancient artifacts of the Forbidden City to Taiwan in the late 1940s, and served as the director of the Forbidden City Antiquities Museum in Taichung. This joint seal book is involved in the small seal pen, the penmanship is evenly skilled, it can be said that there is no condensation; the knot body is slightly square and dignified compared to the hunting, thin and vigorous, and the words are like its people. The calligraphy of this joint is solemn and solemn, and the gift of "Muling My Brother" should be a good embodiment of the deep meaning implied by the joint words.