Author: [Qing] Zheng Zhongguang Comment: [Qing] Wang Shigu Yun Zheng Uncle
The legend of the painting is still outstanding, and there are famous masters on behalf of the generation, and the geyin pin is special. Kao Wei's life, the rate of many high priests, all for the painting skills, scattered in the art forest. Six laws and six long, quite well-known. However, people are not their own people, painting is difficult to paint, the teacher's heart is heeled, and so far there is no way to get it. Talk about what you see, compile it into a chapter, a small talk, and a confidant (the painting garden is circulated, most of them are high-ranking rhymers, write their chests and escapes, this statement and painting are in harmony, it is really a conclusion).
Fushan river meteorology, with Hun as the sect, Lin Luan delivery, with the Qing as the law (the painter's most important chapter law, Qing Hun two languages, the whole paragraph, the beginning of the two get it). The situation is humble, the trade-offs are small and large, the scenery is far and near, and the dose is shallow and deep. The side of the mountain is easy to write, the front is difficult to work; the waist and foot of the mountain are easy to form, and the peak is difficult to stand. The main mountain is low, and the main mountain is far away. The mountains are arched, the main mountain is the first to be respected, the peaks are intertwined, and the ancestral peaks are thick. Earth and stone are crossed to increase its height; branches are connected to make it wide. One after another, the mountain gradually opens and turns; together with one volt, the mountain wants to move and grow (undulating and retracting, including the method of vertical and horizontal application). The back is invisible, the peak is strong, the cliff is overlooked, the pass is unpeickable, and the forest is lush, such as a hidden house. The mountain is divided into two foothills, half silent and half noisy; the cliff is abruptly hanging, and there is an existing hidden. Near the fu down to carry on the upper, there is a feeling of respect and inferiority; the distant mountains are low and high, and there is the image of the host and the guest alien (the foot of the mountain, the pitching care has feelings. Near peaks and far peaks, the shape should not be violated. This chapter is important, and scholars should not let it go lightly).
The dangerous rocks are cut and erected, all according to the distant edges as a screen; the giant ridges are spread across, and the wat is also interspersed by the peaks. A touch and the mountain is far away, the layer of the inner ling'a in the belly of the gui belly turns; a peak and the mountain shape is rugged, and the trees and stones on the edge of the ridge are colorful. The numbers and paths are connected, or hidden or exposed; the peaks look at each other, or are broken or connected. The peaks are upward, leaning upwards and looking at the air; the sand is running together, leaning down and thin. The mountain is born from the broken place, and the mountain comes out of the mouth of the water when it crosses. The passage of the mountain range is according to its water path; the water channel is reached, and the shape of the mountain is rational (the waterway is the blood of the mountain, and the waterway is not clear, then the width is blocked. The deliberate seeker). The terrain is different and the road is dangerous; the water is flat and the sand is drawn, and the slope is not allowed. Near the mountain, each at the foot of the stone on the edge of the village; the distant sand is passed, see the peak of the mountainside. There is a house in the tree, a mountain behind the house, and the mountain is more heavy when the color is dark; there is sand next to the stone, there is water on the side of the sand, and the water and light love the empty water. Pingyuan faction, water and land are different.
The rivers and lakes are paved with sand banks such as Luting, Sail Trees, Brake Poles, and Fishing Poles; the villages are paved with Tianlu Hedge Trail, Baozhu Liu Causeway, Maodian Banqiao, and Yanxu Ferry Boat (Pingyuan is the most difficult in the painting. This is divided into rivers and lakes, villages, rain scenes, and evening scenes, which is the painting method. Yejing takes Zhao Danian as the sect, and Jiangjing takes the Jiangyan princes as the best. Look at this embellishment, the painting method is exhausted).
Yamamoto is quiet, the water flows, is stone, and trees are alive. The soil has no full shape, and the size of the stone helps its shape; the stone has no full horn, and the left and right sides of the stone hide its horns. The soil carries stones and should be judged to be heavy and light, and the stones should be in the table (painting stones in landscapes and rivers, different from ordinary painting methods, must be made of soil and stones. Although it is extremely dangerous, and the location is natural, it is qualified).