Poets who liked to pay attention to women and insisted on physical writing during the late Tang Dynasty and five dynasties had a very nice ambiguous title called Huajian School.
The Five Pronouns of the Late Tang Dynasty of China. After the five dynasties, Zhao Chongzuo of Shu selected 18 works of the five generations of poets at the end of the Tang Dynasty and compiled 500 poems into the "Collection of Flowers" (10 volumes), of which in addition to Wen Tingjun, Huang Fusong, He Ning, Sun Guangxian, the rest such as Wei Zhuang, Xue Zhaoyun, Niu Jiao, Zhang Bi, Mao Wenxi, Niu Xiji, Ouyang Jiong, Gu Yi, Wei Chengban, Lu Qianxuan, Yan Xuan, Yin Hu, Mao Xizhen, Li Xun, etc., were all literati concentrated in Shudi. Their style of words is generally similar. Later generations thus called it the Hanama School. Among them, Wen Tingjun and Wei Zhuang are representative writers, although both of them are rewriting erotic feelings and sorrows, but the styles are different, Wen Zi is beautiful and gorgeous, and Wei Zi is sparse and bright. The rest of the lyricists, mostly Wen and Wei Yufeng, the content is nothing more than singing about the sorrows and resentments of the brigade, and the joy and hatred are mostly limited to the private interests of men and women, and the style is not high. However, Lu Qianyi, Ouyang Jiong, and Sun Guangxian also have some works of more practical significance. Except for a few works of the Dark Casualty State and the border words, the huajian word is not very desirable in thought, but its writing is rich and exquisite, its artistic achievements are high, and it has a greater influence on the words of later generations. The "Collection of Flowers" has three kinds of engravings during the Southern Song Dynasty Shaoxing, Chunxi and Kaixi. Li Yihao's "Flower Collection School" was published by the People's Literature Publishing House in 1981.
The works of The Hanama writers were produced in such a social atmosphere and literary and artistic fashion. Lu You's "Collection of Flowers" says: "The world is in a precarious situation, and the scholar is wandering here." It is a sharp criticism of their anti-realist creative tendencies. They worship Wen Tingjun as their originator, and most of the works can only be stacked with gorgeous words to describe women's clothing and posture, and the subject matter is narrower than WenZi, and the content is more empty. In art, they one-sidedly developed the side of warm words and sentences, and lacked the creation of artistic conception. This style of huajian poet formed a turbid current in the history of the development of words, which has always affected the Changzhou school of words in the Qing Dynasty.
Wandering among the flowers, of course, are all men.
In the "Flower Collection", Wen Tingjun said, "With a delicate smile, Su Cui's residual red and red", "in the mirror of the snow-breasted luan, in front of the Qi Shu Feng Lou", it is written that the beautiful woman dresses up in the mirror after getting up in the morning. What is that "snow chest" is what a man wants. To ask why this beautiful woman in Wen Poet's pen is smiling, it is probably inseparable from last night's story as described by Wei Zhuang: "The beard is full of long eyebrows, out of the orchid room, don't tan lang." The horns whimpered, and the star bucket faded. "That night the man and the woman were together, the hair was messed up and the thrush was mushy, and what should have happened naturally happened.
If Wen Wei is still quite subtle, then Ouyang Jiong, who prefaces the "Flower Collection", is definitely bold enough. He once wrote: "Hanging embroidered curtains, covering the cloud screen." Si Yingying. Twin-pillow corals are infinite. Cuichao crossed. A few times I saw the fibers moving, and I heard the sound of the model. But out of the Jinping makeup, Li Qin Zheng. "Basically a split-shot script that can be directly put on the screen of a passion play, and there is no need to worry about being cut, although the figures are staggered and breathless, but "hanging embroidery curtains, covering the cloud screen", if you want to see the end, you can only drill into the screen.
Bodhisattva Man Tang/Niu Yu
Jade furnace ice mound Mandarin duck brocade, powder melt incense sweat mountain pillow. The rumble outside the curtain, the frown with a smile.
Willow yin is light and indifferent, and low sideburns are falling. You must work hard for the rest of your life, and do your best to rejoice in today.
This "Bodhisattva Man" is a poem created by the lyricist Niu Yu during the five dynasties of the late Tang Dynasty. This word is a glamorous word for the love affair between men and women. On the film writes about the private affair of the party. The first two sentences are written with joy and joy, and the last two sentences are written with the sound of rudder breaking joy. The next film writes about parting love affairs. The first two sentences write scenes from the perspective of silence. At this moment, the scenery is confused, and the protagonist bows his head and thinks. The last two sentences are written as the result of her contemplation. Ten words, pour out emotions, and the nickname has been extreme. Niu Zheng's word is an indomitable word, but Master Wang Guowei admired the "truth" of this word in "Words on Earth".
River Transmission Song/Qin Guan
Hate eyebrows drunk eyes. Even gently, the spirit is confused. Often remember that time, the little qu dried up the west bank. Sideburns, socks.
Lilac smiled and spat out infinitely. Soft voice low, said I have been accustomed. The clouds and rain were not harmonious, and they had long been dispersed by the east wind. Stuffy people, no matter what the sky is.
This is the work of the famous Song Dynasty poet Qin Guan, Qin Guan's words in addition to the three customs, there are even adulterous thieves, like the above two words are more like the handwriting of cultural hooligans, even if the office sweeps the yellow regardless, it is difficult for a decent gentleman to look down. His teacher Su Shi also wrote: "Crispy chest obliquely hugging the sky and the moon, jade hands flicking the ice on the surface of the water." Teacher Su's words were still very restrained, and his Sumen Four Bachelors stared at him. Huang Tingjian said: "Lazy to tie the crispy breast belt, shame to see the embroidered Mandarin duck." "The underwear patterns are all seen. Chao Said, "Luan is heavy and green and silky." Luo belt slow, small waist timidity. "It seems that Luo Dai almost naturally divided." Luo Belt was divided, and later???
Although Liu Yong is a representative of the Gentle Sect, the one who writes the most beautiful words is Liu Yong, and Liu Yong's one of the words Fengqi Wu:
Shu Jin lichen silk step barrier. Bend the cloister and search for a quiet night. Jade carved on the crescent moon. Zhu Feng half-concealed the people looking at each other.
Rotary warm smoker warm bucket tent. The jade tree branches, snuggled up to each other. The wine is getting stronger and stronger. Mandarin duck embroidery is turned red waves.
Among them, "Yushu" refers to a beautiful man, and the phrase "Shishu Xinyu Rongzhi": "Mao once sat with Xiahou Xuan, when people called 'Qianye Leaning on the Jade Tree'", "Qiongzhi" naturally refers to beautiful women, "Yushu Qiongzhi" is a metaphor for male and female carcasses, the two are first "snuggled up to each other", the wine is getting stronger, the spring thoughts are rippling, and they begin to "embroider the red waves", and finally this saying is constantly borrowed by future generations of erotic novels. Liu Yong was even suspected of prostituting a prostitute, and he had a prostitute poem "DouBaihua", which wrote about the shyness of the prostitute when she went to bed:
Full of palace waist slender. The age should be the same age. Just been disturbed by the wind, with the yang double bun. Beginners learn strict makeup, such as depicting the body, timid rain and shame cloud affection. How feminine the move is.
Fight for the heart, and will not first pity the son-in-law. Long is late at night, refuse to enter the mandarin quilt, with the xie luo, Yingying back to the silver hammer, but said you sleep first.
This young girl's figure is "full of waist and slender", and the age is "Fang Dang Zhen", without writing much, naturally can remind people of the charm of this little girl, so she "just been provoked by the wind", but also "hanging Yang double bun", and since it is "with the hanging Yang double bun", that is, the first time to break the melon, just became a woman, so it is necessary to merge the previous "hanging Yang double bun" into one. But although this jerky girl does not know much, but still knows how to attract men, will not wear makeup, but also insists on "beginner strict makeup", because of "timid rain and shy clouds", patronizing shyness, did not make ten thousand styles to serve guests, do not know how to give hugs, do not know "first pity the son-in-law", and until late at night still "refuse to enter the duck quilt", and the man is clearly reproaching her, but really love, so not only do not blame her, but also for her "unwinding", and until this time, she is still afraid of being seen by men, but turned her back, Still shyly replied: Or you go to sleep first.
The Southern Song Dynasty Zhou Bangyan also had many beautiful words, and the song "Flower Heartbeat (Double Tone)" was no less than the willow word:
The curtains roll in the green building, the east wind is warm, and the yang flowers are chaotic and sunny. The orchid is faded, the tent is red, and the embroidered pillow is rotated. Begonia flowers are warm in spring, snuggled up and delicate. The elephant bed is stable, the mandarin is spread, and the waves are turning red crepe. Thick like wine, fragrant sweat stains, several times slightly transparent. Luan is trapped in the phoenix, Ya Ji has both eyebrows, and it should be difficult to paint. Ask Ike to be thick, plum calyx, rouge sandalwood mouth. From then on, the slim waist is thin for Lang Guan.
From "thick as wine", we know that this is a marathon passion play. "Lan Gong faded incense, Luo tent crepe red, embroidered pillow swirling phase" as a foreplay, "snuggling people, petite waves frequent slip" gradually into a better state, "Mandarin slug exhibition, waves turning red crepe" only to enter the main topic, "incense sweat stained fish, several times slightly transparent" is the climax of the climax, full of flow.
But Zhou Bangyan has a masterpiece that must be mentioned:
Junior Tour
And the knife is like water, Wu Yan wins the snow, and the hand breaks the new orange. The first temperature of the brocade, the continuous smoke of the beast, the relative sitting and tuning.
Whispered to whom to stay, the city has changed three times. Horse slippery cream is thick, it is better to go to Hugh, straight less people.
This poem, if viewed only from the text itself, is to describe a pair of lovers meeting on an autumn night, Qingqing me and me, lingering and compassionate. "And the knife is like water, Wu Yan wins the snow, the fiber breaks the new orange" - this is a suggestive close-up. But read on:
"To whom to stay" - "who to do", which person, here can be interpreted as which place. This sentence is superficially kind but really carefully probed. At first glance, it didn't sound like there was any intention of leaving him behind. "The city has changed three times" - this is to remind the other party: the time is not early, it should go early, and if you don't leave, you should decide to stay. "Horse slippery frost thick" - obviously want the other party to stay, but seem to be single-mindedly conceiving for the other party: walking is a little uneasy, the weather outside is cold, maybe in case it will get cold; the frost is very thick, the horse will slip ... . I can't rest assured. After such a turn, he said what he had to say long ago: "It is better to take a break, it is straight to the less people!" "You see, there are not even many people on the street, how dangerous it is to go home, you don't have to leave, just sleep with the old lady." These words revealed that these two elegant men and women were by no means good men and women.
It's a temptation, a twist. We distinctly heard her loosening and tightening in tone, and it was as if we saw her look and reaction at the same time as every word she said. The author realistically depicts the cleverness and cunning of this identity, the cunning and cunning of the woman in this environment, and the ideological activities that are in line with her identity and character. Nalan Rongruo spoke highly of this word, saying that Zhou Bangyan had a good grasp of this word: if it was implicit, it would be too literati to show that love word; if it was explicit again, it would become Liu Yong, and it would be suspected of obscenity and difficult to ascend to the elegant hall. Such content is the true essence of the word, and Zhou Bangyan's writing style is far higher than that of the Huajian School.
The creation of this song has a rather glamorous and bizarre background: Zhou Bangyan and the famous prostitute Li Shishi befriend. One night, Emperor Huizong of Song went to Master Li's office, but unfortunately Zhou Bangyan arrived first, and When Zhou heard that the emperor was coming, he was so frightened that he quickly hid under the bed. Emperor Huizong brought a fresh citrus and said that it was a new tribute from Jiangnan to share with Li, Zhou Quanquan heard it, wrote the word "Youth Tour", which was later sung by Master Li, Emperor Huizong asked Li who made the words, Li replied that it was written by Zhou Bangyan, and Emperor Huizong was furious and told Cai Jing to dismiss Zhou from his official position and expel him from the capital. A day or two later, Emperor Huizong went to Master Li again, did not see Li, the family said that Master Shi went to bid farewell to Zhou Bangyan, Emperor Huizong waited for a long time, Li only went home, Li frowned and his face was haggard, Huizong was very angry, and asked: Where have you been for so long? Li replied: The concubines are dead, knowing that Zhou Bangyan has offended the emperor and expelled from the capital, he has just made a slight cup of farewell, and he did not know that the emperor had arrived. Emperor Huizong asked Zhou if he had a lyric, and Li replied that there was a word for "Lanling King", that is, "Liu Yin Zhi" was also. Emperor Huizong asked Shi shi to sing it to him again, and Li replied: Let me raise a glass and sing it, and wish the emperor a happy birthday! After singing, Emperor Huizong was overjoyed, and immediately recalled Zhou Bangyan, and the official was reinstated. This is also considered to be a discerning person, and it is hired by quantity.
It seems that the popular body writing or lower body writing in these years has been learned from the predecessors!!!