In the second year of the Northern Wei Dynasty, the Sixty Artificial Statues of Yizi
Liu Hailong shared the eighth of the Xi'an Forest of Steles series
Liu Hailong, net name Big Buddha, Shengshi Collection Forum "Golden Stone Stele Post. Senior moderator of the "Ancient Books and Old Books" section. Takumoto enthusiasts.
Xi'an Stele Forest was founded in the second year of the Song Dynasty (1087), after the jin, Yuan, Ming, Qing, Republic of China successive dynasties of maintenance and addition, the scale continues to expand, the collection of stones is increasing, now the collection of steles and epitaphs since the Han Dynasty to the present more than 4,000 pieces, the number of the country's largest, collection era series complete, time span of more than 2,000 years.
Yizi Sixty Artificial Statue Stele Northern Wei Xiping 2nd Year
The Yizi Sixty Artificial Statue Stele was built in the second year of the Northern Wei Dynasty (517), a mixed statue of Dao and Buddha, originally from Fuping County (between present-day Xi'an City and Yao County).
This stele is tall in size, well preserved and has a construction year number, which is a fine work of Guanzhong statue monument. In terms of form and style, compared with the statues made during the Yanchang period, the beard of the Dao statue has become larger, the tail of the hand has become larger, the clothes have drooped to the niches, the face has become longer, and the body shape has become thinner.
The main niche makes a seated Buddha statue High flesh bun Carved wavy pattern Left and right samurai bodhisattvas Carved on the left and right Protector Lions On the back of the left lion Riding huren on the back of this stele On all four sides of the stele The stele Yin stele Yang is also the average carved Buddha Dao From the perspective of the providers collectively referred to as Yizi, it is a piece of worship stele that all Buddhist Believers in the family Have a relatively clean image The style of the statue should be the result of the influence of the Southern Dynasty culture after the Northern Wei Dynasty moved the capital Luoyang.
On one side of the stele is Buddhism, three statues of Buddha are made in the niche, sitting on the Buddha's high flesh bun, handmade with the seal of wish and shi fearless, and a bodhisattva is erected on the left and right. The frieze is a flame pattern with Maitreya in it. Above there are six dragons intersecting, and the scene is gorgeous and spectacular. There is a roof on each side of the niche, and a bhikkhu under it. A winged beast is carved on the left and right of the draped robe under the Buddha, and the left beast rides a hu person, just like under the shrine. The lower part of the shrine is four levels of offerings, each holding a long-stemmed lotus flower.
On one side of the stele is Buddhism, and maitreya bodhisattva is made in the upper niche, holding a lotus bud in both hands. There are providers outside the niches. The second half is a vow, which contains: "Sixty people of Yizi, etc., hold xuanqi, go to the world with one heart, and make a stone statue with one body." ...... Xi Ping's second year of age Ding You may Xin Youshuo twenty-three days to create a curse. ”
On the other side of the stele, there are three statues of The Dao statue, Lao Jun wears a Dao crown on his head, a long beard is divided into three strands under the bottom (this form was popular after the Western Wei Dynasty), the right hand holds up the tail, the belt is tied, and the left and right sides are standing servants, all wearing high Dao crowns. The frieze is roof-shaped, with a tall pillar on each side to indicate the Heavenly Palace. There is a fairy riding a sheep in the middle of the eaves. There is a hut on the left side of the niche, with a chime and a bell hanging inside, and a Taoist priest wearing a high crown, inscribed "Yishi Li Yuan'an", which should be the local Taoist leader. On each side of the throne of Lao Jun's bed there is a beast, resembling a tiger, with wings, riding a beard, a high nose and deep eyes, and a small pointed hat. The lower half is the provider, with six floors. In the middle of the first floor is an incense burner, a traditional Boshan stove with two dragons wrapped around it. The left and right providers are all holding wats.
On the other side of the stele is Taoism, the upper part of the double pillar supports the roof-shaped niche, and a seated statue is made in the niche, wearing a Taoist crown, a long beard, a belt, and the hands intersect in front of the abdomen. There are four bodies of flying immortals on the niches. Under the niches there are statues of offerings, inscriptions such as Li Ugly Nu and others, and "Auxiliary General Wu Du Taishou Li Yuan'an".
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The humanistic journey of Moxiangge
Profile of non-hereditary inheritors: Liu Xiufeng, Zhengding, Shijiazhuang City, Hebei Province. Representative inheritor of Hebei's provincial intangible cultural heritage project "Chuantuo Technique". Liu Xiufeng, founder of Moxiangge. Director of Hebei Jinshi Rubbings Museum (preparation). Mo Xiang Ge was founded in 1989 and inscribed by Mr. Huang Qi, a contemporary calligrapher, on the plaque of "Mo Xiang Ge". Moxiangge takes the mounting and collection of calligraphy and painting as the main carrier, inherits the Chinese context, undertakes the culture of golden stones, and its collection of gold and stone treasures has a certain influence in the country. Among them, there are hundreds of inscriptions, statues, Qin brick and Han tile seals, etc., and there is no shortage of the best products. There are nearly 10,000 kinds of Tibet. Mr. Liu Xiufeng, who has been painstakingly operating for decades and constantly pursuing, has collected his golden stone treasures on a large scale and has been continuously concerned and praised by all walks of life in culture. In recent years, due to his enthusiasm for the research and collection of jinshi culture, he has been admitted as a member of the China Collectors Association, a director of the China Golden Stone Society, a vice president of the China Longzang Temple Stele Research Association, a vice president of the Hebei Golden Stone Society, a vice president of the Hebei Mounting Association, a director of the Zhengding Literary Association, and an executive vice president of the Zhengding Collection Association. Moxiangge has a rich collection and makes a wide range of friends. It has attracted many calligraphy masters, cultural scholars, and Jinshi experts to visit and conduct academic exchanges, including: Shen Peng, Huang Qi, Xu Yu, He Yinghui, Liu Zhengcheng, Wang Yong, Zhou Zhigao, Cong Wenjun, Liu Heng, Hua Rende, Li Song, Liu Wenhua, Chen Genyuan, etc. For the MoXiang Pavilion, as many as two hundred kinds of Mo Bao dialects and letters were left. The treasures of Moxiangge's collection have been written by famous calligraphers and epigraphers in China, and published in national magazines and newspapers. He has been published in dozens of nationally renowned academic magazines and journals such as Rongbaozhai, Calligraphy Series, Chinese Calligraphy, Chinese Painting, Shanghai Calligraphy, Hebei Calligraphy, Calligraphy Herald, etc. Its collection is also often cited and collected by cultural relics academic institutions. ("Three Hundred Kinds of Luoyang Steles", Xi'an "Forest of Steles", Tsinghua University, Peking University, Jilin University, Hebei Academy of Social Sciences, etc.). In particular, in 2017, Liu Xiufeng collected 151 kinds of Northern Dynasty fine rubbings, and cooperated with Peking University to launch the book "Moxiangge Tibetan Northern Dynasty Epitaph", which was published and distributed by Shanghai Cultural Relics Publishing House.
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