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This four-season landscape atlas, the pen and ink are sparse and simple

author:Calligraphy House
This four-season landscape atlas, the pen and ink are sparse and simple

Chasi Biao (1615-1698) character two zhan, the number of plum valley scattered people, lazy old. A native of Xiuning, Anhui, he later lived in Yangzhou. At the end of the Ming Dynasty, he was rich in collection, so he was good at identifying, good at painting landscapes, and was one of the "Four Houses of Haiyang". Famous painter, calligrapher and poet of the early Qing Dynasty.

Atlas of Four Seasons Landscape 25cm × 44cm

Collection of the Cleveland Museum of Art

This four-season landscape atlas, the pen and ink are sparse and simple

This "Four Seasons Landscape Atlas" (Chamei Valley Landscape Album) was painted by the late Ming and early Qing dynasty painter Cha Shi. A total of twelve paintings, including: spring ploughing map, spring water boat such as sitting in the sky, Wuling Creek Trail, Yangtze River scenic map, Autumn Mountain Travel Map, Xishan Recreation, Learning Plum Blossom Master, Waiting for the Moon Map and so on. It depicts many imitations of the song and Yuan masters' brushwork. This volume was drawn around the twenty-third year of the Qing Kangxi Dynasty.

This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple
This four-season landscape atlas, the pen and ink are sparse and simple

Cha Shibiao specializes in calligraphy and painting, the family collection is very rich, Ding Yi and Song, Yuan authentic handwriting are all there, Sui Jing appreciation, his landscape paintings, pen and ink sparse, the wind god is tender and scattered, the qi rhyme is desolate, and the painting style in his later years has suddenly changed. It is one of the "Four Houses of Haiyang" (Jiang Tao, Zha Shibiao, Sun Yi, and Wang Zhirui) of the Xin'an Sect in the late Ming and early Qing dynasties. His calligraphy is known for his calligraphy and cursive writing, and his calligraphy is out of rice and Dong, and he chases after Yan Zhenqing, which is quite essential. When called rice, Dong regeneration, the name of the world. The writing is handsome and bold, and the charm is deep.

After entering the Qing Dynasty, it should not be lifted, and the calligraphy and painting should be studied. Fine appreciation, the family collection of many Ding Yi and Song and Yuan people's authentic works. Calligraphy Dong Qichang, longitudinal near the rice. Shanshui first learned Ni Zhan, and later used Wu Zhen and Dong Qichang methods, the pen and ink were sparse and simple, and the air was desolate and cold. Together with Hongren, Sun Yi, and Wang Zhirui, they are called the "Four Great Families of Xin'an" (i.e., the Four Houses of Haiyang). He is the author of "Manuscript of Seed Bookstore" and so on.

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