Not many people have seen the movies of the 1950s! These movies are directly canonized!
Prosecution Witness (1959)
It's a classic movie that makes me scream and roll again! Gentlemanly and pure performances, fantastic and exquisite plot advancement, humorous and funny details, and of course, a clever ending! Although later films often glimpsed the imitation of this link, Charles Lawton, Madeleine Dietrich and Billy Wilder could not be copied after all!
The Twelve Angry Men (1954)
At that time, I was shocked to see it, there was no extra shot at all, the whole movie was interlocked, so that you had to miss a shot, but also had to use your own brain, and clearly expressed your values. You can't believe it was filmed in a room! Cattle batch
Rats in Manhattan (1945)
Late at night, warm country cottage. Tom is sleeping peacefully in the corner of the wall, while Jerry the mouse is struggling to write a book. He seemed tired of the boring life in the countryside, so he wrote to Tom that he was going to the big city to explore his horizons. With the roaring train, Jerry arrives in Manhattan. He was thrilled by the majesty of the Empire State Building and the hustle and bustle of the traffic. He sometimes danced with toy dolls, sometimes in small boats and standing street warblers and whistled lightly. Everything seems perfect, but the big city has the troubles of the big city, Jerry is chased by cars and almost killed, and at night he sees a dark and terrifying scene in the corner of the city. An accident that makes him a jewelry thief is hunted down by the police, darkness hits him, and he may think back to the warmth of home...
Dingjun Mountain (1905)
Once Chinese films came out, they had distinct national characteristics. Perhaps it is a match made in heaven, China's first film is actually a combination with the national essence of Peking Opera, the repertoire is still quite symbolic "Dingjun Mountain", a generation of famous Tan Xinpei also became China's first performance artist involved in the film industry. So, while there are no copies of this silent film made with only a hand-cranked wooden-shell camera, its prominent position in the history of cinema is unique.
Di Nu Hua (1959)
The story takes place in the last year of the Ming Dynasty, when Princess Changping was married to Zhou Shixian, the son of a servant, and after the marriage, the two were very affectionate and harmonious. One day, Li Zicheng, the king of Chuang, wanted to usurp power and usurp the throne and capture the capital, and in order to retain his last dignity, the Chongzhen Emperor chose to commit suicide after killing the imperial concubine. Princess Changping was fortunate to be saved by Zhou Zhong, retrieved a life, and was hidden at home by Zhou Zhong. Later, Qing soldiers entered the customs to suppress Li Zicheng's uprising and established a state in the capital. After learning of Zhou Zhong's decision to surrender to the Qing army, Princess Changping took the name of the female nun Huiqing and hid in the nunnery. By chance, Zhou Shixian visited the nunnery and met Princess Changping, and the two were finally reunited. However, their affairs were discovered by the Qing Emperor, who ordered the two to return to the imperial court.
Modern Times (1936)
In the 1920s, the United States was in a period of economic depression, unemployment was high, and workers were squeezed and became a screw in the production of large machines. Charles Chaplin (Charles Chaplin) is a low-class citizen who works around the clock in a rumbling factory building to earn a meager income. Repetitive and heavy work overwhelmed him, and he twisted people's noses as screws and rolled them into the belts of assembly line machines, making him laugh bitterly.
Charlie, though poor, was kind. He rescued the homeless girl on the road and lived with her, the home was tattered but warm. Every time the penniless Charlie tried to find something to eat, he would deliberately commit a crime in order to enter the prison.
Seven samurai
During the Sengoku period in Japan, a small mountain village faced the threat of mountain thieves, and in order to protect the autumn harvest, the village elders decided to ask the samurai to protect the safety of the village, but the only reward was three meals a day of white rice. In the city, they were blinded and even beaten by the samurai. Until the appearance of Kanbei (Shimura Joe), he has now become a ronin, and after several considerations, he finally agreed. He tells the peasants that he needs at least seven samurai, so Kuzo (Seiji Miyaguchi), Katsushiro (Kōmura), Goro (Yoshio Inaba), Shichiro (Daisuke Kato), Heihachi (Chiaki Shigeru), and Kikuchiyo (Toshiro Mifune) join the team, with seven of them tasked with defending the village. Throughout the defense preparation, there was a lot of friction between samurai and peasants, and many jokes were made. In a sneak attack, a samurai was killed by a musket to save the peasants, and soon the mountain thief's counterattack followed, and a fierce battle was about to begin.
Hard Work - The Secret of China's Invincibility (1941)
The Oscar-winning color documentary, which reflects the history of China's War of Resistance Against Japanese Aggression in the 1930s and 1940s, was written by Liling-Ai, a Chinese-American, in collaboration with American journalist Rey Scott. From 1937 to 1940, Rey Scott carried a camera throughout most of China, traveling more than 30,000 miles, recording the war-torn China on film film.
What is even more remarkable is that between August 19 and 20, 1940, Rey Scott risked his life on the roof of the United States Embassy to photograph the heinous crime of indiscriminate bombing of Chongqing by more than 370 Japanese planes.
Noble Concubine Drunk (1956)
Guifei Drunken Wine, also known as "Hundred Flowers Pavilion", originated from the Peking Opera repertoire of a local drama "Drunken Yang Concubine" in the Qianlong Period, which was carefully carved and processed by the Peking Opera master Mei Lanfang throughout his life, and is one of the classic representative plays of Mei Pai.
This script mainly depicts Yang Yuhuan's mentality of self-congratulatory Huaichun after getting drunk, performing pornography and having a vulgar style. In the 1950s, Mei Lanfang went to Wu Cunjing, starting from the emotional changes of the characters, and corrected its non-artistic tendencies from an aesthetic point of view.