Li Guangtian once collaborated with his friends Bian Zhilin and He Qifang of Peking University to produce a collection of poems "HanYuan Collection", which is known as the "Three Poets of Han garden".
"Son of the Mountain" describes the majesty and steepness of the majestic Taishan, focusing on shaping the soul of a Tarzan - dumb. In "The Son of the Mountain", after his father and brother died one after another from picking lilies, the mute "had to pick up this life-desperation career (picking lilies)" and "took advantage of the pilgrims to take lilies, and he used this method to provide for his old mother and his widow".
In "Children of the Mountain", the author uses the danger of Mount Tai, the steepness of the mountain stream, the thickness of the fog, and the terrible hardship and firm will of the son of the mountain to survive with the terrible snakes and mountain ghosts, so as to depict the great shore image of the son of the mountain. "Son of the Mountain" describes the majestic and dangerous taishan, focusing on shaping the soul of a taishan - dumb (son of the mountain), showing the simple kindness, perseverance, fearlessness, bravery and boldness of the son of the mountain, and the adventurous spirit.
"Children of the Mountain" has twists and turns in structure, but it is also integrated, taking the author's insights as clues and laying out layers of descriptions. First write the beauty of "Happy Three Miles", write about pilgrims going down the mountain, leading out lilies; then write about the two children of Gao Lishan and Liu Xing, leading to the terrible and dumb father and brother of the poisonous snake and mountain ghost, and the son of the mountain appears; and after the final farewell, "my ears still seem to hear the dumb babbling", and the aftertaste is endless.
Original text: We have lived here for more than ten days, and we have accepted two children, one Liu Xing and one Gao Lishan... "Don't you believe it?" Gao Lishan seriously tried to convince me, "I tell you, the dumb father and brother both encountered mountain ghosts and fell to their deaths in the mountain stream of the back mountain." Their voices became very low, their faces a little dull, and they gave another look to the thick fog in the distance, as if there were mountain ghosts in the invisible place. This aroused my curiosity, and I asked them what kind of character the mute was. Thus, "I" learned the story of the Mute family through a paraphrase of two teenagers.
A brief analysis of the artistic characteristics of Li Guangtian's essay "Son of the Mountain":
The structure of the work is tortuous and integrated, and the description is carried out layer by layer with the author's observations and news as clues.
The author calls the dumb "Son of the Mountain", blending the great spirit of the Son of the Mountain with Mount Tai, and symbolizing the vitality and beauty of humanity of the Son of the Mountain with a natural scene.
A large number of methods of rendering, foiling and contrast are used to describe the hardships and firm will of the son of the mountain to survive, so as to outline the image of his great shore, so that the artistic conception of the work is profound and the atmosphere is rich.
The theme of Li Guangtian's essay "He Said: This Is Mine":
Through the dispute between father and son over the ownership of a stone, the work expounds the dialectical concept of man's desire for possession. Appropriation of external objects as one's own actually destroys the beauty of things, and such possession has no value; only to share with others, and the good things are both others' and their own. The article criticizes narrow individual possessiveness and promotes a collective consciousness shared by the masses.
The work contrasts children with "adults" and points the sharp edge at the ancient emperors, exposing their brutality and arbitrariness in oppressing the toiling masses, pointing out that they will kill themselves in this narrowness and cruelty that occupies everything. The work also aims at the reality of the time, with the sentence "Thinking of the 'parents of the people' today", which is both a gentle and clear attack on the reactionary rulers of that time.
The artistic feature of Li Guangtian's essay "He Said: This Is Mine":
The works expound a profound truth by seeing the big from the small, from the near and the far, starting from the trivialities around them; and from the general philosophy of life, they introduce the historical and practical problems of society, pinpoint the shortcomings of the times, and make the works more ideologically deep and socially meaningful.
The work aims to explain reason, but starts with the narrative of the image, integrating narrative, imagination and reasoning; expounds profound truths in plain and simple language, which is close to the point and easy to understand, and is a vivid and vivid prose of reason.