"Mountain Village Old Corpse" director's new work "Beyond the Boundary", hardcore horror strong reproduction of "childhood shadow" highlight! The movie "Beyond the Line" brings together the legendary mysterious power of "ghost director" Liang Honghua and "ghost po" Roland, and joins hands with senior drama bones Zhang Daming and Sydney, as well as high-value young actors Chen Jiale, Chen Jiaheng, Yu Qiao and other co-stars, the joint efforts of the gold medal team will bring a long-lost experience of coolness and horror.
With multiple labels of "yin marriage", "psychic" and scientific explanation, "Crossing the Line" constantly "rationalizes" the supernatural phenomenon, while constantly triggering new and difficult to solve the mystery of the horror. Chen Zhicheng, the talented cinematographer in the film, can see things that ordinary people can't see since he was a child, and has been entangled by the "woman in red" for many years, resulting in relatives and lovers around him losing their lives in tragic layers under the control of ghost shadows, and therefore often being cursed by his delirious mother for no reason. Because he was born different from ordinary people, he had experienced the strange death of his sister and brother-in-law, and the girl who was close to him also died for no reason, so that he did not dare to accept new emotions, and could only block himself in the endless horror and guilt that swarmed, and suffered from double torture of body and mind. The film exacerbates the sense of horror in an ambiguous way, negates the "ghost" through psychological theory, but appears real in the endless stream of supernatural events, perfectly creating a zero-distance fright that makes people think about it. Emotional entanglement and fog continue to make people pull back and forth in the infinite reversal of suffocating horror and sudden enlightenment, and falling into the infinite reversal of terror again, not only interpreting the ghost legend from the "official perspective", but also in the advancement of the plot and the diversity of the plot, people continue to fall into the quagmire of fear that is shocking at first but difficult to get out, waiting for the invasion of the god of death in despair and unknown.
The film continues the multi-faceted characteristics of "Old Corpse of mountain village" such as meticulous logic, shocking picture, twisting plot, continuous explosion of horror, and deep meaning. The film in the creation of a horror atmosphere, can be described as all-encompassing, shocking, breathing out of the sense of darkness filled in the portraits, dreams, old photos, and every corner within sight, when the scene of the sister jumping off the building appeared again in Chen Zhicheng's dream, people can't help but scalp tingling, skin and flesh tight; hanging in the room side by side Portrait shots from far and near, the characters are infinitely close to the moment of magnification, the strangeness hidden in the subtle expressions has a "aura" that makes people suddenly stop their hearts, You can feel the horror of death across the screen. The scene where the Dragon Mother "practices" connects yin and yang, allowing Chen Zhicheng to see his deceased girlfriend again, as if to instantly bring people back to the horror movies familiar to them in childhood, and immersively experience the original horror in the depths of memory. In the film, a "yin marriage" spanning 70 years is a comprehensive detonation of the creepy sense of terror that exists in the folk customs, and the rich ups and downs of the storyline and the dense fear of the highlights are reflected in each other, and the wonderful collision between the modern trend and the old sense of the times creates a desperate fright of rapids and nerves that are out of control.