Cross-talk praise series, this time to write a particularly interesting cross-talk praise, on cross-talk he does not say master, even famous people are enough, but he is stunned to give cross-talk Taidou Ma Sanli for more than ten years to praise, ma Sanye is still very satisfied, and after his death, Ma Sanli did not even find a stand-up. Moreover, people in the cross-talk gate, whether it is a master or apprentice and a student, almost everyone can hold up a play.
This is Wang Fengshan, the founder of Wang Pai Allegro, and one of Ma Sanli's most satisfied partners.
First, born poor, a generation of masters
Wang Fengshan was born in Beijing in 1916, although he was a flag man, he had bad luck just in time for the hardcore crops to be yellow, and Wang Fengshan, who came from a poor family, began to ask for food at the age of 7, and this fate was similar to that of his brother Hou Baolin and even worse than Master Hou. Hou Baolin learned to sing with a famous master, and Wang Fengshan could only learn to count with the old artist Hai Feng, who was called Huazi.
According to Jin Wensheng, Wang Fengshan could not read all his life, but others were smart enough to learn everything quickly, and they could adapt and create not only, but they could at least starve to death by relying on the allegro. In order to be able to perform Wang Fengshan, he also worshiped Zhu Kuoquan, who spoke cross-talk, as his teacher, which made him a disciple of Zhu Kuoquan's top door.
Although Wang Fengshan can be regarded as an allegro cross-talk two-door hug, in the old society he was also a turbulent and displaced art entertainer, Jinan, Zhangjiakou, Nanjing, Wuhan and other places have left his footsteps, until the liberation of Tianjin to take root.
Relying on solid allegro learning, Wang Fengshan became one of the three major schools of Chinese allegro (the four major schools must be added Tou Zhenjiang) Wang Gaoli, although his life was bumpy, he became a generation of masters, and he also had no regrets in his life.
The author does not understand the allegro, when I was a child, I hit several times either smashed my head or clamped my fingers since then, and since then I have regarded allegro as a flood beast, relying on my personal intuitive feelings, Wang Pai Allegro seems to be more difficult to learn, more tricks, worthy of a "pretty" word in the industry's evaluation.
Second, the taidou partner, with the fate of the praise
Wang Fengshan was allegro, but in his later years he was more famous for cross-talk, and he began to give Ma Sanli a praise for more than ten years from the end of the 1970s, leaving behind many classic cross-talk.
For Wang Fengshan's praise level, the author also said that it is not good, simply use the word "fate". You want to say that Wang Fengshan can praise a lot, it doesn't look like it, according to Shaoma revealed that he has a lot of work and simply doesn't have it, but he dares to say, and sometimes he can also bring out unexpected surprises.
However, the author has seen some of the works that Wang Fengshan gave Ma Sanli a praise, he is still relatively reliable, and the more official statement is that he is calm, generous, humorous, calm and elegant. In Ma Sanli's evaluation, it is "don't get in the way." "For Ma's cross-talk, it is quite a high evaluation not to get in the way, so you see Yang Shaohua shed a piece of wood when he gives Ma Sanli a hug, but Ma Sanli is just as happy." After Wang Fengshan's death, Ma Sanli simply stopped looking for praise, which was also a recognition of Wang Fengshan's praise level.
The reason why Wang Fengshan is one of Ma Sanli's most satisfactory praises is because there is also a Zhang Qingsen in front.
3. Teachers, disciples, and students with many anecdotes
The author said that Wang Fengshan is very interesting, for the melon-eating masses, in addition to his allegro and cross-talk, a large part comes from his disciples, apprentices and students.
Let's start with the master and disciple. Wang Fengshan had several disciples, two of whom were more famous.
One is Hou Baolin. Before the liberation, Wang Fengshan and Hou Baolin did not intersect much, but after the liberation, there were more. For example, in the 1979 cross-talk documentary "Laughter", he and Ma Sanli cooperated in "Talking about Hygiene" before there was a pad talk, Ma Sanli asked Hou Baolin to give guidance, which is quite interesting. Because one of Hou Baolin's guides is his uncle, and the other is his serious master brother.
It is rumored that Wang Fengshan has a free personality and still has the style of an old artist in his bones. Hou Baolin went to Tianjin to visit and sit backstage to watch the performance, Wang Fengshan pointed to Hou Baolin's nose before coming to the stage and said: "Learn a little", or the master brother's shelf, which made Hou Baolin, the representative of the cross-talk circle at that time, cry and laugh.
Another disciple of Wang Fengshan was Ma Zhiming. Now it is said that Ma Zhiming, a disciple of Hou Baolin Daila, visited Zhu Kuoquan, but in fact, this was a deviation, because Wang Fengshan was still alive at that time, and he also attended the ceremony. There are master brothers, and others are not qualified to pull the master brothers. For example, Gao Yingpei could not la Hou Yaowen, but specifically looked for Li Boxiang. Therefore, ma Zhiming should strictly speak be Wang Fengshan's disciple or Wang Fengshan and Hou Baolin's joint generation of disciples.
Let's talk about students. Wang Fengshan has two famous students, and there is still one in Tianjin.
One is Zhang Zhikuan. Although Zhang Zhikuan is a descendant of Li Pai Allegro, Li Yuanfang and his father are more learnable, and he also learned a lot of the essence of Wang Pai Allegro with Wang Fengshan, and the two can also be regarded as having a teacher-student friendship. Zhang Zhikuan is now the big guy of the China Allegro Association, and wang Fengshan also has the credit in the middle.
The other is Zhao Jinsheng. Some people say that Zhao Jinsheng is a cross-talk actor who holds a golden rice bowl to ask for rice, a big reason is that he learned art with Wang Fengshan from a young age, because Wang Fengshan and Ma Sanli are partners, so Zhao Jinsheng has also received a lot of teaching from Ma Sanli, but when he worshiped the teacher, he worshiped Fan Zhenyu as a teacher and became a master brother of the peak.
Finally speaking apprentice. Wang Fengshan has many disciples, and there are two apprentices in Xiangshengmen who are more topical.
One is Jin Wensheng, whose original name was King Kong. Wang Fengshan and Jin Wensheng had a good relationship when selling art in Jinan, when Wang Fengshan was in his thirties and Jin Wensheng was in his twenties, the two admired each other in art, and Jin Wensheng, who recognized words in creation, also helped Wang Fengshan, who did not recognize words, to write words, so the two people had a lot of contacts. According to Jin Wensheng's memoirs, at that time, Wang Fengshan and the two wives had to pay a huge amount of four hundred yuan for divorce, which was still Jin Wensheng's idea of trying to help him get together.
Later, Wang Fengshan took root in Tianjin, and Jin Wensheng, who was going to the northeast, could only get off the train in Tianjin to join Wang Fengshan because his wallet was stolen, and after Wang Fengshan introduced him to join the Tianjin Qu Art Troupe, Wang Fengshan did not consult with him and directly reported Jin Wensheng's stage name to him. Because Wang Fengshan's sons were called Wang Wenyuan and Wang Wenxi, Jin Wensheng was equivalent to following the name of Wang Fengshan's son, so Jin Wensheng became Wang Fengshan's apprentice.
In his later years, Jin Wensheng helped Wang Fengshan to rescue the classic repertoire of Wang Pai's Allegro, and the two were a model of mentoring and friends in the cross-talk industry. Jin Wensheng later also accepted an Allegro disciple Gao Feng, which means that Gao Feng was considered to be Wang Fengshan's apprentice grandson in the Allegro area.
Another is Malacca. Malacca is Ma Zhiming's only son, a name that Ma Zhiming deliberately gave to cover the son of his third brother Ma Zhiliang, Ma Xiaochuan. Wang Fengshan and the Ma family were friends of two generations, so Ma Zhiming asked Malacca to worship Wang Fengshan as a teacher. In this way, Malacca after the 80s became the same generation as Su Wenmao after the 20s, and also became the uncle of Jiang Kun, Feng Gong and Guo Degang.
In other words, Malacca's master was Ma Zhiming's master brother, and in Shaoma's words, Malacca was raised by his uncle and aunt.