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An underrated masterpiece – Digimon: King of the Beast Trainers

author:Bumps and bumps
An underrated masterpiece – Digimon: King of the Beast Trainers

Digmon tamers (hereinafter referred to as DT) is the third work in the Digimon series, and it is also the work with the most complete world view, the most rigorous plot structure, the character setting, and the most full character personality.

DT is not as well-known on the mainland as Digmon Adventure (DA), in large part because it doesn't air on local stations. Objectively speaking, DT is better than DA in terms of overall quality.

DT's director was replaced by Hiroyuki Katsuzawa, the character of DA, and the script written by Chiaki Konaka, and with the consistent urine nature of these two people, dt was doomed not to be a work for Junko.

DA for DT's play-drama, Digimon in the world of DT, exists in animated games, is a well-known concept.

The digital world in DT is very real and cruel, it overturns the DA, the death of the digital beast will return to the founding village, and re-become the setting of the digital egg to get rebirth, the digital beast in the world of DT, after death, it will become data, which can be absorbed by other digital beasts, which is the same as the weak and strong in the real nature.

DT is divided into five forces,

The first camp is the trio of Keijin Matsuda, Ryuhime Makino, the protagonist of Li Kenliang, Akiyama Liao who travels through countless parallel spaces, Li Jianliang's sister Koharu, Kaijin's classmate Shuri Kato, Shiota Hirowa, and Kenta Kitagawa.

The second camp is the Wild Group, an organization that tracks, monitors, and annihilates Digimon that appears in the real world, headed by Mitsuo Yamaki, whose terminology is closely related to Cthulhu culture, alluding to Chiaki Konaka's interest.

The third camp is the Four Sacred Beasts, the four Digimon that evolved to the commanding heights of the Digital World, guarding the four sides of the Digital World, among which the Suzaku Beast has a Digimon based on the Zodiac, the Emperor Demon.

The fourth camp is the Ancient Music Beast and the Digital Elf, the Ancient Music Beast is actually the light of evolution, because the Digital Elf is embodied as digimon, alluding to aristotle's principle of life of Hidden Lehi, under the role of Hidden Lech, living things can fully exploit their potential, and ancient music beasts can also make a large number of digimons evolve into the ultimate body.

The fifth camp is the Di Li Demon, D-REAPER, which is based on the "ladder array" surveillance system established by the Western forces led by Britain and the United States during the Cold War, which can permanently monitor the digital world, and once the data in the digital world (such as the digital beast) is close to the "storage ceiling", the Di Li Demon will delete them, so that the world will return to the initial state of nothingness, that is, the starting point of the development of the digital world. From this perspective, unlike the surveillance system on the macro-Internet, the work of Digital Death in the digital world is closer to antivirus software and formatters.

The first camp, the second camp, and the third camp forces, in order to protect or compete for the Gule Beasts of the fourth camp, initially out of a state of mutual distrust, until finally, the four forces unite to resist the Di Li Demons who are trying to erode the digital world and the real world.

The timeline in DT is based on the development of computers and artificial intelligence in the real world. such as:

In 1950, Alan Mathison Turing published an epoch-making paper, "Do Machines Think?" The text predicts the possibility of creating machines with truly intelligent intelligence. Noting that the concept of "intelligence" is difficult to define precisely, he proposed the first serious proposal for the famous philosophy of artificial intelligence, the Turing test.

Graduate students studying under Alfred North Whitehead discovered a special current phenomenon doped with many "useless" backflows when designing network models, which can lead to "Missing Links." That's why they call this phenomenon "Monster."

The first parallel computer, the Electronic Discrete Variable Automatic Computer (EDVAC), was born, which fulfilled two visions of the father of the computer, John von Neumann: the adoption of binary and stored programs.

In 1987, the first artificial intelligence (A-Life, Artificial Lifeform) society was born and began to operate. Christopher Langton held her first A-Life conference in Santa Fe, New Mexico, but before that, many scientists and researchers had begun to simulate primitive hypothetical life with computers.

The Knights of the Lambda Algorithm established the Monster phenomenon as a "DigiCore". Based on the "digital core" of "Monster", the Xerox Palo Alto team proposed the excellent ideas of "evolution", "digital reality/digital hidden Dreich" (Digi-Entelechia) and "Kernel", and through the "dual core" design of "Digimon-Digital World", the digital beast that can be called "life" and the prototype of the digital world were born.

DT has a very powerful worldview setting, almost no flawless logical relationship, many of which are based on the knowledge principles of computers and artificial intelligence that really exist in reality.

In addition to the perfect world view setting, in the play, each character image is also very plump, Matsuda Kehito, as the male protagonist, is no longer a hot-blooded and courageous personality, but a well-behaved quiet and introverted child, and at the same time very righteous, very responsible.

Growing up in a single-parent family, Makino Ruhime lacked paternal love and insecurity, causing her to become very strong, looking very cold at the same time, but at the same time, she was very caring for the people around her.

Li Jianliang is kind and gentle, but he is not good at opening his heart to communicate with people, contrary to the simple naïve sensibility of Enlightened People, he is very mature and rational.

The characters outside the protagonist's trio also have their own characteristics, each of them plays an important role in promoting the plot, and none of the characters are marginalized.

Digimon image design is also very colorful, the protagonist Matsuda Keijin and partner Kiel Beast fusion evolved into the ultimate body of the Red Lotus Knight Beast to pull the wind to no, the final true Red Lotus form is even more handsome to explode, it is worth mentioning that the Red Lotus Knight Beast Japanese dubbing for Masako Nozawa, every time you listen to the Red Lotus will think that Kakarot is coming, its Chinese voice is Zhan Yajing, the same heavyweight. To say more, Zhan Yajing's voice acting is really a childhood memory, in addition to countless Japanese anime with her voice, many well-known Korean drama characters are also voiced by her.

As the villain of the transformation of the evil and the evil, the fallen hell beast evolved by the little demon beast, from being bullied to going astray, mistakenly believing that it can be liberated by having powerful powers, killing the lion beast, causing Kato Shuli to collapse, being taken advantage of by the Emperor Li Demon, the fallen heaven hell beast finally repents, completes self-redemption, and is the only Digimon full of contradictions among so many Digimon characters.

The Shagu Tooth Beast is a goddess comparable to the Celestial Beast, full of the mystery of a witch, and was once another childhood goddess.

In the end, the setting of the boss Tyrell Demon is full of Cthulhu style, and many of the forms after its embodiment are very strange, among which the imitator, the reaper, and the divine mother were once the shadowy existence of childhood.

In addition to the play itself, the anime op "The biggest dreamer" is still a song written by Michihiko Ota and sung by Koji Wada, and the classic degree is not inferior to "Butterfly", the interludes such as "One Vision" and "Slash" in the film, and the "My Tomorrow" at the end of the film are very good.

Digimon: King of the Beast Trainers is truly a high-quality, hidden masterpiece.