It is not terrible to play a supporting role in a Japanese drama all year round,
The scary thing is that some people can often play supporting roles as protagonists,
And there are actually many starring actors who originally intended to stage opponent plays with him,
Because his acting skills are really explosive,
He is the little brother Takahashi all his life,
And coincidentally with his name,
According to incomplete statistics, he has played the doctor no less than five times,
Brother Takahashi, born on December 9, 1980, has celebrated his 37th birthday.
Come and call him~
Sorry, the picture is misplaced~
▲ Takahashi's life x Feng Gong: We are not like each other at all
Many people know takahashi's life as possible from this year's hit Japanese drama "Quartet", which is extremely impressive with the delicate and funny violist in the play. Only last year, Takahashi has participated in many works non-stop in his lifetime. For example, tv dramas include Fuji Tv's "Remembrance of Ran", "My Dangerous Wife", "I Thought Fateful Love Would Not Come", Asahidai's "Minwang Special Chapter ~ New Conspiracy ~"Minwang Outer Chapter ~ Love Election ~"GU · RA· ME ~ Prime Minister's Cook ~", NHB BS Premium Channel's "Princess Cabin" and so on. There are also popular film works "New Godzilla", the stage play "MotoluKu Koga Song: The Forest of Thousand Years of Love" directed by the late Yukio Kawakawa, and the stage play "Radiant Vermin" that caused the ticket battle. The "Quartet", which began broadcasting on January 17 this year, has captured a large number of fans, and there is even a comment on Twitter that "it is best to prohibit Takahashi from untying his neckline when playing, and girls will not be able to stand it". But do you know that Takahashi Sang, who seems to have become popular overnight, is actually an "old drama bone" that has been 27 years old! Although not a beautiful male face in the traditional sense, Takahashi-san, who is evaluated by fans as a "salt male god", has the ability to integrate into any character.
The 10-year-old child star debuted and is now 27 years old! Unfortunately, many of them are supporting roles, mixed with a familiar face, no big red, and have been turned into god-level soy sauce actors by fans. If no one had mentioned it, I would never have remembered that he was the handsome senior of the Kendo Club in "All About Lily Week", and the technical otaku classmate of the young lord in "Ikebukuro Nishiguchi Park". Looking at Takahashi's resume, the movie "Picking Stars" released in 1990 and starring Takeshi Kitano was the first work he participated in, when Takahashi was ten years old; then he successively played the role of Ōryū Tao with Chiaki Kuriyama in "Kill Bill"; finally made a face in the story "Box" in "World Wonder Story - 25th Anniversary Autumn Special"; played Matsuda Ryuhei's classmate in "Love Portrait", an otaku costume; in "Call for Love in the Center of the World" Ri played the male protagonist Shotaro Matsumoto's good friend Ryunosuke Ogi; in "The Goddess Who Lost Her Name", she played a "pervert" who had a strong desire to control his wife... It seems that Takahashi can be perverted, can be arrogant, can be pure, or can be an elite man, exuding a temperament that you won't guess what he will look like in the next second. But I did not expect that these are not the limits of Takahashi-san's acting skills, seeing the 2008 brother's Shakespeare stage play "Nothing Wrong", such a dignified and elegant female appearance, you also come to experience the waves in my heart.
Takahashi's family environment was complex, and his mother had three husbands and five sons. Throughout his life, Takahashi, as the eldest son, took on the responsibility of caring for his four younger brothers. Takahashi's relationship with his mother was somewhat delicate, and he did not see him for ten years, until the third brother told Takahashi that his mother had cancer, and Takahashi plucked up the courage to visit his mother again. At the hospital, her emaciated mother apologized to Takahashi, saying, "I've always been sorry for you." Takahashi comforted his mother and said, "It's all right, brothers, I will take care of you, and you can take good care of your illness." A week later, my mother passed away.
Because of his introverted and poor social interaction as a child, he was sent by his mother to a children's theater troupe to start his career as a child star. In the third grade of junior high school, takahashi participated in the selection of voice actors for Miyazaki's animation through the recommendation of the children's theater troupe, and successfully passed, dubbing the male protagonist Seiji Tenzawa in Miyazaki's famous work "Side Ear Listening". At the time, the male protagonist of the anime was named "the Ghibli protagonist who most wanted to fall in love with him".
Unfortunately, two weeks after the end of the dubbing work, Takahashi entered a period of voice change in his life and could not continue his work as a voice actor. In order to dream of being an actor, Takahashi entered Japan's most famous "star-making factory" Horikoshi Naka and Hatsuza Theater Troupe to study acting. When it comes to his life in the troupe, Takahashi says he has few good memories. The rehearsal hall is remote and dilapidated, the winter is unusually cold, usually in the color emptying when wrapped in layers of coats while reading the script while eating instant noodles, just leave for a few minutes, the instant noodles will become cold and unable to swallow. In the case of a difficult life, Takahashi's lifelong acting career is also facing the crisis of high and low, although he has starred in many works, but all of them are supporting roles, and they are basically "shady" roles such as squatting and murderers at home, and they are gradually stereotyped to make Takahashi very distressed throughout his life.
▲Interview with Takahashi's life
However, the acting career of "always thought it could continue" was bottlenecked when Takahashi was 25 years old, and he even considered giving up at one point. "During that period, everything that was expected was not what I expected. From a moment on, I thought maybe I could just give up acting. Because I have always held such a mood, I have always felt that 'dreams cannot be realized', so let it go. It's not that I'm running away, because I felt at the time that I couldn't achieve it anyway, so there was no need to think about it anymore. I drew the map myself, but I couldn't follow it, so I gave up. ”
However, during that time, Xiaobian first noticed Takahashi's life, that is, "Medical Dragon 2" ten years ago. In "Doctor Dragon 2", Takahashi played a genius surgeon Seiji Waiyama, which is set different from the shy little angel in "Dr. Luntaro", is a big arrogant, and young and crazy, in order to achieve his own purpose is still a little dark, although the late stage of the play is whitewashed, but it is still a bit of a nuisance role, so it is impressive.
In 2013, the famous Japanese screenwriter Yuji Sakamoto invited Takahashi to star in the drama "Woman", which became a turning point in Takahashi's life as an actor. As the screenwriter of classic Japanese dramas such as "Tokyo Love Story", "The Most Perfect Divorce", and "Problem Restaurant", Yuji Sakamoto has strong line skills, allowing Takahashi to show a unique charm in his life. In "Woman", Takahashi no longer plays a role of inner darkness, but a very positive and uplifting sunny youth, always encouraging the heroine to overcome the difficulties in life. This sunny role became the transformation opportunity of Takahashi's life, and since then, Takahashi has begun to try more diversified roles in his life, and the drama path has been broadening.
More than once in his life, Takahashi thanked yuji Sakamoto on various occasions: "It is important for me to get to know yuji Sakamoto. In my twenties, I played roles like squatting at home, murderer, stalker. When I got that impression, I was all the same type of character. But Sakamoto's screenwriters wanted me to show something very different. It was he who helped me break the status quo and I had the idea of stopping playing the same role. "Woman" has an extraordinary meaning to me. "
Yuji Sakamoto once said that Takahashi's way of memorizing lines in his lifetime is very unique, as if he did not have acting skills, he naturally said the lines. In this regard, Takahashi said frankly: "I really don't think much about acting." At the age of 25, Takahashi joined the 'Acting for The Sake of Acting' movement all his life. He said: "All the roles played are themselves. Basically I don't shape the character. If you want to play a completely different person, I think you can only release your inner self. "
In 2015, Takahashi was caught on fire for playing the role of Secretary Kaihara in "The King of the People", although it was only a supporting role, but the poisonous and cute little secretary had a strong sense of existence in the play, and won the 2015 Japanese Drama Academy Award for Best Actor. Because of his popularity, Secretary Peiyuan not only filmed the SP of "Minwang" with Secretary Peiyuan as the protagonist, but also filmed the derivative drama "Secretary Beiyuan and 6 Sick Guests" to meet the audience's requirements. "'The King of the People' will become a pointer in my performance work, this is a work that I find more and more interesting the more I perform, and for me personally, it is like dreaming to get the "Assistant Actor Award". Takahashi said.
After the age of 30, Takahashi gradually realized the joy of acting skills. "The role I played was getting more and more feedback. Things that have not happened in reality, through the interpretation of their own bodies, no matter how many roles have returned to their own bodies. For example, the physical feeling of thinking that you will be killed in the Sengoku period in the Era drama, and the same is the feeling of playing an instrument in the Quartet, which can be used for different roles next time. [These feelings] are inexhaustible and inexhaustible. That's something I've only recently understood, and it's probably a very powerful thing. That is to say, even if I did not experience it firsthand, I was able to be someone to simulate his life experience. And then these experiences can make the next different character more vivid, and I think that's really great. Perhaps, it is at this point that I finally feel the 'fun' of acting. Especially recently, I have had this feeling after about 30 years of age. ”
Although you have given up, but found that acting is still attractive, so you continue the path of acting? Asked Takahashi this question, he replied interestingly, "Well, the front and back sides." When it doesn't go well, I really hate acting to the bone. But the hatred may be because I like it too much. ”
As for what he plans to do in the future, he advocates "wanting to present a greater contrast," he explains, "It was Takahashi who played that role, and it was always said that, wasn't it?" Such an evaluation (linking the character to Takahashi's life) I want to reduce it little by little. Because no matter what, the audience will always have the feeling that "Takahashi has been acting all his life". Is the one who plays that role what takahashi has to do? I want to be judged that way. Because of this, I feel that I can get rid of my personal color. I wanted to hide better and more perfectly in the character. ”
▲Takahashi showed his singing skills throughout his life
Takahashi's life is the kind of thing that looks inconspicuous at first glance, but you will slowly find his shining points, his eyebrows, his smile, his personality, unconsciously into the Takahashi pit, and can not come out of his life. He has been evaluated as having "a mentally cold look, a warm smile, and an empty color that is deeply rooted in his heart", and different characteristics are intertwined in him, forming the unique temperament of Takahashi's life. Although his popularity has risen sharply, Takahashi still maintains the impatience that he has been carrying since his childhood as a child actor, and the professional cultivation of playing each role well, arrogant, perverted, warm, can be said to be hand to hand. It is precisely because he is focused and low-key, while being able to maintain the same high standard as always to give us excellent works, we like him so much.
For ways to get Takahashi's one-year drama resources, see the top comment below.