The landscape paintings of the Qing Dynasty can be described as colorful, with the Four Kings, the Four Monks, the Xin'an School, the Jinling School, the Yushan School, the Loudong School, the Yangzhou School, the Jingjiang School, and the Maritime School, each showing its own strengths. Painters in the Dynasty and the painters in the opposition either imitated the ancients, or innovated, enriching the landscape painting scene of the Qing Dynasty with different styles.
The factional forces of the Four Kings gradually declined during the Daoguang and Xianfeng years, and there were not many accomplished painters, only Tang Yifen and Dai Xi made breakthroughs in their landscapes, which were valued by the people of the time, and the landscapes of Qian Du, Hu Yuan, Wu Qingyun, and others were also praised for a while.
The four monks represented by Zhu Yun, Shi Tao, Jia Yan, and Hongren were all remnants of the Ming Dynasty and all held a strong sense of nationality. They used paintings to express the vicissitudes of life and depression, and pinned their love for the mountains and rivers of their homeland. Artistically, he advocates "borrowing from the past to open up the present," opposes Chen Chen Xiangyin, attaches importance to life feelings, and emphasizes the spirit of a single Khan. Now I am admiring it with many painting friends.
Heavy forest compound map
Chonglin Fuzhang Figure Qing Wang Yu Color on paper Length 91.3 X horizontal 51.8 cm Collection of Shanghai Museum
Wang Yu ,born and died unknown, was a cousin of Wang Yuanqi. He was good at painting landscapes, and taught the Fa Wang Yuan Qi and the Song and Yuan families. The landscapes painted are sparse and elegant, light but not thin. This figure mountain stone is rubbed with a dry pen, and the moss dots are densely collected. The clouds are rendered in light ink, the colors are brilliant and quaint, and the picture is very thick and deep.
Nanshan Jicui Map
Nanshan Jicui Figure Qing Wang Yu Color on paper Length 119 X width 55.9 cm Collection of the Palace Museum in Beijing
The picture shows the mountains on both sides of the river, a stream twisting and turning in the middle, the distant mountains are filled with clouds and mist, and the slopes of the creek are among the stone trees, and the villages and mountains are hidden, and the realm is far-reaching. Use dry pen to rub, light ink rendering, use more dense dots, loose brushwork, and light color.
Bamboo forest listen to the spring map
Bamboo Forest Listening Fountain Figure Qing Shen Zongqian Color on paper Length 90.6 X width 35.1 cm Shanghai Museum Collection
Shen Zongqian ,born and died unknown, was a native of Wucheng (present-day Huzhou, Zhejiang). Good at painting landscape figures. This picture is Shen Zongqian's superb work. In the bamboo forest by the painted creek, there is a hut, and there are people in the house who are facing the window and looking at the side, as if listening to the spring, there is movement in the stillness, and the artistic conception is far away. The painting style is influenced by the "Four Kings", and the mountain stones are covered with hemp, dense moss dots, and the pen and ink are beautiful.
Autumn Moon Chart of Dongting
Dongting Autumn Moon Figure Qing Wang Yu Color on paper Length 65.4 X width 39 cm Shanghai Museum collection
Wang Huan (王愫), born and died in unknown years, a native of Taicang, Jiangsu Province, lived in Suzhou, and was the nephew of Wang Yuanqi. Gong poetry, good at landscape and water. The penmanship is simple and delicate, and together with Wang Yu, Wang Jiu, and Wang Chen, he is known as the "Little Four Kings." This picture is one of the author's typical works, depicting the autumn colors of Dongting Lake, with a beautiful brushwork, which is in line with Wang Yuanqi's landscape painting style. The self-titled "Imitation of the Yellow Crane Mountain Tree Brushwork" is actually a borrowing of the ancient people's brushwork to photograph the mountains and rivers of Jiangnan, but the painting method is too delicate, and although it is beautiful, it is not interesting in the ancient world.
Snow story diagram
Snow Scene Story Picture Qing Sun Hu Silk Color Length 31.5 X Width 25.6 cm Collection of the Palace Museum in Beijing
Sun Hu, year of birth unknown, from Jiangsu. Worker, Landscape, Master Wang Yuanqi. There are ten pictures in this album, and this one is Yuan An Lying Snow. Paint a coat named Yuan An, concentrating on reading in the cold window. The pen is simple, the mountain stone is slightly dyed, and the white powder blending hook point and ink color are integrated, which is both strong and soft.
Landscape map
Landscape map Qing Pan Gongshou Color on paper Length 24 X width 28.2 cm Zhenjiang City Museum Collection
Pan Gongshou (1741-1794), Painter of the Qing Dynasty. People from Zhenjiang, Jiangsu. He is good at poetry and painting. Landscape rules imitate Wen Zhengming, flowers take the law Yun Shouping, paint Buddha statues and ladies, also rhyme and ancient meaning, bamboo and stone are also good. This painting has a mountain of stone walls and layers of greenery. Under the branches of the old trees, the sound of the stream, the green grass, the two high priests sit on the ground, enjoying the surrounding scenery, and the boys hold the piano to the side, waiting for the call, each of them is prepared. The picture is ancient and elegant.
Qiulin dragging staff diagram
Qiulin dragging staff figure Qing Zhang Yusen Silk color Length 157 X width 100 cm Collection of the Palace Museum in Beijing
Zhang Yusen, date of birth and death unknown, was enshrined in the inner court during the reign of Tu Ren of Anhui and Qianlong. Gongshan Shui, Dewen family charm, good at splashing ink, but also good at painting flowers and birds. This picture shows the mangroves of the Autumn Mountains, the peaks and peaks of the undulating Tibetan Pavilion Bridge, the waterfall, the clouds and smoke, the stream rippling, and an elderly man crossing the bridge with a staff. The composition seeks concealment in danger, the pen is changeable and flexible, the dense points are fine, the color is beautiful, and it is not conventional.
Sword Pavilion Diagram
Sword Pavilion Figure Qing Luo Ping Color on paper Length 100.3 X Width 27.4 cm Collection of the Palace Museum in Beijing
Luo Ping (1733-1799), a native of Shexian County, Anhui Province, was good at characters, Buddha statues, plum bamboo, landscapes, and ancient pen love, one of the "Eight Monsters of Yangzhou", and there are works such as "Qunxian Gongzhu Tu" and "Hulu Tu". This drawing depicts Li Bai's poetic Sword Pavilion Shu Dao, with complicated composition, fine pen and ink, light color, and unique style in Luo Ping's landscape paintings.
Stone diagram of the layered rock tower
Layer Rock Tower Stone Figure Qing Cai Jia Silk Color Length 104.1 X Width 53 cm Collection of Chongqing Municipal Museum
Cai Jia, year of birth and death unknown, lived in Yangzhou. He was friends with Gao Xiang of the Yangzhou School, Wang Shishen, and others. Gong poetry, good at painting flowers and birds, mountains and stones, especially good at green landscapes. This picture creates a scene of the scene, clean and elegant. The brush and ink stretch are rich, thick, dense, complex and simple, and it is the work of the painter's intention.
Autumn Night Reading Chart
Autumn Night Reading Figure Qing Cai Jia Color on Paper Length 63.7 X Width 37 cm Collection of the Palace Museum in Beijing
In this picture, a schoolboy is studying with candles in the hall, and a small child is standing next to it; a crane stands on the stone level outside the window, and the red leaves on several trees point out the autumn mood. With a concise pen, the trees and stones are rendered with thick ink, and the moss is dotted with thick ink, and the painting method is a family of its own.
Song Luo visited the monument
Song Luo visited the monument Qing Huang Yi Color on paper Length 17.57 X width 50.8 cm Collection of the Palace Museum in Beijing
Huang Yi (1744-1802), a native of Hangzhou, Zhejiang, was proficient in engraving, and was on a par with Ding Jing, one of the "Eight Houses of Xiling". During the Jiaqing period, Jin Shi studied and flourished, and Huang Yi was a famous epigrapher, and the "Song Luo Visiting the Stele Map" is the scene and new arrival of the search for the inscription with a paintbrush. This picture is simple and has a golden stone flavor, full of ancient atmosphere.
Iwai Autumn Cool Diagram
Iwaju Qiu Shuang Figure Qing Xi Gang Color on paper Length 113.5 X width 48.5 cm Collection of the Palace Museum in Beijing
Xi Gang (1746-1803), a native of Xin'an (present-day Shexian County, Anhui). He is good at landscapes, flowers, poetry books, and fine seal carving, and is one of the "Eight Houses of Xiling" along with Ding Jing, Huang Yi, and Jiang Ren. In the picture, the peaks are upright, seeking refuge in danger, rubbing with light ink, covered with green ochre, the brushwork is beautiful, and the houses are hidden in the rock passes, and the artistic conception is far-reaching.
Yushan Caotang Buyue poetic intention
Yushan Caotang Buyue Poetry Intention Qing Qiandu Ink on paper Light color Length 138.2 X width 53 cm (Japanese) Osaka Municipal Museum of Art Collection
Qian Du (1763-1844), a native of Hangzhou, Zhejiang. Gong poetry books, good at painting landscapes and ink plums, teachers of French Boren, fine brushwork; painting mei master Zhao Mengfu, cold evacuation. This figure features the contrast between the big density and the big sparseness. The painting method combines the complexity of Wang Meng with the delicacy of Wen Zhengming, and was composed by the painter at the age of fifty.
Purple Lang Xianguan map
Purple Lang Xianguan Figure Qing Qiandu Color on paper Length 132.1 X width 27.2 cm Collection of the Palace Museum in Beijing
This picture is made by Qian Du for Mr. Yueqiao, writing about the scene of the Purple Lang Immortal Hall. The author composes the picture with a high and distant method, a close view of ancient trees towering in the sky, a clear stream flowing, a small bridge lying horizontally, and a person walking with a staff. The middle view of the grass house is composed of several rooms to form a garden, and in the middle of the house there are two people, one is the owner, the other is the visitor, and the piano boy stands. The distant mountains overlap, the mountain springs are pouring down, the white clouds are swirling, and a temple pavilion looms in the mountains. The whole picture is green and green, with a slender and precise pen, fresh and elegant, with the charm of Zhao Mengfu and Wen Zhengming landscapes.
Dongshan newspaper shortcut map
Dongshan Baojie Map Qing Su Liupeng Color on Paper Length 238 X Width 117 cm Collection of Guangzhou Art Museum
Su Liupeng (1798-?) ), a native of Shunde, Guangdong, who is good at people and landscapes. Characters Shi Yuan and Qing Dynasty Huang Shen. Most of them take social reality as the theme of life, which is real and vivid. This picture is based on the story of the "Battle of Shuishui" during the Southern and Northern Dynasties, and the characters are delicately portrayed, the rules are rigorous, and there is a taste of elegance and elegance, which is an exquisite masterpiece handed down by Su Liupeng.
Reminiscences
Yi Song Tu Qing Dai Xi Ink and pencil on paper 37.7 X width 123.2 cm In the collection of the Palace Museum in Beijing
Dai Xi (1801-1860), a native of Hangzhou. Gong poetry books, good at landscapes, flowers, learned the god of "ink five colors". This picture was made by Dai Xi when he was forty-seven years old, and the composition is rigorous and thick. In the distance, the deep library between the mountain passes, and the spring water in the near distance flows into the pool, and the artistic conception is deep. (End of album)