The Shanghai Museum is an important collection unit for the collection of ancient inscriptions, and its collection of historical inscriptions enjoys a high reputation at home and abroad, and the collections of "Chunhua Pavilion Posts", "Song Tuolan Pavilion Prologue" and so on are extremely precious and rare. This afternoon, the Shanghai Museum's "Shanghai Museum Collection of Rare Books" (hereinafter referred to as the "Series") compiled and edited by the Shanghai Museum was first published by the Shanghai Calligraphy and Painting Publishing House at the Shanghai Book Fair. For the first time, the series has fully disclosed the shanghai museum's inscription collection, from which unique collections have been selected, including many orphan or rare rare books. The publication of the "Series" means that Shangbo has lifted the veil of mystery and fully disclosed the treasures of its historical inscriptions.
Pictured: Take home the treasured collection of Shangbo's historical inscriptions and slowly look at the Xinmin Evening News reporter Xu Yisheng
After more than ten years of demonstration and preparation, Shanghai Calligraphy and Painting Publishing House and Shanghai Museum reached a common intention to edit and publish the "Series", and the selected topic was listed as a national "Thirteenth Five-Year Plan" key book publishing planning project. The selection of the "Series" takes the value of cultural relics, literature and artistic value as the yardstick, and takes the initial expansion, the old expansion, the fine extension and the good extension as the premise. The first and second series contains ten kinds of collections, all of which are from the collection of the Shanghai Museum Library.
Among them, there is the "Stone Drum Text", which is known as the "Ancestor of Stone Carvings", which is the famous Ming Tuo "Huang Shu Ben", which is known as the first jiatuo of the Gongzang "Stone Drum Text"; the first volume of the "Daguan Ti" is song Tuoben, which was once delivered by Zhu Yizun, Jiang Zuyi, Chu Deyi, etc., because there is no record of it, it is not known to the world, or it is an isolated copy in Hainei; the seventh volume of the "Daguan Ti" volume viii was once collected by Yang Zhongne, Peng Zhijie, Wang Baoli, and Wu Yun, which can be combined with the "Daguan Ti" volume vii of the National Museum and the "Daguan Ti" volume VIII of the Palace Museum; the "Jin and Tang Dynasty Four Kai Ti" including "The Four Kai Ti" of the "Jin and Tang Dynasties" including "The Great Guan Ti" The remnants of the Huangting Jing, the remnants of the "Protector of Life" and the "Thirteen Elements of Luoshen" are both rare books, which were once handed over by Weng Fanggang, Yang Jizhen, Tang Yifen, Shao Songnian and others, which can be called a must; the "Tomb of Dong Meiren" is Xu Weiren's Tuoben, which is the old collection of Wuhufan, "light ink cage yarn, really like a cicada wing", pushed by Wu Hufan as "the first fine extension of the rough stone", and the inscription before and after the paragraph is nearly sixty people, which adds a lot of color; "The Emperor's Birthday Monument" is the Northern Song Dynasty Takuben, Li Shen, Shao Songnian Old Collection, with clear angles and clear characters, and can be called the oldest and kindest book; The Monument of Kong Zhou and Yin is the Ming Tuoben, and the Stele Yang and the Stele Yin are extremely rare; the Northern Dynasty famous inscription "Zhongyue Songyang Temple Stele" is also a Ming Tuo ben, the engraving is excellent, the characters are clear, once Liu Quanfu, Li Guosong, Luo Zhenyu, etc. were handed over; the "Buddhist Relic Teachings" was passed down as the Book of the Eastern Jin Dynasty, the Book of Saint Wang Xi, the old collection of Yang's Haiyuan Pavilion, which is the first original color fine printing; although the "Hengfang Stele" is the Early Qing Dynasty Tuoben, it is more refined than the Ming Tuoben delivered by Sun Xingyan and Shen Shuyong, and the Tuogong is more refined, and it is stored by Huang Yi, He Shaoji, Li Ruiqing and other epigraphers. More documentary value.
Illustration: The inside page of the Series official chart
In order to record the important events and solemn celebrations of the previous dynasty, the ancestors of the stele carved the literary form and the handwriting of the calligrapher through the hands of famous craftsmen and carved it on the cliffs and stone tablets, so that the stele had multiple artistic contents, and also framed into scrolls or albums, so that they became steles. In the early stage of the development of printing, the extension of the stele and the extension of the post were important means of spreading culture. In the future, people will have to learn these written materials in order to learn calligraphy or make historical materials.
In the form of binding, the "series" reproduces the artistic value and collection value of the Fa Ti in the traditional binding form of album letters, the original color of the original large fine print. In addition to the complete presentation of the overall picture including the inscription and the seal, the "Series" also attaches a separate volume, written by the experts of Shangbo, to interpret the content and version of the inscription in detail, and interprets the text, inscription and Tibetan seal of the inscription, so that readers can appreciate, study and study.
The collation and publication of the "Series" is a major project in the field of the publication of golden stone inscriptions in recent years. Yang Zhigang, director of the Shanghai Museum, said that in the era when there was no photography and photocopying technology, the inscriptions were rarely circulated, becoming a secret treasure that was not easily shown in the collection world. In recent years, the Shanghai Museum has re-planned and organized the collation, research and publication of the collection of inscriptions and posters in the collection, hoping to show its overall appearance and unique value to the society as soon as possible, and also accelerate the pace of rational utilization, so that these national treasures can be closely approached and shared by the public. (Xinmin Evening News reporter Xu Yisheng)