▲ Qi Gong 'Japanese Modern Calligraphy Exhibition Guanhou' manuscripts are two kinds
Xiling Auction-Art Is Online Auction-April Auction【Modern celebrity handwriting and video art special】
Art is a net shoot, celebrity handwriting
A piece of paper letters, the past is not like smoke
Text/ Tonggutang
Lu Ji's "WenFu" has a saying that "the letter mianmiao is in the ruler, and the spit is full of hearts", which shows that the most expressive of the letter is the traces of the book, or two or three sentences in a hurry, or thousands of words, appreciating its momentum like a tidal wave, the iron book and silver hook pen and ink, there is also a sense of seeing the words as the face, the sense of family letters, and even more, there are traces to follow, the past is not like smoke, can be a supplement to the unsheathed historical facts. Therefore, celebrity handwriting has gradually become a new favorite for collections, and it has not stopped heating up.
Especially when the art market is getting cold, go to the Xiling Autumn Auction "Wuliutang Tibetan Ming Dynasty Famous Sages Book Collection" against the trend, still achieved good results, you can see one or two. In fact, the collection of celebrity letters has existed in ancient times, and the ink remains such as "Pingfu Ti", "Mid-Autumn Festival" and "Boyuan Ti" are all letters and are enshrined as standards.
However, this year's new crown epidemic has struck, and the postponement of offline auctions has become a foregone conclusion, and major auction houses have set up online auctions in order to take advantage of the convenience of the Internet to break the old narrow channel model and expand the dissemination of art.
Xiling Art is an online auction, since the day of its inception, that is, it has attracted much attention in the industry, with a unique "literati style" business philosophy, but also a professional and rigorous attitude to learning, academic first, in the vertical e-commerce of related works of art, has appeared "blind trend".
▲Art is a network shoot
From "one beat per day", "multiple shots per day", and even "monthly auctions", the daily active users of Yiyi are growing, and many collectors familiar to the author also have enthusiasm for participating in the auction. Its lot categories are also becoming more and more abundant, including calligraphy and painting, letters and rulers, ancient books, gold and stone inscriptions, porcelain miscellaneous, jewelry and jade, famous tea and wine, etc., and the lineup is as strong as the ordinary spring and autumn auctions.
This time, art is the April auction again, low starting price, high cost performance, and raw goods gathered, which shows its good investment channels, such as "modern celebrity handwriting and video art special", in addition to "Ye Gongqiu old collection", "Liu Kaiqu on the paragraph" two major topics, there are also Cai Yuanpei, Ma Xulun, Gu Jiegang, Liang Shuming, Qian Zhongshu, Qi Gong and other celebrities handwriting, people are quite looking forward to.
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Ye Gongqiu old collection
▲ Ye Gong's upper model and the old collection without reserve price
Ye Gong's old collection or inscription, mainly based on friends' letters and manuscripts, he came from a family of scholars, rarely inherited family learning, can be described as familiar with the past and the present, and obsessively collected, once hid Mao Gongding, and as a pioneer of China's modern and modern transportation industry and transportation education, it is very influential.
In addition, he is also a famous lexicographer, and the compilation of "Quanqing Ziqi" and "Guangzhi Zhongzi" play an important role in the Qingzi anthology, which also has important enlightenment significance for the examination of the word world in the late Qing Dynasty and the early Ming Dynasty.
When screening many clear-word manuscripts, Ye Gongqi would write "Wherever ○ uses red grid banknotes, all ○ people use green grid banknotes (red means red grid paper, green means green grid paper)" or print red beans, cloud smoke, and reverie, etc., indicating that he recognizes the word and instructs others to copy according to the circle drawing, and only one scoop of three thousand weak water is taken, which can be described as a huge workload.
Take the Guangzhi Zhongzi as an example, which was written after Tan Xian's "Zhongzi" to make up for Mr. Zhongxiu's omission. This book has been compiled since 1898, intermittently, and completed in 1933.
The book records Yi Dachang, Wu Hufan, Long Yusheng, Xia Jingguan, Lin Baoheng, Xia Chengtao, Pan Chengbi and many other lyricists, counting as many as 441 people, which is spectacular.
It is reported that Ye Gongqi was one of the most familiar and deeply related division commanders in Wu Hufan's life, and the two met in 1928 when Ye Shi went south to live in Shanghai. In December 1929, at the suggestion of Ye Gongqiu, Zhu Xiaozang, Chen Fangke, and Juelin Vegetarian Restaurant, the celebrities of the Shanghai lexicon, decided to set up a compilation office for the "Quanqing Ciqian", of which Wu Hufan was listed.
This is a manuscript of Pan Chengbi's handwriting, which was transferred to Ye Gongqi by Wu Hufan's hand. Among them, "Yangzhou Slow" and "Dark Incense" were written for the second time, respectively, the Yongwu Lake Fan collection "Dong Meiren Epitaph" and "Song Carved Plum Blossom Joy Divine Spectrum".
▲ Wu Hufan corrected and wrote a manuscript of Pan Chengbi's own lyrics
Knowledge: Pan Chengbi presented by The Factory.
Inscription:
1. Pan Chengbi, Brother of Boshan.
2. The words sorrow and condensation are reversed.
3. The words of the factory are copied several times, except for "Yerba Buena", there is no mood, Yu Jun is wonderful, it seems to be on Mount Bo, and it is a circle, please still ask for zhengding. The factory is only twenty-four years old this year. Ugly.
Stamp: Red Bean (Zhu)
Year: 1931
Bibliography: 1. "The Complete Words, Volume 2", P982, edited by Lin Baoheng and Zhang Zhang, Shanghai Ancient Books Publishing House, 2005.
2. "Five Hundred Words and Banknotes of the Republic of China", P254, edited by Yang Zicai, China Wire Bound Bookstore, 2008.
Description: WuHu Fan inscription. Ye Gongqiu old collection.
Pan Chengbi (1907~2004), zi liangfu, jingzheng, no. 1 jiyu, other nickname Lu'an. A native of Wu County,Jiangsu (present-day Suzhou). Bibliophile and bibliographer. In his early years, he was employed by Zhang Binglin and Wu Meimen, and on the date of the War of Resistance Against Japan, he was invited by Gu Tinglong to serve in the United Library. After the founding of the People's Republic of China, he successively worked in the Shanghai Library of Historical Documents, serving as a researcher of the Shanghai Library and a professor of the Department of Library Science of East China Normal University, an advisor to the Editorial Committee of the Chinese Rare Books, and an editorial committee member of Lexicology. There are "Notes on Reading in Yanlou", "Leftover Manuscripts", "Word Law School Differences", "Notes on Word Selection", "Supplementary School of "Rizhilu", "Book Golden Stone Inscription" and so on.
▲ Wu Hufan's correction and pan chengbi book presented Ye Gongqi's self-composed lyrics manuscript part
The content is three pages of the bibliophile and bibliographer Pan Chengbi's handwritten manuscript, and six poems are recorded, see Wu Hufan Zhu Pen And Proofread and Inscription. Wu Hufan's inscription says that the manuscript is wonderful except for The Fangcao, and emphasizes that Pan Chengbi has been weak for several years, which shows his praise for Pan's literary talent and the promotion of future generations. From Wu's "The Factory is only twenty-four years old this year", it can be seen that the manuscript was written around 1931.
▲ Wu Hufan and Pan Chengmou Shu Present Ye Gongqi's manuscript of "Thin Leaf Words"
Inscription: Pan Chengmou Province An Thin Leaf Word.
Plutonium seal: red bean (Zhu, secondary)
Bibliography: 1. "Guangzhi Zhongzi", P229, edited by Ye Gongqi, People's Literature Publishing House, 2011.
2. "Five Hundred Words and Banknotes of the Republic of China", P225, China Line Bound Bookstore, 2008.
Wu Hufan (1894~1968), known as Wan, Qian, Zi Dongzhuang, Qian'an, Ugly, from Suzhou, Jiangsu. As a member of the Xiling Printing Society, its Meijing Bookstore has trained famous calligraphers and painters such as Wang Jiqian, Lu Weifei, and Xu Bangda. The collection is very rich, and it is fine in identification and filling in words. The "Four Kings" and Dong Qichang of the Shanshui Sect, dating back to the Song and Yuan dynasties, are famous in the painting world with Ya Yi Lingxiu, and are important masters on the sea, and are also one of the "three Wu and one Feng" on the sea.
Pan Chengmou (?) ~c. 1934), zi yizhong, was a native of Wu County, Jiangsu Province. In the 23rd year of Guangxu (1897), he was a deputy minister and a member of the Ministry of Agriculture, Industry and Commerce. There is "Thin Leaf Words".
This is a six-page manuscript of Pan Chengmou's words, which is copied and presented by Ye Gongqi for publication, Wu Hufan's inscription Pan's name and the name of the collection of words, Ye Gongqi's annotated selected words, and the red bean print on the top of The Leaf Gongqi. Among them, "Yu Meiren (Nan Gui Zhou zhong)" was later selected into the "Guangzhi Zhongzi" compiled by Ye Shi.
He had close contacts with Wu Hufan, Wu Mei and others, and in this manuscript, "The Alpine Flowing Water Inscription Frost Filler Picture is Wu Qu'an (Mei)" and "Qiluo Xiang Title Wu Hufan Tibetan Sui Beauty Epitaph Extension" are the works of his two. The words also talk about Hangzhou's West Lake, Zhenjiang's North Gushan Mountain, and Cao Yuanzhong's "Xitang Farewell Map".
In addition, Long Yusheng and Ye Gongqi had close contacts, and of the 66 poets included in his book "Selected Words of Famous Artists in the Past Three Hundred Years", 28 of them were the same as the "Guangzhi Zhongzi", and 85 poems were consistent, and he once said that "this compilation is based on materials, in addition to the monographs of various families and other historical biographies and word brackets, it is widely recorded in Tan's "Zhongzi" and Ye's "Guangzhi Zhongzi", and the two books have been published in the past and can be consulted."
▲ Long Yusheng's letter to Ye Gongyu about Xiao Youmei and the declaration of the Song Society
Description: Ye Gong was nicknamed.
Use the Notes of National Jinan University.
Attached are three pages of the Journal of the Department of Chinese Chinese Literature. Inside there are dragon elm lyrics
Long Yusheng (1902~1966), known as Mu Xun, was the owner of the Dragon Yin Room of the Wind and Rain Dragon Yin, and a wanzai person in Jiangxi. He has successively served as a professor at Jinan University in Shanghai and Sun Yat-sen University in Guangzhou, and has devoted his life to the study of lexicology, and his lexical achievements, together with Xia Chengtao and Tang Guizhang, are one of the most prestigious lexical masters of the twentieth century.
This is a long yusheng brush book, which revolves around the publication of his own work "Dongpo Lefu Notes", the establishment of a song club and the writing of a manifesto, and a visit to the Nanjing Guoxue Library to clear the words. Zheng Shaojue is Zheng Hongnian, president of Jinan University, Yi Dachang, and Xiao Jun is musician Xiao Youmei.
The letter talked about the library's rich collection of clear words, and was sent for Ye Gongqiu who was compiling a collection of words. In addition, he asked Ye Gongqi to correct the "Notes of the Eastern Slope Music House" and sign it. In addition, the letter stated that Long Yusheng was still drafting the declaration of the Song Society, which was later published in the name of Xiao Youmei and Long Yusheng in the 13th issue of the National Conservatory of Music's journal "Yin", in April 1931. This letter is written before and after this.
The song club was initiated by Xiao Youmei, Long Yusheng, etc., and was mainly composed of music fans. Ye Gongqi, Yi Dachang, Fu Donghua, Hu Huaichen, etc. are all members of the society.
Xia Chengtao can also be said to be Ye Gong's epithetical knowledge, and in his diary, he once praised the "Guangzhi Zhongzi": "On June 4, I read the Guangzheng Zhongzi, a total of four books and four volumes, to take it very fine. The addition of comments is also very true. ”
▲ Xia Chengtao presented Ye Gongqi's self-composed lyrics manuscript
Inscription: ○ The person uses a red checkered banknote.
Bibliography: 1. "Guangzhi Zhongzi", Vol. 4 P474-477, Edited by Ye Gong, People's Literature Publishing House, 2011.
2. "Five Hundred Words and Banknotes of the Republic of China", P318, edited by Yang Zicai, China Wire bound Bookstore, 2008.
3. "Dong'ou Cizheng", P315, 316, edited by Xue Zhongdou, supplemented by Yu Zhentang, Shanghai Academy of Social Sciences Press, 2004.
4. Selected Chinese Words of the Twentieth Century (Middle), P603, 613, edited by Liu Mengfu, Huangshan Book Club, 2008.
Description: Ye Gong's upper paragraph, inscription and old collection.
Xia Chengtao (1900 ~ 1986), the character 癯禅, changed the word Qu Zen, in his later years changed the word Qu Qi, alias Dream Life, room name Moon Wheel Building, Tianfeng Pavilion, Yu Lin Tang, Chaoyang Lou, Zhejiang Yongjia people. He once served as the editor of the supplementary magazine of Beijing Minjing Bao, the director of the department of Chinese of Zhejiang Normal University, and a professor of Hangzhou University.
This is Xia Chengtao's self-composed manuscript of five pages and seven songs, which was written by Ye Gongqi. There are a number of traces of revisions, but they are quite different from the final version, and the lyricist's roundabout and repeated creative ideas can be glimpsed. Ye Gong's hand-approved "○ red checkered banknotes" are marked as the better of them.
▲ Xia Chengtao presented Ye Gongqi's self-composed lyrics manuscript part
The seven words in the manuscript are all masterpieces passed down from generation to generation, and they are frequently recorded later, among which the four poems "Partridge Heaven and Mourning Time", "He Xinliang", "Zou Window Cold", and "Extinguishing Lan" were circled, while the first two que were selected into Ye Gong's compilation of "Guangzhi Zhongzi", and "He Xinliang" was also included in the "Five Hundred Words of the Republic of China". Xia Chengtao's early manuscripts are rare, and this one has more traces of modification and involves Ye Gongqi, which is particularly valuable. The old man in the village of Xinjiang mentioned in the words is Zhu Xiaozang, and he talks about the night Pan West Lake.
According to Kao, Li Jianliang's "Chronology of Xia Chengtao", "Water Dragon Yin", and "Partridge Heaven and Mourning Time" were written in 1932; "He Xinliang" was composed in 1933 when Chengde was lost and the whole territory of Rehe was tragically ravaged by the Japanese Kou, and Xia Chengtao was composed of sorrow and indignation on his sickbed; "Zou Chun Han" and "Twelve Lang Ye Fan West Lake" were written in 1934 when he was traveling with Chen Zhu in Hangzhou; "Qing Ping Le" was the work of Zhu Zumou in 1930; "Extinguishing Lan" was composed of the words "128 Songhu War of Resistance" and the mourning of Zhu Zumou, and presented it to his close friend Long Yusheng.
Xia Jingguan once praised the "Guangzhi Zhongzi", saying that "the combination of Tan's choice of views, in the rise and fall of a generation, in the aftermath of the husband is better than the previous traces, but it can be clear." ”
▲ Xia Jingguan presented Ye Gongxuan's self-composed lyrics manuscript
Stamp: Red Bean (Zhu, four times)
Description: Ye Gongqiu Old Collection.
Xia Jingguan (1875~1953), Zi Jian Cheng,吷庵, Jiangxi Xinren. Late overseas Chinese in Shanghai. In the early years, it was broadcast north and south under the name of poetry. He was the director of the Zhejiang Department of Education and the supervisor of the China Public Society. Gong shan shui, and flowers, and Tang Dingzhi have a friendship.
This is the second page of Xia Jingguan's handwritten self-composed lyrics manuscript, which is presented to Ye Gongqi for his selection and compilation of words. Red bean print on the plutonium leaf. According to the "Xia Jingguan Chronology", the manuscript "New Yan Over the Makeup Building, The Song on the Seat of the Yin Society" and "Autumn Ji Ding Wei Mid-Autumn Works" were all composed by Xia Shi in 1917. The rest of the lyrics were also written around 1920.
At the beginning of the last century, Yao Hua and Chen Shi had been regarded as leaders in the Beijing calligraphy and painting circles, and celebrities such as Ye Gongqi and Xu Zhimo also deeply admired Mr. Yao Hua's five-word ancient poems, and wrote articles praising them respectively.
▲ Yao Huacheng Ye Gongqi wrote the second draft of "The Words of The Dragon"
Inscription: 1. On the words of The Dragon, Guizhu Yao Huameng's father's manuscript.
2. Under the words of The Dragon, Guizhu Yao Huameng's father draft.
Plutonium seal: Cloud Smoke (Zhu) Red Bean (Zhu)
Bibliography: 1. Quanqing Zi Banknote, P1947-1949, edited by Ye Gongqi, Zhonghua Bookstore, 1982.
2. "Guangzhi Zhongzi", P205, edited by Ye Gongqi, People's Literature Publishing House, 2011.
3. "Futang Ci : The Song of The Dragon", Guizhou People's Publishing House, 2003.
Yao Hua (1876 ~ 1930), name Mang, character Yi'e, also known as Chongguang, number mangfu, Futang, Lotus Hua Lord, etc., Guiyang people, Guizhou. Guangxu thirty years into the soldier, the head of the official post and communication department. He studied in Japan, and after his love of gold stone calligraphy and painting, all landscapes, flowers, and seals are the most important of the times. He is also proficient in poetry and song, stele ancient artifacts and examination rhymes. When he lived in Beijing, he was the best with Master Chen. In his later years, he made a living selling paintings. He has successively served as the president of Beijing Women's Normal University and a professor at Chaoyang University.
This is the second volume of Yao Hua's self-authored "Words of The Words of The Dragon", Ye Gong's old collection, with Yao Hua's inscription. When Ye Shi compiled the "Quanqing Zi Banknote", it was excerpted and published from it.
Yao Hua's poems are all included in the "Futang Draft", and after the compilation and adaptation of the "Words of the Dragon", when published, it was called "The Song of the Dragon", most of which were composed in the early Minchu, and most of the inscriptions and paintings were written.
▲ Yao Huacheng Ye Gongqi wrote the second volume of the manuscript of "The Words of The Dragon"
Yao Hua's poems are all included in the "Futang Draft", and after the compilation and adaptation of the "Words of the Dragon", when published, it was called "The Song of the Dragon", most of which were composed in the early Minchu, and most of the inscriptions and paintings were written. When Xie Boyang compiled the Quanqing Scattered Songs, the "Song of The Song of The Dragon" was all recorded, and the "Quanqing Zi Banknote" compiled by Ye Gongqi recorded six of them, and later the "Guangjing Zhongzi" was included in the "Tianxiang". The 2003 edition of "Futang Ci And Song of The Song of The Dragon" reprinted by guizhou People's Publishing House was included in this volume.
Because Yao Shizeng, Qi Baishi, Wang Mengbai and others are good friends and have close contacts, there are many singing and works with many friends in the words, of which Chen Shi has sung and sung the most, including "Xi Hongyi , Yi Nanbo Old Tour that is, the inscription master once wrote a lotus scroll Cishi Broom rhyme", "The former tone • Shi Zeng was given the previous title Overlapping Rhymes", "The former tone • Wang Mengbai back as a female Yu and Shi Zeng made up the scene and filled in this solution" and so on.
▲ Cai Kequan presented Ye Gongchen Shi Zeng's "觭庵字钞" banknote
Manuscript Five pages
Inscription: 1. Red and green.
2. Heng Ke.
Bibliography: 1. "All Qing Ci Banknotes", P1997, 1998, edited by Ye Gong, Zhonghua Bookstore, 1982.
2. "Guangzhi Zhongzi", P200, 201, edited by Ye Gongqi, People's Literature Publishing House, 2011.
3. Lexicology Quarterly, Volume III, P146, edited by Long Muxun, Shanghai Bookstore, 1985.
4. The Complete Works of Chen Shizeng, P263, 271, Jiangxi Fine Arts Publishing House, 2016.
Description: Ye Gong's inscription and old collection, using the Jinpu Railway Administration, Cai Kequan was the secretary of the Ministry of Communications of the Beiyang Government and a clerk of the Jinpu Railway Bureau.
Chen Shizeng (1876~1923), known as Heng Ke , was a Taoist of decay, a room named Huai Tang ( 槐堂 ) , a dyeing warehouse room , and a water repairer in Jiangxi. Grandfather Chen Baozhen, father Chen Sanli. After studying in Japan for eight years, he befriended Lu Xun and Li Shu. Landscapes, flowers, people. The four bodies of the book are good, and the poetry articles are also worked. Qi Baishi and Wu Changshuo have written and inked with them. Peach and plum full of doors.
Cai Kequan (1881~1953), Gongchen, was a new person in Jiangxi. Graduated from Jiangxi Xinyuan Academy. He has successively served as the secretary of the Ministry of Communications of the Beiyang Government, the clerk, director and secretary of the Jinpu Railway Bureau, and the secretary of the Beijing Highway Bureau. He participated in the Beijing Huangyuan Poetry Society. In 1951, he was appointed as a librarian of the Central Research Museum of Culture and History. The teacher, Chen Sanli, was friendly with Ye Gongqi and Chen Fangke. He is the author of "Or Cun Zhai Poetry", "Obtaining ancient records", "The Initial Interpretation of the Yin Rune Classic", "Mozi Shallow Sayings" and so on. His "Tao Te Ching Xuan Zan" was praised by Chen Sanli.
This is Cai Kequan's book Chen Shizeng's "觭庵字钞" manuscript banknote, with Ye's annotations and modifications, etc., there are a large number of revisions in the manuscript, which are consistent with the publication after comparison.
Cha, Cai Kequan's teacher Chen Sanli, was friendly with Chen Fangke and so on. (Those with the same handwriting can see the xx number of the field: Cai Kequan (1881~1953) presented Ye Gongqiu's manuscript of "Twelve Songs of the West Lake".) ）
In the manuscript, the "Golden Wisp Song", "Jade Bracelet New", "Xie Lianhuan", and "Kan Hua Kui" made "○" by Ye Shi were all selected to be published in the "Quanqing Zi Banknote", so the lyric manuscript was copied and used by Ye Shi for the publication of "Zi Qian".
In addition, "Wei Chi Cup Title Xiao Wing Weng Self-Painting Wind and Snow Return boat Diagram with Piece Jade Rhyme", Xiao Wing Weng is Xiao Junxian, and Shi Zeng is also a teacher and friend, the word was composed in 1902. "Qing Dynasty • Using Bishan Rhyme" was published by the "Quarterly Journal of Lexicology", published under the title of "Qing Dynasty • Rhyme with Bishan Pomegranate Flower Rhyme", and "Qing Dynasty Begonia" was used in other works, and was included in "Wolu Words".
Yu's "One Calyx Red , Crossing Tongzhou Shiyan Shu Kundi" and "Lang Taosha" were not published. In the words Gongzhan and Yanshu, they are Cai Kequan and Fan Quan. Use the Jinpu Railway Administration Manuscript Paper.
Xu Shuzheng was less intelligent, as a major minister of Beiyang, in addition to his political achievements, he was also proficient in calligraphy and good at poetry and ancient texts. The Guangzhi Zhongzi also includes his lyrics.
▲ Xu Shuzheng presented Ye Gongqi with a manuscript of "Bi Meng An Ci"
Knowledge: Xu Shuzheng and Zheng 000 words.
Bibliography: 1. "Guangzhi Zhongzi", pp. 211, 212, edited by Ye Gongqi, People's Literature Publishing House, 2011.
2. "Glossary Supplement, Volume 1", P231, Edited by Lin Baoheng, compiled by Zhang Zhang, Shanghai Ancient Books Publishing House, 2005.
3. "Lin Shu Chronology", P229, 230, Fujian Education Press, 2014.
4. "Beauty Peach Leaf Ferry", P281, Nanjing Publishing House, 2015.
5. "Crazy Poems of the Republic of China", P84, Southern Publishing House, 2012.
Description: Ye Gong's old collection, using Bi Meng'an manuscript paper.
Xu Shuzheng (1880~1925), also known as Zheng Zheng, Tieshan, and Zelin, was a native of Xiao County, Jiangsu (now part of Anhui). Because it was different from Xu Shichang, another political figure of the same period, he was known as "Xiao Xu". A political and military figure in China's modern history, he is a famous general of the Beiyang warlord Anhui lineage. Fine calligraphy, good poetry and ancient texts, including "Shi Xi Xuan Manuscript", "Dou Xiang Ge Poetry Collection", "Bi Meng An Ci".
This is a ten-page manuscript of Xu Shizheng's "Bi Meng An Ci", and the text and text are all handwritten by him, and Ye Gong is presented for publication.
This manuscript includes "Liu Wu , Ishida Ong Xishan Guiyu Picture Scroll" and "Flower Offender • Autumn Pan of Descending Lake". Among them, "Liu Wu" was later selected to be published in the "Guangzhi Zhongzi". In addition, "Annoyed by Flowers and Answering Fearful Lu" and "Dream Hengtang And Then Answering Fearful Lu Yong Daffodils" are the singing and harmony works of Lin Shu and the two of them, which are included in the "Lin Shu Chronicle Chief Compilation".
Ye Gongqi commented on and selected Yi Dachang's lyrics in "Guangzheng Zhongzi", and the two were fellow villagers and friends in Guangdong, and there were many poetry exchanges between them.
▲ Yi Dachang presented Ye Gongqi with his own lyrics about Hangzhou's West Lake
Inscription: Red. Yi Ru Da'an 〇〇字.
Bibliography: A Study of Guangdong Modern Lexicon, by Xie Yongfang, Shanghai Ancient Books Publishing House, 2008.
Description: Ye Gong was nicknamed the upper paragraph and inscribed.
Yi Dachang (1874 ~ 1941), formerly known as Yan Xi, Zi Ji Fu, Yi Wei, Yi Da An Xing, Don't Sign Heshan Old Man, Wu Nian, Wai Zhai, Nian Gong, Nanhua Old Man, etc., Guangdong Heshan people. After returning to Japan, he served as Sun Yat-sen's secretary, composed Kuomintang party songs, and successively served as a professor at Beijing Higher Normal University, Jinan University, and Shanghai National Conservatory of Music. His talents are extensive, his poetry and lyrics, calligraphy and painting seal carving, sound rhyme and exhortation, and his achievements are profound.
According to the text, there is a phrase "Ying Dan Lin Suo, record the law of public training", which can be seen that Yi DaChang filled in for his friend Lu Danlin, and copied it to ask Ye Gong to correct it. The title of this word can be found in the "Guangdong Modern Lexicon Research".
The manuscript mentions many famous attractions in Hangzhou and the West Lake, such as the Qiantang River, the Broken Bridge, the Xiling Bridge, and the Baochu Pagoda.
▲ Deng Bangshu presented Ye Gongqi's own lyrics manuscript
Inscription: 1. Deng Bangshu Filial Piety.
2. 〇者 use red checkered banknotes.
Bibliography: Quanqing Ziyi Banknote, P1989, edited by Ye Gongqi, Zhonghua Bookstore, 1982.
Description: Ye Gong's inscription and old collection, using the Yunlan Pavilion Note.
This is the late Qing Dynasty Republican lyricist Deng Bangshu brush banknote, Ye Gongqi for the manuscript inscription, and circled out five words, after Ye Shi compiled the "Quanqing Word Banknote", the collection of Deng Bang's narrative words two, that is, in the manuscript "Green Yi Yang Hua", "Yujing Ballad • Guo Lang Runyuan Works".
In the words, the brother of The Middle Brother of The Temple is Deng Bangda, the Frost Is Wu Mei, and the Song Cen is Jin Song Cen, and the "Cold Red Seal Filler Picture" and the "Inscription Pavilion Cold Relief Picture Scroll" are also mentioned.
The "Guangzhi Zhongzi" also contains zhang yu and Mao Guangsheng's lyrics.
▲ Zhang Yu presented Ye Gongqi's own lyrics manuscript
Inscription: Circler Red Checkered Banknote (this is included in the continuation of the word).
Bibliography: 1. "Guangzhi Zhongzi", P473, edited by Ye Gongqi, People's Literature Publishing House, 2011.
2. Compilation of Qing Word Order, Volume 4, P2008, 2009, Phoenix Publishing House, 2013.
Description: Ye Gong's inscription is not old.
This is a three-page manuscript of Ye Gongqi's own lyrics in Zhang Yu's handwriting, with 9 poems, which were copied for his publication.
Zhang Yu (1865 ~ 1937), character style, also character Jianmeng, bei agency Ming Li, the number of the old man of Frost Root, Jiangsu Changzhou people. Modern bibliophile, calligrapher, and collator. Guangxu Jinshi, along with Zhang Taiyan and Zhang Yishan, went out under the Yu Gate, and was then known as the "Three Chapters of Yu Gate". After the Xinhai Revolution, he lived in Tianjin for a long time. He is the author of "Four DangZhai Collection" and "Hu Ke Tong Jian Zheng Wen School Song Ji" and so on.
According to Ye's annotations, the words "Water Tune Song Head Inscribed Stone Lotus Weng Dictionary" and "Yaohua Narcissus Rhyme with Grass Window" are circled and copied in red grids as a backup for the "Guangzhi Zhongzi". According to the People's Literature Publishing House's "Guangzheng Zhongzi", only "Yaohua" was selected into the collection of words, and the "Inscription Stone Lotus Scroll" can be found in the 2013 edition of the Phoenix Publishing House's "Compilation of Qing Word Sequences" Volume 4. None of the rest have been published or have been used for other purposes.
In the words, Deng Zheng'an and Shi Lianwen refer to Deng Bangshu and Wu Chongyi respectively, and also refer to Wan Hongyou Fengyan.
▲Mao Guangsheng presents Ye Gongshui Water Painting Garden's collection of words
Inscription: 1. Red.
2. Liu has a collection of words, named "Liuyun Borrowing Moon Temple", which seems to be an instructor.
3. Liu Bingzhao II.
4. Elderly age two.
5. Branch investigation.
6. Branch check, there is a vocabulary set.
7. Official rank check.
8. It seems to be Longzhou Road.
9. Cao Yuanzhong (II, III, IV).
10. Words don't stop there.
11. There is also a collection of words in The Golden Fear.
12. Song has a collection of words.
Bibliography: 1. "Quanqing Zi Banknote", P1894, 1895, 2026, 2027, edited by Ye Gong, Zhonghua Bookstore, 1982.
2. "Guangzhi Zhongzi", P288, 289, 387, 388, edited by Ye Gongqi, People's Literature Publishing House, 2011.
3. "Mao Guangsheng Friends and Friends Book", P99, 269-275, edited by Shanghai Museum Library, Shanghai Calligraphy and Painting Publishing House, 2009.
Description: Mao Guangsheng handbook and inscription. Ye Gong's inscription is not an old collection.
Mao Guangsheng (1873 ~ 1959), the character Crane Pavilion, the number of guilt, guilt, xiao Sanwuchang, the late number of the water painting temple old man, Jiangsu Rugao people. Guangxu twenty years of people. Lang Zhong, the Ministry of Agriculture, Industry and Commerce, and the Ministry of Agriculture, Industry and Commerce, were rewarded with the title of Four Pins of Beijing. Former professor of Sun Yat-sen University during the War of Resistance Against Japanese Aggression, he is famous for his poetry.
This is a collection of manuscripts written by Mao Guangsheng and inscribed with the words of the Water Painting Garden, including Qi Ling, Ye Changchi, Song Yuren, Cao Yuanzhong, Zhang Hong, Liu Bingzhao, Jin Shi, Yi Shunyu, Cao Yuxiu, Yao Shaoshu, Li Qiqing, Weng Zhirun, Wang Jingyi, Liu Endian, Yu Qiqing and other people's manuscripts totaling twenty pages, with ye's inscription "red" character, combined with the "Quanqing Zi Banknote" and the annotations of the manuscript, this batch of words is used for the publication of "Word Notes".
▲ Ye Gongshu Gui Wenyao's manuscript of "Xi Yue Shan Fang Zi"
Title: 1. One point for each red and green banknotes.
2. Nanhai Guiwen Yao Xingyuan "XiYue Mountain House Words".
3. Xi Yue Word 2.
4. Xi Yue Word 3.
Bibliography: 1. "Guangzhi Zhongzi", pp. 62, 63, Edited by Ye Gong, People's Literature Publishing House, 2011.
2. "Words Synthesis Supplement" (Volume 4) P3249-3251, Lin Baoheng, Zhang Zhang, Shanghai Ancient Books Publishing House, 2005.
3. History of Lingnan Literature, P646, 647, edited by Chen Yongzheng, Guangdong Higher Education Press, 1993.
4. Studies in Lingnan Poetry, p399, 400, by Chen Yongzheng, Sun Yat-sen University Press, 2008.
Description: Ye Gong wrote a handwritten book and inscribed it.
Gui Wenyao (1807~1854), Zi Chun, Xingyuan, Guangdong Nanhai people. Daoguang was an ugly jinshi, selected Hanlin Yuan Shu Jishi, was taught to edit, Daoguang was the deputy examiner of the Hunan Township Examination in the nineteenth year, and the chief writer and chief writer of the National History Museum. Shenghu Guangdao supervised the imperial history, served as the prefect of Changzhou and Suzhou in Jiangsu, and shenghuaihai military preparation road. Writing plum blossoms, super easy and vulgar; happy filler words, there are "Xiyue Mountain House Words", "Qunjing Correction", "Qingfen Xiaocao".
This is the seven-song and three-page manuscript of the patriotic poet Gui Wenyao of the late Qing Dynasty, all of which are excerpted from Gui's collection of words, "Xiyue Shanfang Words". There are Ye Gong's inscriptions such as "one point for each red and green banknotes", "Nanhai Guiwen Yao Xingyuan "Xiyue Mountain House Words"" and so on.
In Ye Gong's old collection, there was another letter from Wang Zhaoming to him.
▲ Wang Zhaoming sent a letter to Ye Gong
Literacy: Mr. Yuhu Huijian: Now the situation is urgent, brother has nothing to do, reluctantly appointed as the chief executive, Mr. Qiujin still continues to serve as the minister of railways, mutual assistance is difficult, I think Mr. will not give up. No expectations, specially, praise Tai'an. Brother Zhaoming, twenty-nine days.
Wang Zhaoming (1883 ~ 1944), name Zhaoming, character Jixin, number Zhaoming (with the number line), originally from Shaoxing, was born in Panyu, Guangzhou. Early member of the SBI. In 1924, he was elected as an executive member of the Kuomintang National Congress, and later served as chairman of the National Government and chairman of the Central Military Commission. He successively served as president of the Executive Yuan of the National Government in Nanjing.
The letterhead uses the characteristic paper of the Prime Minister's will, and prints The revolution has not yet succeeded, comrades still need to work it. Wang Zhaoming was the author of Sun Yat-sen's will.
This is a two-page letter written by Wang Zhaoming during his tenure as Chief Executive of the National Government between 1932 and 1935. In the letter, Wang Zhaoming sincerely invited Ye Gongchen to take up the post of Minister of Railways.
At the time of writing this letter, China's political situation was in serious turmoil: Chiang Kai-shek resigned as chairman of the Nanjing government and other part-time positions under the checks and balances of Hu Hanmin, Wang Zhaoming, and others, but Hu, Wang, and others lacked the ability to lead the whole country, Japan had already launched the September 18 Incident, invaded Shanghai and led to the Songhu War of Resistance, and subsequently supported the puppet Manchu regime, and in 1935 Wang Zhaoming himself was assassinated, and Wang Zhaoming wrote in his letter that "the current situation is urgent." On this occasion, Wang Zhaoming hoped to get the help of Ye Gongzhi and "continue to serve as the minister of railways, helping each other in difficulty." Judging from the follow-up, Ye Gongqi seems to have not agreed to his invitation and has become more and more away from political strife.
There are also manuscripts or letters about Lin Baoheng, Song Chunfang, Gong Zizhen, Jiang Zhaolan, Zheng Yue, and others, or personal letters or manuscripts, which have been supported by many literati at that time, and have also been used for their compilation of selected words.
Liu Kaiqu on the paragraph
▲Liu Kaiqu's upper section and the old collection without reserve price
As a master of modern Chinese sculpture, an outstanding art educator, and the founder of China's modern sculpture cause, Liu Kaiqu has been expanding the territory of China's modern art cause all his life.
▲ Liu Kaiqu when he was young
Liu Kaiqu (1904~1993), formerly known as Liu Datian, a native of Xiao County, Jiangsu (now part of Anhui), is a famous sculptor, art educator, the founder of modern Sculpture in China, and the founder of the National Art Museum of China. In 1959, he became the vice president of the Central Academy of Fine Arts and the director of the National Art Museum of China. In 1982, he was appointed as the leader of the National Urban Sculpture Planning Group. In 1984, he was appointed as a member of the Editorial Board of the Encyclopedia of China. His works include "Songhu Anti-Japanese Memorial Monument" and "Wang Mingzhang Riding a Bronze Statue on Horseback".
On the basis of Western realistic sculpture, it inherits the traditional Chinese sculpture concise, simple and line painting expression methods, forming a unique style. Uddhav once praised: "His carvings are entirely reproductions of his personality; the strength is sufficient, the lines are vigorous, and the expression is bitter..."
▲ In 1933, Liu Kaiqu took a photo in Florence
Because he has been engaged in artistic work for a long time and has many important positions, he has many friendships with people in the literary and artistic circles. For example, in the 1930s, he and Wu Zuoren went to Europe and entered the École Nationale Supérieure des Beaux-Arts in Paris. In 1936, Wu Zuoren, together with Liu Kaiqu and Lu Sibai, held an "Exhibition of Tourism Works" in the Library of the Central University, which caused a shock in the art world.
▲ Wu Zuoren's letter to Liu Kaiqu about the Inner Mongolia painting exhibition
Wu Zuoren (1908~1997), Zizhishou, a native of Jing County, Anhui Province, was born in Suzhou, Jiangsu Province. In 1928, he entered the art department of Nanjing Central University and studied painting from Xu Beihong. In 1985, he was awarded the "Highest Order of French Literature and Art" and in 1988 he was awarded the "Order of Honor of the Crown of Belgium". He once served as an advisor to xiling printing society, the president and honorary president of the Central Academy of Fine Arts, the vice chairman of the China Federation of Literary and Art Circles, and the chairman of the China Artists Association.
This is Wu Zuoren's Brush Letter for the Inner Mongolia Painting Exhibition, which was made in 1983 and was made the day after it was launched. It is believed that after visiting the exhibition, Wu Zuoren selected and marked several works on the exhibition catalog for reference at the request of Liu Kaiqu. The exhibition is the Inner Mongolia Grassland Landscape Painting Exhibition, which was exhibited at the National Culture Palace in Beijing on January 21, 1983. Wu Zuoren's inscription for the exhibition reads, "The Spring Wind Blows the Northern Kingdom, and the Crowds of Shows Scatter the Sky."
After the founding of the People's Republic of China, Both Liu and Wu entered the Central Academy of Fine Arts, and for decades, there have been exchanges and exchanges in the fields of art and education, and this letter is an important witness.
Guan Shanyue once went to Chengdu with his family and lived in the China Fabirui Alumni Association on Duyuan Street in Chengdu, where he was neighboring liu Kaiqu, Wu Zuoren, and Pang Xuanxuan. In order to save money, Guan Shanyue even went to Liu's family to eat, which shows the thickness of friendship between Guan and Liu's families.
▲ Guan Shanyue sent a letter to Liu Kaiqu and Cheng Lina and his wife
Description: Liu Kaiqu and his wife in the previous paragraph.
This is Guan Shanyue's brush letter, Guan Shanyue and Li Xiaoping's husband and wife, and Guan Shi's writing.
Guan Shanyue (1912~ 2000), formerly known as Ze Pi, changed his name to Shanyue, a native of Yangjiang, Guangdong. At the age of 34, he was employed as a professor and director of the Department of Chinese Painting at Guangzhou Municipal Art College. He has successively served as vice president of the Guangzhou Academy of Fine Arts, vice chairman of the China Artists Association, and president of the Guangdong Academy of Painting. In 1959, he collaborated with Fu Baoshi for the Great Hall of the People, "So Many Delicate Rivers and Mountains", which became a classic of modern Chinese painting.
In the letter, after receiving gifts from Liu Kaiqu and his wife, Guan Shanyue prepared his own gifts to answer and invited them to gather to "talk about their separation". Among them, "Comrade Cheng" is Cheng Yunxian.
Liu Kaiqu is a native of Xiao County, Anhui Province, and Lai Shaoqi once said that "the old man returns to his hometown and dreams of Huangshan every day", so he is known as "Cantonese Anhui", and the two also have a contract.
▲ Lai Shaoqi's letter to Liu Kaiqu about the giant Buddha statue of Po Lin Monastery in Hong Kong
Lai Shaoqi (1915~2000), a native of Puning, Guangdong. He graduated from Guangzhou Fine Arts College in 1936. He has been engaged in the creation of woodblock prints for a long time. After liberation, he served as the chairman of the Shanghai Artists Association. Established the Shanghai Academy of Chinese Painting. Its landscape painters Zong Chengyi and Huang Binhong are unique in their own style and are known as the New Emblem School. He is a member of the Xiling Printing Society, a standing director of the All-China Artists Association, a member of the All-China Federation of Literary and Art Circles, the chairman of the Anhui Provincial Artists Association, and the chairman of the Anhui Literary Association.
This is Lai Shaoqi's brush letter about the construction of the Giant Buddha in Hong Kong and the holding of a painting exhibition in Beijing. On December 13, 1985, the China Artists Association held an exhibition of calligraphy and paintings for Lai Shaoqi at the National Art Museum of China in Beijing, and the famous sculptor Liu Kaiqu was the first director of the museum (1963-1999), which is consistent with the contents of the letter, and it can be seen that the letter was written in 1985.
The bronze statue of Po Lin Temple mentioned, the open-air bronze seated statue of Shakyamuni Buddha built by Po Lin Monastery in Hong Kong in the early 1990s on Muyu Peak on Lantau Island, Hong Kong, is currently the tallest bronze statue of Buddha in the world. At the beginning of the letter, Lai Shaoqi said to Liu Kaiqu, "Anhui hopes that you will return to your hometown to visit."
In 1928, Cai Yuanpei, Lin Fengmian and others founded the Hangzhou National Academy of Arts (the predecessor of the current China Academy of Art) on the banks of Hangzhou's West Lake, and hired Pan Tianshou, Fang Ganmin, Wu Dayu, Liu Kaiqu and others as professors of the college. Zao Wou-Ki was one of the first batch of graduates of the Academy.
▲ Zhao Wujie Liu Kaiqu related to the exhibition and mentioned Ai Qing's letter
Zao Wou-Ki (1921-2013) was born in Beijing. In 1935, he entered the National Hangzhou Art College and studied under Lin Fengmian. After graduating in 1941, he stayed on to teach, and in 1948 he went to Paris to study and settled in France. Life-time painter of the Galerie de France, professor at the Collège Nationale Nationale des Beaux-Arts in Paris, academician of the Académie française, and a member of the Order of the French Order. It is known as a representative of the modern lyrical abstraction school in the West. He has held more than 160 solo exhibitions around the world. From 1975 to 1977, the Rijksérie de Moderne in Paris opened the Zao Wou-Ki Room.
This is a letter written by Zao Wou-Ki in 1980. In his letter, Zhao Shi talked about the Sino-French International Exchange Culture And Painting Exhibition, and he appealed to Liu Kaiqu the opinions of the French host organ, and said that he hoped to exchange views with domestic painters during the exhibition.
At the same time, Zao Wou-Ki also revealed in the letter that he will hold a solo exhibition at the Grand Palais in Paris next year, which will last for three months and will continue to tour Japan, Hong Kong, Singapore and other places. Between the lines, we can also see the vigorous development of his career.
In the letter, a "teacher who opens the canal" expresses the teacher-student relationship of nearly half a century, which also symbolizes the inheritance of art from generation to generation. At the end of the letter, Zhao mentioned in small print that Fraugue had been reappointed director of the Centre Pompidou in France.
Zhu Dequn also wrote another letter to Liu Kaiqu about the exchange of Chinese and foreign art.
▲ Zhu Dequn's letter to Liu Kaiqu on Sino-foreign art exchanges
Zhu Dequn (1920~2014), a native of Jiangsu. He graduated from Hangzhou Art Circle in 1941 and taught at Nanjing Central University and the Art Department of Taipei Normal University. In 1995, he settled in France. Later, he held many solo exhibitions in the local area. He has held solo exhibitions at taipei municipal art academies. In 2001, he was awarded the Order of The Knight of the Legion of Honor by French President Jacques Chirac and held a solo exhibition at the Museum of Fine Arts in Busan, South Korea. In 2004, he held a solo exhibition in Paris.
This is a letter written by Zhu Dequn in 1986, which revolves around the exchange of Chinese and foreign art, talking about Ge Weimo, Cai Wenying, Servant Yimin, Wan Qi, etc. In the letter, Zhu Shi talked about the overseas art exchange committee to invite Ge Weimo and other matters, after many inquiries, Fang knew that there was no problem in this matter, so he wished Liu Kaiqu and others "a smooth trip to the United States."
In addition, the letter talked about Zhu's own work arrangements, and talked about an exhibition and group exhibition in Lyon and other places. In addition, Zhu Dequn wrote that "I was invited by the Taiwan Cultural Construction Association to suggest cultural development and exchange work for them", saying that "it is not a simple matter to do things with the ability of the insider and the cooperation of all economic parties", "In short, I hope that Chinese art will develop forward".
Liu Kaiqu, as a predecessor in the art world, asked him to write the title of the book, and there was no shortage of people, and Shen Peng was one of them.
▲ Shen Peng's letter to Liu Kaiqu about the inscription on the title of the book "The Record of the Ancient Well Pavilion"
Attached is a page of a copy of the "Records of the Ancient Well Pavilion"
Shen Peng (1931~ ), a resident of Jiangyin City, Jiangsu Province. Calligrapher, art critic, poet. He once served as the director of the editor-in-chief office of the People's Fine Arts Publishing House, the chairman of the Chinese Calligraphers Association, the vice chairman of the China Federation of Literary and Art Circles, etc., and enjoyed special government allowances approved by the State Council.
These are three kinds of Shen Peng's brush letters and manuscripts. In the letter, Shen Pengchen asked Liu Shi to write the title of his new book "The Record of the Ancient Well Pavilion" and attach his self-drafted inscription format. Shen Peng's "Records of the Ancient Well Pavilion" was published by Anhui Fine Arts Publishing House in 1995. Therefore, the letter may have been written slightly earlier than this.
In fact, the beginning of Liu Kaiqu's artistic activities coincided with the embryonic period of modern art in China, and his proficiency in Western realistic sculpture is inseparable from his research on Western art. In the combination of Chinese and Western art, he has always been at the forefront of the development of modern chinese art.
▲ Liu Kaiqu's manuscript of "Byzantine Mosaic Author's Succession" during the War of Resistance
Use Chengdu Shaocheng Ancestral Hall Street Manuscript Paper
This is a manuscript of "Byzantine Mosaic Author's Succession" composed by Liu Kaiqu during the War of Resistance, which is an article that introduces Byzantine art and incorporates the development of art history, and is the manuscript of the article prepared for publication at that time. Manuscripts of Liu Kaiqu's articles during the War of Resistance Against Japanese Aggression are relatively rare. At that time, he moved inward with the National Art College due to the War of Resistance against Japanese Aggression and went into exile in Chengdu for a long time.
Handwriting of other celebrities
▲Modern celebrity handwriting and video art session
In addition to "Ye Gongqiu Old Collection" and "Liu Kaiqu Shang", there are other celebrity handwritings, which are familiar to everyone.
▲ Cai Yuanpei's book "Analects" aphorisms
Plutonium Seal: Cai Yuanpei Seal (White)
Description: Republic of China official Liu Dongyan's wife Shu Hui.
Cai Yuanpei (1867~1940), also known as Heqing, Apei, Minyou, And Minmin, Heqing, a native of Shaoxing, Zhejiang. In the eighteenth year of Guangxu, he entered the priesthood and was taught editing. He joined the League in 1905. He studied in Germany and then to France, returning to China at the end of 1916 and becoming president of Peking University the following year. He was later elected as a member of the Kuomintang Central Control Commission. After 1927, he served as the dean of the Nanjing Government University, the president of the Academia Sinica, and the dean of supervision. He is also the founder of the Shanghai Conservatory of Music.
This Cai Yuanpei message is from the "Analects of Zi Zhang", "Zi Xia Yue: The sun knows what it does not have, the moon does not forget what it can do, it can be said that it is good to learn", hoping that its warmth will be learned. The Qing Dynasty scholar Gu Yanwu's "Rizhilu" also originated from this.
▲ Ma Sulun to Bian Xiaoxuan discussed the letter of the "Entertainment Relatives and Yayan"
Description: The above paragraph of Bian Xiaoxuan was provided by his family.
Ma Sulun (1884 ~ 1970), character Yichu, Yichu, Shi Weng, late stone house old man, Tianma Mountain House, Zhejiang Hangzhou people. Paleographer and educator. He has served as a professor at Shanghai Laodong University, Tsinghua University and Peking University, chairman of the China Association for the Promotion of Democracy and vice chairman of the Central Committee of the Democratic League.
This is Ma Sulun's letter to Bian Xiaoxuan's brush letter, and the interaction between Ma and Bian began with Bian Xiaoxuan's newspaper "Poetry for Mother". In this letter, Ma Sulun recounts his experience in making "Entertaining Relatives and Yayan". The original manuscript of Ma's article can be found in Lot No. 72 of the Xiling Auction in the autumn of 2015. In the special session, there is also a letter to Bian Xiaoxuan to guide his study, employment, and study recommendation.
▲ Chiang Ching-kuo and others exchanged personal letters with Bu Daoming from 1953 to 1962
Chiang Ching-kuo (1910~1988), zi Jianfeng, genealogical name Jingguo, also known as Nikolai, Zhejiang Fenghua people. Son of Chiang Kai-shek. He went to Taiwan in 1949. In Taiwan, he successively served as chairman of the Kuomintang Taiwan Provincial Party Department, director of the General Political Department of the "Ministry of National Defense" of the Kuomintang in Taiwan, vice minister and minister of the "Ministry of National Defense", vice president and president of the "Executive Yuan". On May 20, 1978, Chiang Ching-kuo was inaugurated as Taiwan's sixth "president."
These letters were exchanged by Bu Daoming, then director of the "Taiwan Institute of International Relations" and chief lecturer of the "National Defense Research Institute' enemy intelligence group."
Among them, the two pages personally approved by Chiang Ching-kuo are a letter to Bu Daoming in response to South Korean President Syngman Rhee's visit to Taiwan in 1953. Chiang Ching-kuo's manuscript with a brush is relatively rare, and the letter is neatly written and is even more rare. Since the Kuomintang moved to Taiwan, Chiang Kai-shek has formed an alliance with Syngman Rhee to enlist American aid against their respective enemies.
▲ Chiang Ching-kuo and others exchanged personal letters with Bu Daoming from 1953 to 1962
This batch of letters also contained eleven letters from Zhou Zhongfeng, Tao Xisheng, Zheng Jiemin, Ma Xingye, Guo Dequan, He Fengshan, and others.
▲ Gu Jiegang sent an important long letter to Jin Canran about writing the Shangshu Jin Translation
Bibliography: 1. "Shulin Manbi", p36-41, by Fu Xuanqing, Northern Literature and Art Publishing House, 2008.
2. The Complete Works of Gu Jiegang, Diary P648, Zhonghua Bookstore, 2011.
Gu Jiegang (1893 ~ 1980), formerly known as Chant Kun, Zi Chengwu, Ming Jian, pen names Jie Gang, Yu Yi, Zhu Shangen, Nose Gong, Gui Jiang Yuan, etc., room name Late Chengtang, etc., from Wu County, Jiangsu Province. He graduated from Peking University in 1920. He was a professor at Peking University, Sun Yat-sen University and other universities. After liberation, he successively served as a researcher at the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences and a director of the Chinese Historical Society.
Jin Canran (1913~1972), formerly known as Jin Xinsheng, is a famous editor and publisher from Jining, Shandong. In 1936, he was admitted to the History Department of Peking University, and joined the Communist Party of China in September 1938. In 1949 and 1958, he successively served in the Textbook Editing and Review Committee of the North China People's Government, the People's Education Publishing House, the Editorial And Review Bureau of the General Administration of Publication of the Central People's Government, the Ministry of Culture of the People's Republic of China and other departments, successively serving as secretary director, director of the office, deputy director of books and periodicals, and director of the publishing bureau. He was the chief editor of The Book Review, a supplement to People's Daily.
This is a 12-page letter for Gu Jiegang to write the Shangshu Jinyi, which is the longest single-pass Gu's letter that has been seen in the market. It was written on June 25, 1959, after the start of the "Anti-Rightist" movement. It is published in Fu Xuanqun's writings and Gu Jiegang's diaries.
The letter is also an academic letter, which describes the five major problems in sorting out the "Shang Shu", namely, "the 'text' of the Shang Shu is a primary issue", the difference between the grammar and idioms of the Shang Shu and the current context, the line of taking the Shangshu translation, the need for assistants in old age, the rhythm of work and the time for handing over the papers, etc., and at the end of the letter, a five-page catalogue of experts and reference books was opened, which shows gu Jiegang's importance to this matter. In addition, the letter also talked about the publication progress of Gu Jiegang's "Shi Lin Xiaozhi" and so on.
▲ Chen Yuan's "Introduction to the Book of the Later Han Dynasty" and other manuscripts are three kinds
Chen Yuan (1880~1971), Ziyuan An, Daimyo Daozong, Room Name Liyun Bookstore, Guangdong Xinhui people. Graduated from Guangzhou Guanghua Medical Hall. After founding Aurora Daily, he successively served as a tutor of Peking University, the president of Fu Jen University, the president of Beijing Normal University after the founding of the People's Republic of China, the director of the Second Institute of Historical Research of the Chinese Academy of Sciences, and a member of the Standing Committee of the National People's Congress. A famous historian of our country.
This is Chen Yuan's "Introduction to the Later Han Dynasty", "Later Han Shu Chuanlun" and three kinds of shumu manuscripts, written during the War of Resistance Against Japanese Aggression, which are Chen's notes on learning, and the time of his signature is "April 28, 290", that is, it was composed in 1940.
Chen Yuan was the president of Fu Jen University at the time. The school was a church school, so Chen was able to avoid the coercion and temptation of the Japanese and completed a series of important works. During this period, he also gave lectures on the podium about Gu Yanwu's "Rizhilu" and other morale boosters.
In addition, the manuscript of his book "Portrait of Lady Zhang Mu Zou", written during the War of Resistance Against Japanese Aggression, was written at the request of Zhang Shuyun, a teacher at Fu Jen University' Affiliated High School, and was recorded in a number of Chen Yuan's annals and anthologies.
▲ Qian Zhongshu sent an important letter to Fu Xuanchun about the errata of the self-compiled "Quan Song Poems" and Chen Yinke's evaluation
Publication: 1. "Several Letters from Mr. Qian Zhongshu", People's Political Consultative Conference Daily, December 29, 1997.
2. "A Few Letters from Mr. Qian Zhongshu", Xinhua Digest, No. 5, 1998.
3. "Remembering Mr. Qian Zhongshu", Ningbo Daily, February 3, 1999.
Bibliography: 1. Treatise on the History of Tang and Song Dynasties and Others, p611-614, by Fu Xuanqing, Elephant Publishing House, 2004.
2. "Shulin Manbi", p20~26, by Fu Xuanchun, Northern Literature and Art Publishing House, 2008.
3. "The Collection of Fu Mo", p104~106, edited by Fu Xuanchun, Beijing United Publishing Company, 2013.
4. "The True Record of Literature and History", p191, 192, by Chen Fuji, Wuhan Publishing House, 2013.
5. "Qian ZhongShu Review of Seventy Years", p37, edited by Yang Lianfen, Culture and Art Publishing House, 2010.
Qian Zhongshu (1910 ~ 1998), formerly known as Yang Xian, the character Zheliang, Mocun, the number Huaiju, once used the pen name Zhongshu Jun, a native of Wuxi, Jiangsu. He is a famous writer and literary researcher in modern China. He was a member of the translation team for the English edition of The Selected Works of Mao Zedong. In his later years, he worked at the Chinese Academy of Social Sciences as vice president.
This is qian Zhongshu's important letter on the errata self-compiled book "Quan Song Poems" and Chen Yinke's evaluation, which not only reveals Qian Zhongshu's great love for the younger scholar Fu Xuanxuan, but also shows his overall perception of the modern scholar group of his contemporaries, and the evaluation of Chen Yinke's academic research is even more the finishing touch. The content of this letter was later quoted by Fu Xuanchun in the short essay "Several Letters from Mr. Qian Zhongshu", which was published many times, so that qian Zhongshu's "Impression of Chen Yinke" broadcast was circulated.
▲ Mao Dun, Wang Renshu, and other brush proofreading manuscripts of "Reprinting the Origins of Ancient Literary Books."
Mao Dun (1896 ~ 1981), original surname Shen, young name Yanchang, name Hong, scientific name Dehong, also known as Yanbin, Yan Bing. After the founding of New China, he was elected vice chairman of the China Federation of Literary and Art Circles, chairman of the Writers Association, the first minister of culture, a deputy to the National People's Congress, a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, and a vice chairman of the fourth and fifth sessions.
This is a three-page manuscript of "Reprinting the Origin of Ancient Literary Books (Draft)" by Mao Dun, Wang Renshu and many other schools, with a large number of marks of correction. Among them, the black Mao author is Mao Dun, and the vermilion handwriting is wang Shuren, the original author of the manuscript. The manuscript was first revised by Mao Dun, then minister of culture, to revise the expression and content of the article, and Wang Renshu improved it on this basis. The manuscript deals with the reprinting of ancient books by the Literary And Ancient Books Publishing House, which was established in 1954.
▲ Wu Mei's poetry manuscript two frames
Wu Mei (1884 ~ 1939), the character Qu An, the number of frost, the number of the frost, the sorcerer, etc., Jiangsu Changzhou people. The room name is The Mota Room and the Baijia Room. When you are young, you should not be able to lift it, so you do not pay attention to the name of the section. Ancient poems, reading songs. In his early years, he was named Nanshe, and was a teacher at Soochow University and presided over the Cungu Academy. After Xinhai, he served as the teaching chair of the Fourth Normal School in Nanjing and the Minli Middle School in Shanghai. After 1917, he successively served as a professor at Peking University and Southeast University, mainly teaching ancient music, and was a master of musicology in China. Author of "Introduction to Chinese Opera" and so on.
Wu Mei is a master of modern music, degree, performance, and Tibetan color, and Wu Hufan once learned music from him. This is the second frame of Wu Mei's poem, which was composed in the first month of 1926.
▲ Liang Shuming's complete manuscript of "Supplementary Study of the Three Main Points of speech on the Theory of Contradictions"
Inscription: 1. Supplementary Notes on the Key Points of the Three Speeches on the Study of contradiction theory (July 1966) 1970 Qing copy.
2. This statement is very good, especially for copying. 1974 Annotations.
Bibliography: 1. The Complete Works of Liang Shuming, Vol. 7, P118-126, edited by the Academic Committee of the Chinese Culture Academy, Shandong People's Publishing House, 2005.
2. Liang Shuming after 1949, P107-132, by Wang Donglin, Contemporary China Publishing House, 2007.
Liang Shuming (1893~ 1988), formerly known as Huan Ding, Character Shou Ming, pen name Shou Min, Thin Min, Guangxi Guilin people. In 1911, he joined the League as an editorial reporter for the Republic of China Daily, an organ newspaper of the Beijing-Tianjin branch. In 1916, he was appointed Secretary to the Attorney General. In 1917, he taught at Peking University. In 1928, he was appointed Chairman of the Construction Committee of the Guangzhou Political Branch. In 1931, he founded the Rural Construction Research Institute in Zouping, Shandong Province, and advocated the rural construction movement. During the War of Resistance Against Japanese Aggression, he was a senator of the Supreme International Senate. In 1941, he founded guangming newspaper. It is the founder of the NLD. After the founding of the People's Republic of China, he successively served as a member of the First to Fourth National Committee of the Chinese People's Political Consultative Conference and a member of the Standing Committee of the Insist on vegetarianism for seventy years. He is the author of "Eastern and Western Culture and Philosophy" and "Collected Papers on Rural Construction".
This is the complete manuscript of Liang Shuming's "Supplementary Notes on the Three Main Points of the Speech on the Study of Contradictions", which is a transcript of his speech at the CPPCC Study Group Meeting in 1964, transcribed in 1970, and annotated in 1974, focusing on Liang's understanding of the class issue and the consequences before "repeatedly not listening to the chairman's words", talking about Mao Zedong, Zhou Enlai, Lin Boqu, Xu Bing, Qi Yanming, Chiang Kai-shek, Li Zongren, Yang Sen and many other political figures, is an important article reflecting Liang's personality and patriotic and national salvation ideas, and for the study of his family background Social activities, characters, mental processes during the revolutionary period, their relationship with contemporaries, and their close contact and friction with Mao Zedong provide valuable and informative textual data.
This manuscript was written during the Cultural Revolution and is 47 pages long, with this paragraph, including Liang's autograph revisions, and Liang's brush handwriting at the beginning and end. It was finalized, and was later included in works such as "The Complete Works of Liang Shuming" under the name of "Talking about My Ideological Problems". There are nuances. Liang's manuscript was written in 1966, which was a mistake, and was later corrected for almanacs, complete works and other works. The article is a rare long speech on current politics that Liang Shi made since the 1950s.
▲ Yi Junzuo, Wang Mengou, etc. Eleven kinds of manuscripts of the Republic of China's "Cultural Pioneer" magazine
Yi Junzuo (1899~1972), YiYuan, Late Jingzhai, Hunan Hanshouren. He was the director of the monthly magazine "Current Affairs and Politics" of the National Daily. In 1949, he founded the "New Weekly" in Shanghai, and later served as the editor-in-chief of the supplement of Sing Tao Daily, and a professor at the Hong Kong Baptist College. He is the author of "Chinese Political History", "Chinese Social History", "Gossip Yangzhou" and so on. Mrs. Xiong Fang.
This is a batch of manuscripts of the Magazine of cultural pioneers of the Republic of China, and the creation time of the manuscripts was around 1943. There are eleven kinds of manuscripts, including Yi Junzuo's "Criticism of Taoism", Wang Mengou's "Etiquette Of the First Year", Lu Yudao's "Exerting Creative Ability from Reality", Wu Jingxian's "Failure of Song Dynasty Diplomacy", Sa Mengwu's "Organization and Application of Administrative Power", Luo Genze's "Benevolence and Desire for Profit- One of Mencius's Seven Lectures", Ke Xiangfeng's "Problems of Post-War Social Construction", Mei Zhongxie's "Law and Society", He Yuesheng's "Northwest in the History of National Defense", Li Anzhai's "On Social Work", and Chen Dongyuan's "Indoctrination in Ancient China".
Among them, Yi Junzuo's manuscript "Criticism of Taoism" is subtitled "One of the World Religions". Regarding Taoism, the author published three articles in Cultural Pioneers, namely "Criticism of Taoism", "The Development and Decline of Taoism", and "Review of Taoist Doctrine in Criticism". The first draft of this article mainly describes the origin and pioneering process of Taoism, from the origin of the Yellow Emperor to the influence of Zhang Daoling, Ge Hong, Tao Hongjing and others on the gradual formation and construction of Taoism. A note is also attached for phonology-related content.
Qi Gong (1912~2005), surname Ai Xin Jue Luo, character Bo, room name Jian Jing Tang, Jian Jing Ju. Proficient in the appreciation of natural history, he is the chairman of the State Cultural Relics Appraisal Committee, and has served as the chairman of the China Book Association, the director of the Central Museum of Culture and History, and the president of the Xiling Printing Society. He has taught and educated people all his life, studied academically, and written a lot.
This is a 1977 manuscript of Kai Kung's "Exhibition of Modern Japanese Calligraphy" with two six pages, and eleven pages of edited manuscripts and published documents, and the manuscript and related documents completely reflect the process of this article from inception to the formation of the final draft, which is particularly rare.
▲ Qi Gong's "Exhibition of Modern Japanese Calligraphy" manuscript two parts
This manuscript was written in response to the Japanese edition of People's China and published after extensive revision and shortening. At the request of Qigong himself, this article was signed with the pen name "Gong Bai". After the "Cultural Revolution", China's literary and artistic activities gradually recovered. In June 1977, the Chinese Association for Friendship with Foreign Countries held an exhibition of modern Japanese calligraphy in Zhongshan Park, Beijing. This article is the impression of the book written by Qi Gong after visiting the exhibition.
In addition, huang miaozi, Chen Dayu, Xie Zhiliu, Xu Bangda, Zhang Daqian, Zhang Boju, Pan Su, Liu Jiu'an, Yang Renkai, Teresa Teng and other famous artists' inkblots, Fang jia can go to the art app or art is WeChat mini program to get a glimpse of the end.
▲ Huang Miaozi's complete manuscript of "Breaking Away from the Cage and Flying - A Breakthrough in Wu Guanzhong"
▲ Sha Menghai thanked Zhi Liu for talking about the 80th anniversary of the Xiling Seal Society
▲ Zhang Boju, Zhou Huaimin, Xu Bangda, Pan Su, Liu Jiu'an, Yang Renkai, etc. sent letters to Su Xingjun, a batch of manuscripts and self-printed copies
Specifically, it includes one page each for Zhang Boju, Pan Su, Yang Renkai, Geng Baochang, the Palace Museum, and Jilin Province Bo, one page each, zhou Huaimin, Liu Jiu'an, Xu Bangda, and Shi Qi, including Song Zhenting's exhibition invitation (Zhou Huaimin inscription) and Pan Su's farewell letter on Zhang Boju's body; seven pages of zhang Boju and other calligraphy and painting appraisal related manuscripts; the first volume of "Spring Travel Trivia", the tenth volume of "Huan Shang Ci", the tenth volume of the "Optimistic Lyrics", the seventh volume of "Optimistic Lyrics", and the "Night Talk Map of neem Pavilion from <> On the Relationship between the Cao Family and Nalan Rongruo", "Zhou Shaochanglin Shufu's Reading History Miscellaneous Songs", "Zhang Boju and Hu Qiaomu Poems", "After-Dinner Poems Zhong Fen Yong" each one volume, "Optimistic Word Altar" three volumes. Attach a frame of Fu Shen's business card.
▲ Zhang Boju, Zhou Huaimin, Xu Bangda, Pan Su, Liu Jiu'an, Yang Renkai, and others sent letters to Su Xingjun, manuscripts, and a batch of self-printed copies
▲Zhang Daqian's signed photo in his later years
▲ Teresa Teresa signed photos, art photos and record data a batch
Teresa Teng (1953-1995), real name Teresa Teng, was a Taiwanese singer who was extremely influential in the Asian region and the global Chinese community, and one of the most famous Japanese singers in the second half of the 20th century.
To this day, countless singers still pay tribute to it by covering Teresa Teng's classic songs, and she is known as an eternal cultural icon in the Chinese pop music scene.
▲ Teresa Teresa signed photos, art photos and record data a batch of parts
epilogue
This art is the direction of the Collection of Letters in April, and there are two special sessions of "Handwriting of Foreign Celebrities" and "Ming and Qing Dynasty Jinshi Family Calligraphy Sketches", which are also many fine products, which can be described as an artistic feast.
Preview time: April 19-24
Auction date: April 24-28
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When reading books, you have a new understanding, and you should do things with the ancients
Text: Sister Lin; Picture: Art is a net shoot