Compilation of Golden Stones (all five volumes)
Author: (Qing) Wang Chang wrote
(Qing) Wu Rongguang (Qing) Weng Fanggang and other batch schools
Price: 3000 RMB
ISBN： 978-7-5013-6116-8
Publication date: 2021-07
About the Author
Wang Chang (王昶), courtesy name Defu, was a Qingpu native of Songjiang, a Qing Dynasty bibliophile and scholar.
Wu Rongguang, formerly known as Liao Guang, Zi Dian Yuan, Yi Zi Bo Rong, Guangdong Nanhai, Qing Dynasty connoisseur, epigrapher, calligraphy, painting, seal carving has made great achievements.
Weng Fanggang, Qing Dynasty calligrapher, writer, epigrapher, character Zhengsan, yizi Zhongxu, qinxi, late su zhai. Directly subordinate to Daxing (now part of Beijing), Qianlong seventeen years into the soldier, teaching editing. He has successively supervised the study and administration of Guangdong, Jiangxi and Shandong provinces, and has reached the rank of cabinet bachelor. Proficient in the study of gold stones, genealogies, calligraphy and painting, and lexicography. He is the author of "Guangdong Jinshiluo", "Sumi Zhailan Tingkao", "Fuchu Zhai Poetry Collection" and so on.
Synopsis
The Compilation of Golden Stones is a compilation of epigraphy works compiled by Wang Chang in the Qing Dynasty, which is a compilation of stone inscriptions and bronze inscriptions, which was studied and approved by scholars after the Qing Jiaqing Decade was published. The University of Macau Library's collection of Jiaqing's 10-year engraving "Golden Stone Collection" brings together the handwriting of Wu Rongguang, Weng Fanggang, Huang Benji, He Kunyu, He Yuyu and other famous golden stone masters. Among them, Wu Shi was the most diligent, and had used the original stele, Zhao Ben, Hong Lu Ben, Banknote Ben, Ruan Ben, etc., and used Tang Tuo and Song Tuo to correct their Que Wen Wei errors. This book was written by Wu Rongguang, Weng Fanggang, Huang Benji, He Kunyu, He Yaoyu, Wang Zhaoyong, Wang Zongyan and other famous artists, and its academic value and literature value are high. It should be noted that in this collation and publication, the volume with more annotations on the inner pages is in the form of half-leaf, and the rest is in the form of four spellings; the second was originally tailored, and there are several missing strokes in the sky, which are not caused by re-production.
Preface
The Golden Stone Extract, carved in the 10th year of the Qing Dynasty (1805), became a huge work in the history of epigraphy in the Qing Dynasty, and scholars rushed to criticize it, or proofread its text, or make up for its deficiencies. According to the General Catalogue of Ancient Chinese Books, there are five versions of the Golden Stone Compilation: the Qing Jiaqing Ten-Year Engraving, the Qing Jiaqing Ten-Year Inscribed Tongzhi Eleventh Year (1872) Supplementary Edition, the Qing Guangxu Nineteenth Year (1893) Shanghai Drunken Liutang Lithograph, the Nineteenth Year of Qing Guangxu Shanghai Baoshan Bookstore Lithograph, and the Eighth Year of the Republic of China (1919) Shanghai Leaf Mountain House Lithograph listed above the various versions of the "Golden Stone Extract" listed above, in fact, are all reproductions and reprints of the Qing Jiaqing Ten-Year Engraving, and have basically not been modified or altered, so the "Jinshi Extract" is basically unchanged or altered. The value of the batch is mainly reflected in the famous critics. Among them, the Jiaqing Ten-Year Inscribed Edition includes three kinds of Gong Orange Annotated Editions collected by the National Library, Li Ciming's Annotations, and Zhou Shouchang's Batch School Editions from the Hunan Library. The library of the University of Macau has a collection of famous people such as Wu Rongguang and Weng Fanggang, which is also an indispensable one in the history of the study of the Golden Stone Compilation.
I. Summary of the edition of the UM Tibetan Edition of the "Golden Stone Compilation"
The Library of the University of Macau holds a copy of the "Golden Stone Compilation" (hereinafter referred to as the "UM Edition") approved by Wu Rongguang, Weng Fanggang and other famous masters of gold and stone, which is an engraved copy of the 10th year of Qing Jiaqing (1805), with a frame height of 18.7 centimeters and a width of 13.9 centimeters, 48 volumes, 21 lines of 10 lines in half a leaf, and the same small characters. Black mouth, single fish tail, left and right sides. It is in front of each volume of the book "ZhenqingGuan Seal" (Zhu Wen), which can be known to be the old collection of Wu Rongguang, a famous epigrapher of the Qing Dynasty. After the "Preface", there are "Gao Yao He Kun Yu Yu Yu Jun Huai Gong Xiang" (Zhu Wen), under the "Mu Shu" there are "Duan Xie He Shu Zi Yu Yu Yu Shu Wu Rongguang's criticisms are mainly concentrated in volume 43 of the Huadu Temple Stele, volume 53 and 61 volumes, Weng Fanggang's criticism is scattered in volumes 16, 17, 43, and 73, and Huang Benji's criticism is scattered in volumes 55 and 81. Although there are as many as a thousand criticisms of the "Golden Stone Compilation", most of them are proofreading the inscriptions, or supplementing the original inscriptions, or referring to errors, and the criticism is only one or two words, and it is not easy to summarize its characteristics and examples. Large paragraphs of criticism can only be found in the "Huadu Temple Stele" and other places, and the relevant explanatory texts have also been compiled in this article. This article adopts a survey centered on the critics, one is to see the characteristics of the batchers, and the other is to help summarize the scattered criticisms.
(1) Wu Rongguang and his batch of schools
Wu Rongguang (1773-1843), formerly known as Liao Guang, Zi Bo Rong, Hewu, a native of Nanhai, Guangdong. Officials to Hunan Inspector, there are "Xin Ugly Pin Xia Ji", "筠清館金石锍", "筠清館金石镘" five volumes, Shandong Provincial Library collection of Qingdao Guang 22 years (1842) Wu Shi Yun Qing Guan engraving (Qing Wang Jun, Wu ShiFen approval school, Yin Peng Shou Bao), half leaf nine lines of twenty-one characters, white mouth, single fish tail, surrounded by bilateral, there are "Wang Jun's private seal", "Yin Peng Shou yin", "Peng Shou private seal", "Yizhou Confucian school seal", "bamboo year" and so on. The cover has a number of Wu Shifen's criticisms, the beginning of the volume has "Guangxu 20 May 15 Peng Shou read in Shangzhitang" and Wang Yun's comments: "Daoguang Pengshen, Wu Ziyuan (Shi Fen) visited from Henan, sent this book, only these five volumes, there is no inscription, special sighs and sharing also." Zi Mo Ben has corrected the problem, and I attach benefits to it, so it is mixed. On the tenth day of the leap month of the self-unitary leap month, Wang Junzhi knew. And other works, like the study of jinshi, called themselves "Yu Shaohao jinshi script, twenty-six eunuchs you jingshi ... Tuoben and Beijie wen gathered dozens of boxes and brought them back to eastern Guangdong. ”
According to Lu Zengxiang's "Preface to the Catalogue of the Golden Stones of the Yunqingguan", the "Jinshi Gong of the Yunqingguan" was collected from the Han Dynasty to capture Liao and Jin, and added inscriptions of Western Xia, Qi, Goryeo, Vietnam, and Japan, no less than two thousand passes, much richer than Wang's "Golden Stone Compilation". There are five extant volumes, only the gold inscription, no inscription, Lu Shi according to the example of the Qianyan Hall, compiled as a book "Tsunmu" for details in the Qing Wu Rongguang, Lu Zengxiang series of "Qing Qingguan Jinshi Bibliography" two volumes, the manuscript is in the Shanghai Library and the Taipei Academia of Chinese Studies. Wu Shi used the "Compilation of Golden Stones" as the base, proofreading different characters and examining the inscriptions.
Among the schools of the "UM Edition" "Golden Stone Compilation", Wu Rongguang was the most forceful, and he used the original stele, the Tang and Song Tuoben and other literature to cross-proof, and the handwritten batch of the school was mainly found in the eyebrow batch of volume 43 "Huadu Temple Stele" and the volumes of volume 53 to 61. The main feature is the wide availability of the public book, the correction of the "Golden Stone Compilation". From the perspective of collation surveying, the author has extensively collected original stele, Zhao Ben (Zhao Shaozu), Ruan Ben (Ruan Yuan), Pingjin Guan Ben (Hong Yixuan), Sun Ben (Sun Xingyan), Hong Lu Ben (Hong Shi), Lu Ben (Lu Song Weng), Wu Ben (Wu Yu Yong), Zhang Hanshan (Zhang Yuesong), Qian Ben (Qian Daxin) and other school texts, and comprehensively used such documentary materials as "Zhongzhou Jinshi Ji", "Ancient Stele Evidence", "Bao Carved Series", "Yanshi Jinshi Record", "Jinshi Continuation Banknote", "Quan Tang Wen" and other literary materials for proofreading. In the batch, you can see "according to the original stele school", "according to Zhao Ben School", "according to Tang Wen Hundred Articles School", "according to Wu Shi Ben School", "according to The Banknote School", "According to the Banknote School", "According to the Honglu School", "According to the Zhao 'Jinshi Continuation Banknote' School", "According to the "Yanshi Jinshi Record" School", "According to the "Ancient Stele Evidence" School", and so on. In the "□" of the main text of Wang Chang's "Golden Stone Compilation", Wu Shi marked most of the missing zigzags on his right; where there were no different texts, they were marked with the words "according to the stele" or "proofread".
In the mis-proofreading and blackmail, in addition to indicating all kinds of school books, there are also words such as "zhao benzuo so-and-so", "qian benzuo so-and-so", "Ruan Benzuo so-and-so", "original banknotes as so-and-so", "Lu Benzuo", "Zhang Hanshan's original so-and-so", ""Testimonials" as "stele original so-and-so", which is Wu's reference to the works or inscriptions of Ruan Yuan, Qian Daxin, Zhao Shaozu, Wu Yi and others. Wu also pointed out in the proofreading that there were omissions in the text and lines, such as volume 44 "One less grid in the banknote book here", volume 52 "off one word", volume 69 "missing one word under it", volume 83 "Zhao Ben is not empty in both frames", volume 91 "Add ○ next to the word Hong Benso" and so on.
The most profound force of the batch on the correction of historical facts is volume 43 "Huadu Temple Stele". The school language is as follows:
The Yuzang Ben is the original stone copy of the Fan Clan Library during the Qing Calendar, which was once in Gu Congyi's office, and is now returned to the Prince's Palace.
Yuzang Song Tuoben fan stone, cut for the target, so the proofreading can no longer be detailed. Peng Chen nian borrowed the Song translation Song Tuoben and drew a picture with the old man of Qinxi. Today, on the stele one by one, Fang saw the true face of Lushan, and was overjoyed.
Therefore, after celebrating the calendar, he conspired with Mr. Qin Xi to revise and re-engrave, and after two years, he was not allowed to enter the stone with a good hand.
The five years of Yunzhenguan in the "Huadu Temple Stele" are the years of the death of the Zen master Yong, and the year of non-erection of the monument. Later generations cut this year number, mounted the end of the book, and then went to Weng Shi to re-translate the "Huadu Temple Stele", also thinking that the monument was divided into years, but the author did not see the real book? Xin Wei's diary in April 25 in The Small Zhi Day Room, when the farmland was waiting for Zee, in the morning to look at the clouds in the northwest, there was a sense of rain.
Both Wu Rongguang and Weng Fanggang have left several school words at the "Huadu Temple Stele", and according to the depth of the handwriting, Wu is in front and Weng is in the back. Weng's criticism is as follows: "The first half of this stele is perfect, and the second half is blurred." Therefore, the missing words are cut off by the framer, and the sentences are not well read, but the original stone extension is very different from the original book." "The side of this stele is actually the prince rate that makes Bohai nan Ouyang inquire about the book, I don't know why this is wrong, this strange, now there is Tuoben can also prove it." "The word 'concurrent', Qian Xinlin said that it was also", volume 73 "is Yi, non-Wu, Gu Tinglin, Qian Xinlin are all wrong" and so on. The "Golden Stone Compilation" contains the "Huadu Temple Stele" as a copy, and Wu Shi borrowed the Song translation of song Tuoben's "Huadu Temple Stele" in the year of Peng Chen (1808), and consulted with Weng Fanggang to re-proofread it, and the criticism was written on this book. Wu's Tibetan Song translation Song Tuoben was attributed to Prince Yongxuan of Cheng in 1811. Weng Fanggang and Wu Rongguang mentioned this matter many times in their letters, "the title Zunzang "Huadu" is to be written." "When he came to the Merchant and reincarnated the "Transformation degree", the foolishness arose, and the untouchable body also jumped, but first he had to measure his friends." "The "Huadu Stele" is scheduled to be between the dawn of the next morning, and The Emperor Zun Ji holds this paper to take it." Wu Rongguang's "Secretary of the Collection of Books in the Book Building": "The remaining good books, the official and the beijing master gathered to seven or eight thousand volumes in the twentieth year. Later, he lived in the rank of Jiaqing Jimi (1809) and went to its half to be easy rice. The most troublesome and unforgettable person, Song Tuo's "Huadu Temple Stele", Fan's Library Original Stone Book... "Around 1809, Wu Shi was cut down for negligence in the grain transportation case of the inspector's ship, and then lived in Beijing, because of the embarrassment of life, he sold books for a living. From 1840 to 1843, when Wu Rongguang was in his later years, he published books such as "The Golden Stone Of the Junqingguan", "The Law Of the Junqingguan", and "The Record of the Xin Ugly Selling Xia", and the "Jinshijinshi of the Junqingguan" seen today, only five volumes of the "Gold" part were engraved, and others such as the "Stone" part of the "JinshiJian" of the "Junqingguan Jinshijian" and the "Supplement to the Compilation of The Golden Stone Extract" were not engraved, and the Wu's batch school in the "UMB" collection was or the base copy of the author's compilation of the "Jinshi Rust of the Junqingguan" and the "Supplement to the Compilation of the Golden Stone".
(2) Weng Fanggang and his batch of schools
Weng Fanggang (1733–1818), Also known as Zhengsan (正三), Qin Xi (覃溪), late Su Zhai (苏斋), and Suncheon Daxingren (present-day Beijing). A famous epigrapher in the Qing Dynasty, he wrote works such as "The Record of the Golden Stones of the Two Han Dynasties", "The Golden Stone Sketch of Eastern Guangdong", and "The Examination of the Residual Characters of the Han Stone Classic". The original inscription of the "Golden Stone Compilation" contains weng fanggang inscriptions (such as volume 94 "Qianlong fifty-two years old in Ding Weidong's december Beiping Weng Fanggang", etc.), which shows Wang Chang's emphasis on Weng Fanggang, Chen Hongsen's "Weng Fanggang Chronology Supplement": "In November, Wang Chang's "Golden Stone Compilation" was published in one hundred and sixty volumes, and his book cited Mr. Weng Fanggang's research. ”
Weng Fanggang's criticism is rare in the "UM Ben", rarely signed, and the handwritten criticism is mainly concentrated in volumes 16, 17, 43, 73 and so on. According to volume 17 of the Zheng Ji Xuan Monument, "If the word 'burial' is written at the beginning of the fourteen lines, then the yu "Two Han Golden Stone Records"", volume 43 "All use the later carved stone book, do not intend to examine the house, desolate as such, Fang Gang" and other words are known as Weng's criticism.
Wu Rongguang and Weng Fanggang had close contacts, and the two often discussed the art of calligraphy and painting and the collection of gold stones, Wu Rongguang wrote "Xin Ugly Selling Summer Record" more than thirty inscriptions of the Weng clan, and the Weng inscription was based on Wu Rongguang's collection. Wu Hewu Self-written Chronology: "Fourteen years of age and thirty-seven years... He also often talked with Mr. Weng Qinxi on the study of calligraphy and painting and evidence. (Qing) Wu Rongguang, "Wu Hewu's Self-Customized Chronology", Modern Chinese Historical Materials Series, No. 77, Taipei: Wenhai Publishing House, 1969, p. 16. The interaction between the two can be seen in the criticism of the "Huadu Temple Stele". Weng Fanggang's "Stele of the Bahuadu Temple": "To see the original stone Song Tuo six, Wu He five purchased the Shanghai Gu's Yuhong Pavilion Tuo is the most in the front, and the most in the most. ...... Last year, Song Zhishan borrowed Bao's original from Jiangnan, because he borrowed the jade hongben of the lotus house and expanded it several times. ...... Jiaqing 14th year of self-shred (1809) winter December look, Beiping Weng Fang Gangzhi. Wu Rongguang's "Examination of the Stele of the Old Museum": "Once in the Beijing Division, I agreed with the old man Qin Xi on the number of words in the "Monument to the Zen Master of Yong", that is, the "Inscription of the Zen Master of huadu Temple" ("Huadu Temple" and the "Inscription of the Zen Master of the Yong Zen Master of Huadu Temple") was used to enter the "Quan Tang Wen", and after reading Zhou Wupingqi like the number of words in the Lin Shu Mountain, it was almost incomprehensible, and it began with the "Golden Stone of the Qing Pavilion" to be more determined. ...... Daoguang Gengzi (1840) On March 10, Wu Rongguang wrote a letter. ”
(3) Huang Benqi and his batch of schools
Huang Benji (1781–1856), also known as Hu Zhi, was a native of Ningxiang County (present-day Changsha, Hunan). In the first year of Daoguang (1821), he wrote works such as "Sui and Tang Dynasty Stone Carvings and Collections" and "Supplementary Catalogue of Golden Stone Compilation". Huang Shi was deeply studied in the study of Jinshi, and compiled thirty volumes of the Guzhi Shihua, and the Preface Yun: "Yu Yu Jinshi script, rich in collection, even zhishi Tuoben, from the Jin Dynasty to the Yuan, got more than 100 pieces of paper." "(Qing) Huang Benji's "Guzhi Shihua", see "Three Long Things Zhai Series", Qing Daoguang Twenty-seven Years (1847) Three Long Things Zhai Carved Edition, Nanjing University Library Collection.
From the eleventh to the sixteenth year of Daoguang (1831-1836), Wu Rongguang, the governor of Hunan, invited Huang Benji to join the curtain and assisted him in compiling the "Wu Xue Tui" and the "Jinshi Extract Supplement", during this period, the Jinshi Takuben and related Jinshi works were widely collected, and the text of the "Jinshi Extract" was revised. Huang Benji's criticism in the "UM Ben" "Golden Stone Compilation" is less, and there are also two parts: characters and historical facts. School characters such as volume 29 "Shimen Ming", "Zhang Ronglong Monument", volume 30 "Li Zhongxuan Repair Confucius Temple Stele", volume 34 "Dong Hongda Statue Inscription" and so on. The historical research focuses on volume 55 "Li Wen's Epitaph" and volume 81 "Stone Carvings in the Temple of Zuo Fu Dun Xiyue". The collection is as follows:
"Li Wen's Epitaph": Lady Li and the founding chengzhi are both in Chinese in "Wu Wenbei", not "Li Wenbei" also. This stele is called "Longxi ChengjiRen" and "After the Zhou Zhu Shi", how can it be said that his surname is not said? His wife was Pengcheng Liu Shiye. The "Jinshi Commentary" was originally for the "Wu Wenbei", and the "Compilation" was misquoted. The "Wu" of "Wu Wen" and the character "矣" are not surnamed ye, and Wen Xiu's assumption of the Li clan also seems to be unsure. Tiger Obsession.
"Record of The Carved Stones in the Xiyue Temple of Zuo Fu Dun": "The Treasure Carving Series contains the eleven characters of the title of this stele, which is the same as this. On the three characters of the "Carved Stone Record", the original stone is missing eight characters, which are the eight characters of "Zuo Fu Dun Zhi Xi Yue Temple". "Gou Lu Yi", the ancestor of Emperor Dezong Xiangqi, the fourteenth year of Tianbao's death of An Lushan, the Book of Tang Yi Biography said: Tianbao was first ordered. At this time, when it is Cao Cao, the inscription should be at the end of the Kaiyuan. Feng Yiwei Pei Jitong, the official Jinbu Langzhong. The main book Du Xuan, the uncle of Emperor Xianzong Xiang Huang Bao, and the official Final Xiu Rong Ling, all see the "Book of Tang Dynasty And Chancellor Lineage Table", Tiger Obsession.
In summary, the batch of proofreading "Jin Shi Extracts" was approved and proofread by Wu Rongguang, Weng Fanggang, and Huang Benji, and made corrections one by one on que wen and false errors, which basically solved the problems in the text, and the value of proofreading was particularly huge, while the historical facts of the inscriptions were less described, mainly because the relevant inscriptions and examinations had been included in the author's collection.
Second, the batch of schoolbooks "Golden Stone Compilation" is handed over to the source stream
Through the hands of Wu Rongguang, Huang Benji, Weng Fanggang, He Kunyu, He Zhenyu, Wang Zhaoyong, Wang Zongyan and other famous masters, the academic value, documentary value and historical value cannot be underestimated. This section examines its source stream.
According to the "Seal of the Qing Dynasty" at the beginning of the volume, this book was originally the old collection of Wu Rongguang, because Wu and Weng Fanggang discussed the golden stone inscription back and forth, so the relevant documents were borrowed from the Weng family, which are recorded in the letters of Weng Fanggang and Wu Rongguang, "The "Huadu Temple Stele" was studied for twenty days, and now I respectfully pay it... Rong Chun warms the long day and then offers business, or wants to borrow the tenth day again." Weng reads with memoirs and is less byline. Then Huang Benji came into the curtain to assist Wu Rongguang in sorting out books such as the "Supplement to the Compilation of Golden Stones", and Huang Benji's "Supplementary Order to the Compilation of Golden Stones" Yun: "In the Wu Lotus House in the South China Sea, there is a love of Ou Zhao, and the eunuchs have spared no effort to search for the Jinshi script. ...... (Wu Rongguang) with thirty years of mental strength, no less than thousands of species, there are still those who cannot fully understand. ...... Therefore, he recruited (Huang Benji) into the shogunate, that is, he trusted him with this matter. ...... Taking the "Compilation of Golden Stones" written by King Shu'an of Qingpu as the model, where the "Compilation" has been no longer zirconium, there is nothing, from three generations below the year, prepare the original text of the reamerium, and examine it. According to the "Compilation" as a rule, six cold and hot. The manuscript was written, entitled "Compilation supplements", totaling more volumes and more than Wang's. (Qing) Huang Benji, "Supplement to the Compilation of Golden Stones", "New Compilation of Stone Carved Historical Materials", Vol. 37, Taipei: New Wenfeng Publishing Company, 1986, p. 483. Huang Benji is based on the "Golden Stone Compilation" and comprehensively proofreads. After that, Wu moved to Beijing, and the school's books and related literature went with Wu. Wu Rongguang's "Secretary of the Library": "... Caught and promoted out of Beijing, with the pavilion accessible to the base, to give friends. He built Fengchi Academy in Fujian Province, and donated more than 2200 volumes of duplicates to the hospital. Cover three scattered. However, yu li traveled to Shaanxi, Fujian, Qian, and Zhejiang for ten years, and the incorruptible people entered, and short clothes and food were shortened to buy. There are many bibliophiles in Fujian and Zhejiang, and the rest of the two are in their land, and they have gained a lot. Daoguang Yi Youdong, during his tenure in Qianfan, returned to the provincial relatives, in addition to sending Hangzhou Fang Qiantian Xiaolian's family, the golden stone brochure in the inspection will be 20,000 volumes, all of which will be returned, and the slander of barley is not enough. (Qing) Wu Rongguang, Shiyunshan Anthology, Vol. II, Compilation of Collected Poems of the Qing Dynasty, Vol. 510, Shanghai: Shanghai Ancient Books Publishing House, 2010, p. 521. This record roughly sorts out the gathering and dispersion of Wu Rongguang's collection of books, and by the end of Wu's life, the collection of books reached 20,000 volumes, and a library building was built in foshan's hometown, named "ZhishuLou". After Wu Rongguang's death, his son sold the old collection, and his nephew Wu Quan bought a collection of calligraphy and paintings, while Yu Zeshunde Ma Fu'an and Shanghai Cheng Bingquan bought it.
After Wu Rongguang's collection was dispersed, some of them passed to the hands of He Kunyu and He Yuyu's brothers, including a batch of school copies of the "Golden Stone Compilation". He Kunyu (1828-1896), Zi Boyu, a high-ranking person in Guangdong, has a rich collection of gold and stone, such as the "Jijinzhai Bronze Seal Spectrum", etc., and the "Golden Stone Compilation" volume 28 Eyebrow Criticism Cloud: "Kunde Old Tuoben, there is a stele Yin, and another stone. The "UM Ben" also contains such book seals as "Gao Yao He Kun Yu Yu Yu JunHuai Reward" (Zhu Wen), "Duan Xie He Shu Zi Yu Yu Yu Shu
Volume 2 of the "Golden Stone Compilation" has the "Zong Yan" (Bai Wen) collection seal, and volume 15 "Taiwei Yang Zhen Stele" Mei Pingyun: "The original stele, Zong Yan Record. "Known as the famous scholar Wang Zongyanji. Wang Zongyan (1908–1993), courtesy name Xiaobo, Wang Zhaoyongzi, was a native of Panyu, Guangdong. Wang Zhaoyong (1861-1939), a famous poet of the late Qing Dynasty, had "Wei Shangzhai" and received a huge number of books, including "Lingnan Painting Sketch", "Manuscript Jinhui Want", "Golden Stone Chapter" and so on. As a result, the book was scattered from the He brothers to the Wang fathers and sons.
In 1982, Mr. Ho Yin, a well-known patriot in Macao, purchased from Mr. Wang Zongyan the family collection of his father, the modern Lingnan scholar Wang Zhaoyong, and transferred them to the then East Asia University. Wang's old collection constitutes the main body of the ancient books in the library of the University of Macau (the University of Macau was formerly known as the University of East Asia, so the school book has the "Library of The University of East Asia"). Although the batch schoolbook "Golden Stone Compilation" has been transferred through various flows, it is still well preserved, which is actually a great blessing.
3. The academic historical value of the school-based "Golden Stone Compilation"
Most of the contents of the "UM Edition" "Golden Stone Compilation" have been approved and proofread by Wu Rongguang, Weng Fanggang, Huang Benji, He Kunyu and other epigraphers, and most of the content is for the collation and surveying of the "Golden Stone Compilation", with reference to the original stele, Tang song Tuoben, Chen Si's "Treasure Carving Series Compilation", Hong Shi's "Li Shi", Qian Daxin's "Qianyantang Jinshi Wen Baowei", Ruan Yuan's "Shiqu Essay", Wu Yi's "Yanshi Jinshi Record", Zhao Shaozu's "Jinshi Continuation Banknote", Bi Yuan's "Zhongzhou Jinshi Record", Ye Shulian's "Ancient Stele Evidence" and other epigraphical works for proofreading, which is of great value. On the one hand, the comprehensive revision has reduced the errors of the "Golden Stone Compilation" and cleared the obstacles for future generations to study; on the other hand, the approval of the school book has been formed by many famous Jinshi masters, which can not only examine their Achievements in Jinshi, but also promote the study of the history of Jinshi in the Qing Dynasty.
Due to the continuous emergence of gold and stone materials and the inadequacy of the "Golden Stone Compilation" itself, after the "Golden Stone Compilation" was written, a large number of sequels appeared, and these epigraphers took the "Golden Stone Compilation" as the center and constantly added the golden stone material, to Lu Zengxiang's "Eight Qiong Room Golden Stone Supplement" to the peak Wang Zhong "903-1975" In the "Mao Fengzhi "Golden Stone Compilation Supplement" (1935), the continuation of the "Golden Stone Compilation" was introduced in detail: "After the advent of Wang's "Compilation", there are many sequels in the Jinshi family For example, Lu Yaoyun's "Continuation of the Golden Stone", Wang Yan's "Supplement to the Compilation of the Golden Stone", Fang Lulai's "Supplement to the Compilation of the Golden Stone", qu Zhongrong's "Guquan Shanguan Jinshi Wen compilation" (Zhang Junheng said that it was one hundred and sixty volumes, "The Continuation of the Yifeng Collection" said that it was one hundred and twenty volumes, and it has been published; the only four volumes published in the "Suitable Garden Series" are extracted from the "Hunan Tongzhi", "Jinshi Continuation", and "Eight Qiong Room Jinshi Supplement". In addition, Wu Rongguang, Ye Shuzhi, Yan Kejun, Chen Hongshou, Mao Fengzhi, Liu Xihai, Shen Weijie, Cheng Qingyu, Chen Huang, Xia Shitang, Lu Xinyuan, Qiu Yufan, Wei Xizeng, Chu Deyi, Wang Renjun, Liu Chenggan, and Miao Quansun also planned to continue the work. "See table below:
According to this, it can be seen that after the completion of the "Golden Stone Compilation", more than twenty kinds of sequels, mainly supplementary remains, mainly supplementing the lack of inscriptions and inscriptions of the "Golden Stone Compilation", while the only three schools of the revision class remain Shen Qinhan, Luo Zhenyu, and Luo Ergang, and the three revisions are not complete, and the revised part of the "Golden Stone Compilation" is more than one hundred volumes, condensing the painstaking efforts of many epigraphers, which can be regarded as a kind of situation related to the continuation of the "Golden Stone Compilation" in the editing category of the "Golden Stone Compilation", see the fourth chapter of the author's doctoral dissertation "Golden Stone Compilation and Qing Dynasty Epigraphy". Jin Shi Extracts, "Continued Supplementary Research", Doctoral Dissertation of Nanjing University, 2016.
Wu Rongguang, Weng Fanggang and others involved in the approval are extremely accomplished in the field of epigraphy. Wu Rongguang has a special position in the history of Qing Dynasty epigraphy, and he and Ruan Yuan opened up the atmosphere of collection and research of epigraphy in the Qing Dynasty. Liang Qichao's "Introduction to Qing Dynasty Scholarship": "Since Ruan Yuan and Wu Rongguang were feudal officials, they loved the ancient and were powerful enough to complement it, so they collected and soaked in wealth, so they had rust." Ruan has the "Jigu Zhai Zhong Ding Instrument Knowledge", Wu has the "Jinshi Script of the Junqing Pavilion", and the beginning of the study of jinwen is also. Since then, the study of Jinshi script has prevailed, and various types of Jinshi monographs have emerged in an endless stream. If the "stone" part of Wu's "Jinshi Reed of the Qing Pavilion" is successfully published, the impact will be more extensive. Weng Fanggang was a famous epigrapher in the Qing Dynasty, who wrote dozens of works on gold and stone, and put forward the proposition of "using gold and stone to prove the history", unlike Qian Daxin's "proof of history with gold stone", Weng Shi started from the source of calligraphy, emphasizing that gold stone was enough to "appreciate calligraphy" and "the origin of poor calligraphy", and his two works "Two Han Golden Stone Records" and "Guangdong Jinshi Luo" are representatives of his "Golden Stone Certificate Method".
Judging from the research history of the "Golden Stone Compilation", the study of the Australian large number of books also has its important aspect. After the advent of the "Golden Stone Compilation", relevant works continued to emerge, or collation of texts, or to make up for their deficiencies, or to examine historical facts, the main research method is to use inscriptions to proofread the historical texts, just as Wang Mingsheng's "Latent Research Hall Jinshi Wen Shu Shu Gaihan tablets or inter-sufficient evidence sutras must also be carefully chosen. If Wei Jin is below the stele, why should it be testified? Therefore, I know that when I specialize in taking the history of the examination. Judging from the available data, the research of the "Golden Stone Compilation" by later generations mainly includes three aspects: text examination, inscription supplements and historical fact revision, etc. The approval of the schoolbook has no inscription supplement due to the limitation of style, and the other two aspects have a high level of research.
Since the middle of the Qing Dynasty, epigraphy has shown a scene of continuous prosperity, and in the academic background of the Qing Dynasty, a certain degree of academic self-consciousness has been expressed, mainly in: consciously expanding the scope of epigraphy research, the classification of jinshi books is becoming more and more scientific, consciously improving the study of jinshi yiyi examples, and the group of jinshi scholars has begun to receive attention. As a work in the field of epigraphy in the Qing Dynasty, the "Compilation of Golden Stones" has naturally attracted much attention. On the one hand, the "Golden Stone Compilation" brings together more than 1,500 gold and stone materials, which is a summary of the practice of the Qing people using the "Golden Stone Evidence" method to study history; on the other hand, the era in which the "Golden Stone Collection" is located is the heyday of Qianjia scholarship, and the "Golden Stone Compilation" opened the door to the prosperity of gold stone science and laid an important foundation for the development of gold stone science in the Qing Dynasty.
Wu Rongguang, Weng Fanggang, Huang Benji, Wang Zongyan and others are important figures in the history of Epigraphy in the Qing Dynasty, and their criticism condenses the painstaking efforts of several generations of Epigraphy scholars, which is also beneficial to the academic inheritance of epigraphy in later generations.
Zhao Chengjie
This article was originally published in Chinese Classics and Culture, No. 1, 2016
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Contents
List:
【Volume 1】
Preamble 1
Inventory 4
Volume one Wednesday Saturday
Volume 2 Summer 54
Yin Five Seven
Volume three Saturday four
Volume IV Qin Seventy-Five
Volume 5 Han 186
Volume 6 Han 2101
Volume Seven Han 3114
Volume 8 Han 4129
Volume 9 Han 5144
Volume 10 Han 6164
Volume XI 7176
Volume XII Han 8195
Volume XIII Han 9211
Volume XIV Han 1230
Volume 15 Han 11244
Volume 16 Han 12260
Volume XVII Han 13289
Volume XVIII 14309
Volume 19 Han 15324
Volume 20 Han 16335
Volume 21 Han 17362
Volume 22 Han 1899
Volume XXIII Wei 1392
Volume 24 Wei 2408
Wu 416
Volume 25 Jin 431
Volume XXVI Beams 444
Volume XXVII Northern Wei 1467
Volume XXVIII Northern Wei 2486
Volume XXIX Northern Wei 3499
Volume 30 Eastern Wei 1514
Volume 31 Eastern Wei 2531
Volume 32 Eastern Wei 3545
Western Wei 551
Volume 33 Northern Qi 1556
Volume 34 Northern Qi 2574
Volume 35 Northern Qi 3592
【Book 2】
Volume 36 Monday
Volume 37 Tuesday 14
Volume 38 Sui 128
Volume 39 Sui 247
Volume 40 Sui 363
Volume 41 Tang 181
Volume 42 Tang 2105
Volume 43 Tang 3121
Volume 44 Tang 4175
Volume 45 Tang 5192
Volume 46 Tang 6208
Volume 47 Tang 7219
Volume 48 Tang 8237
Volume 49 Tang 9248
Volume 50 Tang 1261
Volume 51 Tang 11274
Volume 52 Tang 12289
Volume 53 Tang 13304
Volume 54 Tang 14325
Volume 55 Tang 15343
Volume 56 Tang 16385
Volume 57 Tang 17409
Volume 58 Tang 18433
Volume 59 Tang 19450
Volume 60 Tang 2471
Volume 61 Tang 21484
Volume 62 Tang 22502
Volume 63 Tang 23519
Volume Sixty-Four Tang Twenty-Four Five Thirty Six
Volume Sixty-Five Tang Twenty-Five Five Fifty-One
Volume Sixty-Six Tang Twenty-Six Five Sixty-Seven
Volume 67 Tang 27590
【Book 3】
Volume Sixty-Eight Tang Twenty-Eighty-One
Volume Sixty-Nine Tang Twenty-Nine Twelve
Volume Seventy Tang Thirty-Three Four
Volume Seventy-One Tang Thirty-One Fifty-One
Volume 72 Tang 3270
Volume 73 Tang 3384
Volume 74 Tang 34103
Volume 75 Tang 35120
Volume 76 Tang 36138
Volume 77 Tang 37152
Volume 78 Tang 38164
Volume 79 Tang 39182
Volume 80 Tang Forty-One Ninety-One
Volume 81 Tang 41202
Volume 82 Tang Forty-Two Twenty-Two Three
Volume 83 Tang Forty-Three Twenty-Three Eight
Volume 84 Tang 44256
Volume 85 Tang Forty-Five Twenty-Eighty-Four
Volume 86 Tang Forty-Six Twenty-Nine Three
Volume 87 Tang Forty-Seven Thirty-Eight
Volume 88 Tang 48326
Volume 89 Tang Forty-Nine Thirty-Four One
Volume Ninety Tang Fifty-Three Five Four
Volume Ninety-One Tang Fifty-One Thirty-Six Five
Volume 92 Tang 52378
Volume Ninety-Three Tang Fifty-Three Thirty-Nine Four
Volume 94 Tang 54405
Volume Ninety-Five Tang Fifty-Five Four-Nine
Volume Ninety-Six Tang Fifty-Six Four Thirty-Seven
Volume Ninety-Seven Tang Fifty-Seven Forty-Five
Volume Ninety-Eight Tang Fifty-Eight Four Sixty-Three
Volume Ninety-Nine Tang Fifty-Nine Forty-Seven Five
Volume 100 Tang Sixty-Four Eighty-Nine
Volume 11 Tang 61507
Volume 12 Tang 62529
Volume 13 Tang 63552
Volume 14 Tang 64574
【Book IV】
Volume 15 Tang 651
Volume 16 Tang 6618
Volume One Hundred and Seven Tang Sixty-Seven Thirty-Five
Volume One Hundred and Eight Tang Sixty-Eight Five Seven
Volume One Hundred and Nine Tang Sixty-Nine Eighty-Two
Volume 100 Tang 7118
Volume 111 Tang 71164
Volume 112 Tang 72218
Volume 113 Tang 73255
Volume 114 Tang 74291
Volume One Hundred and Fifteen Tang Seventy-Five Thirty-One Four
Volume 116 Tang 76334
Volume One Hundred and Seventeen Tang Seventy-Seven Thirty-Six One
Volume 118 Tang 78385
Volume 195 1402
Volume 125 Generation 2425
Volume 1215 3444
Volume 1225 4459
Volume 123 Song 1497
Volume 124 Song 2513
Volume 125 Song 3530
Volume 126 Song 4564
【Book 5】
Volume One Hundred and Twenty-Seven Song May One
Volume 128 Song 630
Volume 129 Song 748
Volume One Hundred and Thirty Song Eighty Sixty Nine
Volume 131 Song 987
Volume 132 Song 1106
Volume 133 Song 11124
Volume 134 Song 12147
Volume 135 Song 13172
Volume 136 Song 14188
Volume 137 Song 15202
Volume 138 Song 16220
Volume 139 Song 17239
Volume 140 Song XVIII253
Volume 141 Song 19268
Volume 142 Song 2287
Volume 143 Song 21299
Volume 144 Song 22312
Volume One Hundred and Forty-Five Song Twenty-Three Thirty Twenty Eight
Volume 146 Song 24347
Volume 147 Song 25365
Volume 148 Song 26386
Volume 149 Song 27397
Volume 150 Song 28427
Volume One Hundred and Fifty-One Song Twenty-Nine Four Fifty-Nine
Volume One Hundred and Fifty-Two Song Thirty-Four Seven Three
Volume 153.89
Volume 154 Gold 1506
Volume one hundred and fifty-five gold two five one six
Volume 156 Gold 3530
Volume One Hundred and Fifty-Seven Gold Four Five Four Three
Volume 158 Gold 5560
Volume 159 Gold 6590
Volume 160 Nanzhao 610
Dali 620
632
Source | Ancient Books Editing Room of the National Library Press