Although Chen Guoyong, who has dark skin, wears cowboys, he still can't hide his mark from the countryside of Shudi. Just like his paintings, the ever-changing is inseparable from his sect, always clouds and wild mountains, streams echoing, a school of Shu country mountains, a cavity of Tianfu nostalgia Chen Guoyong full of aura, but in words. Only when the pen is put forward does it appear everywhere, the pen and ink are brilliant, and the scratches and dyes a little bit create a hometown map with strong nostalgia.
The biggest feature of Chen Guoyong's landscape paintings is that the wind and clouds are surging, and the pen and ink swim in the rolling clouds, lying clouds, horizontal clouds, fog clouds, and floating clouds. Cloud life, mountain life, tree life, water life, showing the wonderful realm of the picture. Guo Yong's preference for Yunshan Lanqi comes from his love for the mountain countryside of Shuguo, he has been from Shu to Shaanxi for more than ten years, the wanderers in his hometown are often "haunted by dreams, unforgettable", the green and lush Languang mountains in his hometown, the mountain farmhouses where cooking smoke, and the memories of herding cattle and ducks when he was young, are deeply imprinted in his heart, dissolved in blood, that fascinating, lifelong unforgettable nostalgia in the handwriting, jumping on the paper, the viewer sees a picture of his own Shudong landscape, exuding his nostalgia, his aura, Present a unique style.
The ancients drew trees with similarities, the trunk was outlined with double hooks, and the leaves were either words, prepositions, or ideas, and needles. Chen Guoyong's painting of trees is completely incompatible with the above laws. With a kind of brushwork created by himself, nine bends and eighteen turns, one stroke and divided into thick and light volumes, drawing a round and convex trunk core strip and then integrating the leaves, pens, shapes and inks of or points or fours, this method of ink painting trees has become another unique symbol of Chen Guoyong's landscape paintings, and sometimes he also joyfully fills the mountains with bright "trees" with this personality, and the trees are clearly covered with pictures, showing the direct and free personality of Chen Guoyong's landscape paintings These two painting methods also determined his unique style in painting art and wood.
Chen Guoyong's painting is rigorous and serious, emphasizing not repeating himself, the composition and shape are also quite varied, and the pen and ink processing is quite exquisite and quite difficult. This is compared to the bad sketch atmosphere of the national painting circles, "one stroke is an eye, I don't know if it is long or round; the second stroke is a bird, I don't know if it is a warbler or a swallow, but it is high and simple, but it becomes empty" (beast Xun), that is, "the literati Toshifu Qizang is clumsy and deceitful" (Qing, Shigemitsu), of course, it is not the same.
The strangeness and grotesqueness of his paintings are nothing more than the natural and straightforward expression of his different temperaments and cultivation. In my own way, in the pursuit of the artistic conception and style of the picture, in the way of the image modeling in the chest, and his rather poetic woods, mountains, and clouds, is not also a new landscape realm that contemporary Chinese perceived by modern tendencies? In any case, Chen Guoyong's landscape painting is such an independent and original art based on the traditional spirit, which is very rare and valuable.
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