The soft light emitted by the brilliant crystal lamp reflects the pale golden wallpaper incomparably brilliant and luxurious, and the four high walls cast a dull shadow on the soft carpet, as if through thousands of years of walking out of the medieval castles of Europe, Cai Heng shakes the red wine in the high glass, and raises his hands and feet, with a kind of gentlemanly spirit of the British nobility, elegant and impeccable. A glass of wine may not be enough time to listen to a song, but it is enough for him to sort out the veins of life, the time of walking with weights and the prospect of the years to come...
Pu Yu Gui Tiancheng
The innate noble temperament can not only make Cai Heng an elegant ballet dancer on the stage, but also play a gentle gentleman with a graceful appearance on the screen, and the decision to transform into Chinese opera to learn acting allows him to dance casually in a broader world. This man who is born with wind and style in his bones is more refined in front of the camera. At the beginning of his debut, he played a sunny and handsome bartender "Ah Feng" in "The Matter of Husband and Wife", due to the needs of character image shaping, Cai Heng took the initiative to learn to ride a motorcycle and bartend with a spirit of professionalism, and figured out the details. He used his youthful but highly infectious performance to create a flesh-and-blood screen image, and was nominated for the Best Newcomer Award at the Sohu TV Drama Festival. The director of the play, Wang Jun, has placed great hopes on the potential of this serious and dedicated young man, but no matter how good Pu Yu is, it also needs to be carefully crafted, and this kind of elaboration takes time to brew. From Yu Ziqian, the heroic loyal and righteous aide-de-camp in "Gone with the Wind", to the astute and cunning revolutionary "Stock" in "Beacon Lady", to the loyal and chivalrous bandit Wu Han in "The Long Song of beautiful rivers and mountains", Cai Heng's acting skills have become more and more mature in the tempering of film and television dramas, and he has written his own gorgeous chapter with unique roles.
In film and television dramas, some actors will be the character face and simplification, most of the positive characters appear with their own aura, righteous and awe-inspiring, and the negative image is evil and obscene, unsightly, such a clear expression effect naturally becomes the "dog blood plot" in the audience's mouth. And The villain General Po played by Cai Heng in the hit drama "If snails have love" will make people feel like a bloody man with feelings and righteousness, and he uses superb acting skills, powerful aura and sharp eyes to create a complex character image with a dangerous atmosphere and full of opinion and faithful to love. "From the real human nature to shape the character", Cai Heng groped for the richness and three-dimensionality of the character image, and the general he played looked at the complex eyes of his lover when he shook the wine glass and looked at the complex eyes of his lover at the moment of injury and fall, which vividly showed the truth and profundity of human nature, and also proved cai Heng's growth and precipitation over the years.
Go around in the dream
The Cai Heng in front of him has now cut off his long hair and shaved off his beard, and the dark cufflinks and neat and clean white shirt have added a bit of toughness to him, sweeping away the previous unruliness. A few years ago, the long hair and beard left for a certain film and television role made him transform into a rough "uncle", the sword eyebrows were slightly picked, and the vicissitudes of the experience jumped on the screen. He was completely new to the gentle gentlemanly demeanor of life, and after this attempt, he was more looking forward to challenging those complex and profound characters. From acting in TV dramas to taking over movies, each role has brought different feelings to Cai Heng, inside and outside the play, the process of growing up and moving forward is the accumulation and persistence of the way, and he gradually understands the meaning of the actor. In the microcosm of film and television drama, the good and evil of human nature, right and wrong black and white are all staged in one side theater, and the actors bear great social responsibility.
As also said in the "Love Letter to the Filmmaker", "Dream silver with the outside of the body, dream in the dream with the outside body." The persistence and affection in the chest turned into a brilliant galaxy, illuminating every soul in the dark night. The actor's sense of mission also constantly inspires him, resisting malicious criticism and ridicule, and adhering to the persistence of pursuing the heart in the noise. He knew that those film and television masterpieces that could be shouted, spread and retained were all precipitated away from impetuousness and meditation, and they were all forged with painstaking efforts. He groped and explored in the classic film and television drama fragments, imitating the delicate eyes and movements of the older generation of filmmakers, and practicing repeatedly. The deepest perseverance of those predecessors also deeply infected Cai Heng, nourishing his independent character and free will. Under such a stain, he gradually matured, and the dazzling light of his youth was polished into a warm white jade, but the full energy of the spirit still existed in the golden age of his life, allowing him to move forward on the road ahead in the future.
Returning is still juvenile
On a dustless night, when the moon is as silver as silver, brewing a cup of light tea, elegant classical music lingers in Cai Heng's ears, and the poetry collection spread out in front of him carries his thoughts through the hustle and bustle, and tastes another leisurely Zen meaning of hurried life. It is difficult to associate such a gentle gentleman with a teacup in his hand and a focused eye with the evil and cold image on the screen, and the two incompatible personalities of Confucianism and Pi Qi are perfectly integrated into the characteristics of "Ya Pi" in Cai Heng's bones. As he puts it, "Anger is a spirit," which means breaking the shackles of rules, having a maverick personality, and pursuing freedom. Confucianism, on the other hand, is a feeling that comes more from the rich heart, from the perfect combination of reason and sensibility. Reason is a force that saves lives in this noisy world, and at the same time, the sensual heart can fill us with joy as far as we can see. "Feel life with sensitivity, think about life with reason." In Cai Heng's body, the uninhibitedness of free will collides violently with the demeanor of an elegant gentleman, and the splashing spark becomes the sparkle of light around him.
In his spare time, he packed his bags and ran to the distance, chasing the howling wind, through the mountains and rivers, a solo trip let him meet the most authentic self on the road. Life is like a reverse journey, all the way to the foot, all the way nostalgia, all the way back, but still go forward, running to the front of the brilliant starlight and fragrant flowers. The thick sense of the dream makes him "full of reverence for his work and art", and also makes him constantly think about the future path, "to become a high-quality actor." On the basis of acting well, there can be more aspects of development. Cai Heng's firm answer and hard work proved his determination. The year of establishment, for a man, is the result of the joint condensation of talent, feelings, wind and bone, and style, and the beginning of all unlimited futures, he will take such a calm atmosphere to fight against the wind and frost of life, adhere to ideals and feelings, and never change his original intention.
"Don't indulge in fantasies, don't bother with yourself, don't waste time, don't indulge in the past, don't fear the future." This is the precipitation that the years have given him, and it is also his earnest commitment to the future. In the golden age of a man's life, Cai Heng embraced ideals and far away, rubbed all the strength into the bones and blood, bravely went forward, persistently sought, and finally had a long wind and waves, hanging on to the clouds and sails to the sea. (Text/Guo Zixuan)