A few days ago, I accidentally clicked into the hot search of "Guozijian came to a female disciple" and saw the following picture ↓
I laughed out loud. Set, new Chinese furniture, modern decorative paintings, (looks a lot like) pasted wallpaper, the atmosphere of the ancient style theme homestay is very strong; the male protagonist, forehead, this is just after attending the cos party, or just crossed from ancient times.
Especially the heroine's hairstyle, a messy caramel brown long straight (you can see a section of black hair grown on the top of the head), with a kind of hot fluffy feeling, wearing a white bathrobe common to major hotels... It's also too dramatic!
If you don't understand it, ask, why do you still have two faces in the makeup of this drama?
In the previous materials, there was a tidbit of Zhao Lusi and Xu Kaicheng playing with snow, in addition to vaguely sniffing, what surprised me for a long time was that the funeral style white gauze skirt and half-pill head finally disappeared.
Focus on the heroine's hairstyle. Although the second half is still our old friend's hair, but the top of the head to make a style, with a good-looking hair accessories braided hair style, really haven't seen it for a long time.
In fact, before I put it, this hairstyle was not very good, but in recent years, in the dull style of Yishui'er, it is obviously careful. It was careful, but not completely attentive, and it was a black-brown gradient and a fluffy high skull top, and suddenly I couldn't do it.
I thought that this wave was a costume drama hairstyle rejuvenation, but the result was inevitably fooled.
(Costume drama this hair color is not very reasonable)
It is very strange, I don't know when it started, the hairstyles in the costume drama are becoming more and more similar, similar to the assembly line production.
Putting the heads of the heroines in different TV series together, not to say that it has nothing to do with it, it can only be said that it is exactly the same, and there is no sense of violation in packaging and putting it into the same play.
The hottest template must be the "white light style" in which the hair is half a pill. Since "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", it probably occupies half of the costume drama hairstyle.
Another big hit is "comb flat" (no, it's the audience's difficulty). This hairstyle is not good or not, it is true that my scalp pain is real. One-man blood book bright top roll out of the costume world, protect the hairline of the beauties!
This tension is so tight that the male actors can't stand it.
Young florets also have a type of hairstyle that is often combed. I really don't know how to describe the most appropriate, seemingly absent style, dispensable hair ornaments, in the costume drama appears to be extremely hard and simple, belongs to the modern people who can see at a glance.
If you don't go in the simple wind, then rely on some golden crowns, but it is almost the same. Moreover, even if you fight for the crown, you can't give up one thing: the middle point. (Is it so fragrant?!) ）
Comparing the hair crown in "Tang Ming Huang", this is the true sense of wealth, and the above I would like to call it invalid breaking.
Look at the hairstyles that hanfu girls po out, wig bags, hairpins, braided hair, coiled hair all arranged, or playful or gentle, playing a lot of tricks.
The stylists of the major costume crews please come and learn quickly!
The above-mentioned costume drama hairstyles should be ugly, but it is not possible to talk about it, but in a short period of time, it is inevitable that aesthetic fatigue will inevitably be seen more similar things, not to mention that many directly put "perfunctory" on the head.
Who else remembers that in our five-thousand-year-long history, there have been more than N kinds of beautiful hairstyles, which belong to the reference answers that are placed in front of us without a glance.
The most frightening thing is that now these copy-pasted hairstyles have no soul at all.
The role of makeup is to serve the role, can reflect the characteristics of the role, but now it has fallen into a strange circle, a certain hairstyle in the costume drama as long as it is on fire, many dramas behind, say that they follow the trend or lazy, most of them are directly applied, do not do any design, no novelty.
It's outrageous, whether you are Miss Yakuza or a jianghu woman, the hairstyle is uniformly handled, and the role of sticking or not is not considered.
In the first half of the year, there was a costume drama called "Flowers Good Moon and Round", which played the banner of remake "Marrying the Wrong Flower Car to the Lang", and the result was that because all aspects were relatively crotch-pulling, it was so dismal that no one even laughed at it.
Not to mention the collapse of the bizarre human plot, the hairstyle alone is a heaven and an underground compared with the original version. (Seriously suspect that this drama is touching porcelain)
The difference can be seen intuitively in the hairstyle of the wedding.
"Flower Good Moon and Round" can't talk about any style, it's the simplest middle point, and then wear the hair crown on the head. The biggest difference between the hairstyles of the two heroines is whether the shape of the row of beaded curtains in front of the crown is concave or convex.
In "Marrying the Wrong Flower Car to the Lang", the protagonist's hairstyle can be used too much.
Rich family Qianjin Du Bingyan, from a young age, versatile, knowledgeable, hands and feet between the net is gentle. The delicate curls of her hair at the wedding, with a gorgeous blue crown and red tassels, and a clean forehead embellished with silver hair ornaments, set off her grandeur and stability.
As the daughter of a martial artist, Li Yuhu is generous in character and full of heroism. Unlike Du Bingyan's dignified hair, Li Yuhu's braided hair is obviously much lighter, with some fine bangs in front of his forehead, two strands of long hair draped over his chest, and his head is only embellished with red silk flowers and simple pearl steps, and the whole person looks lively.
The personalities of the two heroines are very different, and the audience can appreciate it at the moment when the hijab is lifted on the first stage.
Du Bingyan's coiled hair and Li Yuhu's braided hair, one gentle and one flexible, these two different hairstyles that serve the character's personality, basically run through the entire play.
It is worth mentioning that the hairstyle in the play not only adapts to the different personalities of the two people, but also takes into account the change of identity.
Li Yuhu's eccentricity from beginning to end determined that her hairstyle as a whole did not change much; and when Du Bingyan was waiting for the word to be in the middle of the boudoir, she kept bangs, and the top of her head was simply embellished with silver hair ornaments, and there were colored headbands between the hair, revealing a gentle girlish feeling, and after marriage, her hairstyle completed the transformation from a girl to a woman and became a more stable coiled hair.
Back to "Flowers Good Moon and Round", the two heroines' daily hairstyles are bound to carry out their hair to the end.
Compared with Du Bingyan's Lu Yingyao, the mind of this hairstyle is not all spent on the top of the head, and the head is either only a forehead ornament, or there is nothing at all. To tell the truth, I went out to look more gorgeous than this with a few colored hair cards.
And the small pills of the standard Li Yuhu, playful or not playful can not be seen, only can see that she is true love for various garlands.
Ah, how is the consumption of costume drama hairstyles so serious!
As a drama from more than twenty years ago, the hairstyle design in "On the Wrong Flower Car and Marrying the Lang" can be remembered by the audience to the present, all by ingenuity, and the relationship between the hairstyle and the character is not split, but naturally integrated.
Teacher Yang Shuyun, who is in charge of hairstyles, also has a more classic work - the 87th edition of "Dream of the Red Chamber".
Although the comparison between the current costume drama and "Dream of the Red Chamber" seems to be a bit unpretentious, the things that have been passed down forever in the classics are indeed the same today that can withstand scrutiny.
Wang Xifeng, who has a pungent personality, often wears a luxurious "Golden Silk Eight Treasures Holding Pearl Bun" on her head, in order to highlight the domineering aura of her wife. Her hairstyle is the most colorful and complex in the whole "Dream of the Red Chamber".
In the play, Wang Xifeng has seventy-four sets of clothes, each episode can change at least two sets, when the reporter asked Yang Shuyun how to deal with it, he said, "As many sets of clothes as she has, I have as many hairstyles as I can keep up."
As a character that runs through almost the whole play, Wang Xifeng has designed corresponding makeup on each different occasion and stage, such as "big makeup", "banquet makeup", "home makeup", "prison makeup", etc., which are matched with different styles of hairstyles.
Compared with Wang Xifeng, Sister Lin was obviously much more elegant. Her signature hairstyle is a small bangs with a girl in front of her forehead, combing her hair all to the same side and decorating it with simple hair ornaments, which is called "bun".
This simple but not simple hairstyle is very much in line with Lin Daiyu's coolness. Yang Shuyun also believes that the imbalance of hairstyle highlights Lin Daiyu's "step by step, always attentive" when she first entered Jia Province.
Baochao is also not gorgeously hung. In order to match her rounded and cute image, her hairstyle has a great feature, left and right symmetry.
In order to show that she has few "idle makeup" features on her body, the tungsten on her head is relatively sparse, and it is more of a hairstyle. Basically, it is a parallel contrast combing method, which is relatively tall, and then processed under this premise, showing her girlishness and everyone's girly style.
……
Yang Shuyun said, "Makeup is not a thousand people, to analyze the character's personality."
When making up for "Dream of the Red Chamber", he read the original work 7 times, and also studied various types of red science related materials, made small cards for the characters in the book, and recorded their descriptions in order to better make the shape of the characters.
In the past, no matter what the conditions, everyone was willing to spend time and energy to study the characteristics of the character, and strive to present the best results from hairstyle makeup to clothing. Even if some of the shapes now seem a bit rustic or outdated, we can feel the ingenuity of them.
Now we have everything, but we have lost the most important things, and we are left with only the same assembly line products.
So, when will the costume drama style return to the normal level!