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The beauty of blue and white porcelain is innumerable in the world

The beauty of blue and white porcelain is innumerable in the world

"The embryo outlines the blue and white pen sharpness and paleness

The bottle depicts peonies just like your first makeup."

......

In the poetry of azure smoke and rain, blue and white porcelain is like a gentle oriental beauty, she fuses the five elements, freezes time, seals the past, the dust of history, and turns it into a blue flower that is beyond the world, standing in the river of time.

Blue and white, beautiful porcelain like a person. When it comes to blue and white porcelain, people always gush. It combines beauty and elegance, and the two words that are so contradictory are embodied in the blue and white porcelain, but they are so harmonious.

Blue and white porcelain must be familiar to everyone, before always thinking that I have the opportunity to see it with my own eyes. Just in the Liuzhou City Museum, you can enjoy the blue and white porcelain of the Ming Dynasty.

The beauty of blue and white porcelain is innumerable in the world

Name: Ming Dynasty blue and white porcelain

Residence: Liuzhou Museum

Specifications: one piece height 37cm, caliber 9.8cm, foot diameter 13.7cm, cover height 6cm, abdominal diameter 69cm; one piece height 17cm, caliber 6.3cm, cover height 3cm, abdominal diameter 42cm, foot diameter 9cm.

Background story: In April 2004, the Liuzhou Municipal Cultural Relics and Archaeology Team conducted rescue archaeological excavations in Wangjiatun (now in Xinjingxing Primary College) in Liudong Township, Liuzhou, and unearthed 6 pieces of Ming Dynasty blue and white porcelain, namely a pair of blue and white octagonal character lid jars, two pairs of blue and white small lid jars and a damaged tombstone. The only inscription remains: "King Hanlin... Chongzhen" 5 words. When the news came out that these 6 exquisite Pieces of Ming Dynasty blue and white porcelain were still intact, it shocked the cultural relics community in Liuzhou City. This is a witness to the prosperity of Jingdezhen porcelain in the Ming Dynasty, and it is also a major discovery in the cultural relics and archaeology community of Liuzhou City since the founding of New China!

According to the research and excavation data and documentary data, it can be seen that this tomb was a review of the Hanlin Academy in the Ming Dynasty (Hanlin Academy review, official name, this kind of Qin Zhi Jinshi, most of them are repeatedly examined, more and more courageous, more and more courageous, more than the age of the flower armor, even the ancient rarity, still strive for the field, the spirit is commendable. There was a report to the imperial court, and the imperial court gave him the title of jinshi and gave it to the Hanlin Academy to review it as a sign of praise. This kind of review of the Hanlin Academy is only an honor, not a real job. Tomb of Wang Qiyuan. Wang Qiyuan (王启元), a native of Maping (present-day Liuzhou).

According to the "Chronicle of Liuzhou Prefecture" and "Chronicle of Liuzhou County", he was knowledgeable about the history of the scriptures, and once joined the bus thirteen times in the Wanli Yi Unitary Branch List to the Heavenly Apocalypse, and was given the Hanlin Academy to review, returning to his hometown of Liuzhou with old age. But what year was Wang Yuanqi born and died? Because there are no accurate records and documentary records, now we can only go from the "Reconstruction of the Liuzhou Confucian Monument" written by Wang Qiyuan in the "Liuzhou FuZhi" and "Liuzhou County Chronicle" and the "Reconstruction of the Kaiyuan Temple Monument" to the two Guangdongtai between Jiajing and Jiajing..." "Zi Chongzhen Pengchen I Bang Bo Jiang Right Hu Gong ..." It can be seen that Wang Qiyuan was born during the Jiajing period of the Ming Dynasty and died after the year of Chongzhen Pengchen.

Listen to the little story behind it

Let's enjoy it

The brilliance and elegance of this group of blue and white porcelain~

Blue and white eight-sided figure lid jar

In the picture, the blue and white eight-sided character lid jar I. 2 pieces, for the octagonal lid jar, straight mouth, with lid, shoulders, round abdomen gradually tightened, flat feet and neatly cut.

One of the lids of the jar is the top of the jewel, the top is decorated with chrysanthemum patterns and string patterns, and the lid is decorated with fishing landscape maps, which is a beautiful and idyllic picture. The neck is decorated with a gear pattern, the bottom of the neck is decorated with two strings, the shoulders are decorated with a lotus pattern for a week; the abdomen is decorated with a tree stone railing courtyard basho figure, with a tire mark; the lower part of the abdomen is decorated with a string pattern and a deformed banana leaf pattern, and the near foot is decorated with two strings. The bottom foot is obliquely cut without glazing, which still retains the characteristics of the Yuan Dynasty, but has a spike-like bump, and the inner wall of the tank is glazed with white transparent glaze. Looking at this jar, it is decorated with three layers of ornamentation, its ornamentation is smooth and beautiful, the shape is novel and unique, the glaze color is bright and without iron spots, the tire quality is delicate and white, and the jade texture is touched, which is a fine porcelain product fired in the Jingdezhen official kiln in the middle of the Ming Dynasty. Pass height 37 cm, caliber 9 .8cm, foot diameter 13.7 cm, cover height 6 cm, ventral diameter 69 cm.

The other jar is similar in ornamentation and shape, except that the blue and white glaze of this jar is slightly darker than the previous one, while the characters are longer than the previous one, that is, the two cans of characters, one with a beard and one without a beard.

Blue and white small lid jar

In the picture, one of the pairs of Ming Dynasty blue and white small lid jars type I. 2 pieces, straight mouth, with lid, round abdomen, slippery shoulders, flat bottom foot and internal and external cutting.

The top of the cover is non-arc vault-like, the cover surface is decorated with thick and thin string patterns; the mouth edge is decorated with blue and white glaze is called "lamp grass edge", and the neck bottom is decorated with two string patterns; the shoulders are decorated with chrysanthemum patterns and fan-shaped patterns, the abdomen is decorated with sunflower flowers and magpies, the near foot is decorated with two string patterns, the bottom foot is cut inside and outside the white glaze, the tire quality is delicate, white, the glaze color is slightly gray, there is no rust spots, the inner wall is white transparent glaze, the height is 17cm, the caliber is 6.3cm, the height of the cover is 3cm, the abdominal diameter is 42cm, and the foot diameter is 9cm.

Another pair of Ming Dynasty blue and white small lid jars I. 2 pieces, the difference between the ornamental shape and the upper pair of small lid jars is only: this cover is the top of the jewel and the blue and white glaze is applied, the lid is applied with floral patterns and string patterns, and the glaze color is thick and dark without iron spots. From the above characteristics, it is known that the above blue and white porcelain is fired from domestic green materials and is a masterpiece produced in Jingdezhen.

The beauty of blue and white porcelain is innumerable in the world

Ming Dynasty blue and white porcelain

The Ming and Qing dynasties were a period when blue and white porcelain reached its peak and then declined. The Ming Yongle and Xuande periods were a peak in the development of blue and white porcelain, known for their exquisite production. In general, the production of official kilns in this period is rigorous and exquisite, while the folk kilns are casual and free, and the picture is freehand. From the late Ming Dynasty onwards, Qinghua painting gradually absorbed elements of some Chinese painting techniques.

The beauty of blue and white porcelain is innumerable in the world

Today, when we gaze at this batch of Jingdezhen Ming Dynasty blue and white porcelain with exquisite ornamentation, novel and unique shape, and still charming, it is as if we have passed through the tunnel of historical time and space, and seen the glory that Wang Qiyuan of Liuzhou Township in the Ming Dynasty once had, and what sounded in his ears was his affectionate depiction of his hometown Liuzhou and his affectionate chanting: "The mountains and rivers of Liuzhi are in the world, and the world is opened up and has already been established"...

Liuzhou Municipal Bureau of Culture, Radio, Television and Tourism comprehensive finishing

The beauty of blue and white porcelain is innumerable in the world
The beauty of blue and white porcelain is innumerable in the world
The beauty of blue and white porcelain is innumerable in the world