The eighties, an era of awakening, an era of vitality, an era of color, a precious era. If you use three words to describe the eighties, these three are more appropriate: young, sincere, and simple.
In the 1980s, just like Mr. Zhu Ziqing's "Spring" written in the thirties: looking forward to it, looking forward to it, the east wind is coming, and the footsteps of spring are approaching. Everything looked like he had just woken up, and he opened his eyes happily. Spring is like a doll that has just landed, it is new from head to toe, it grows. Spring is like a little girl, full of flowers, smiling, walking. Life was slow, people's demands were simple, smiles were real, and love was beautiful.
In the 1980s, a beautiful era that could not be copied for literary creation, a large number of writers, poets and scholars emerged in the tide of openness and inclusiveness. Classic literary large-scale publications include "October", "Harvest", "Zhong Shan", "National Excellent Novella Selection", etc., as well as the literary magazines that students love to read, such as "Essays", "Juvenile Literature", "Children's Literature" and so on. From scar literature, reflective literature to reform literature, a large number of famous writers emerged, such as Wang Meng, Zhang Xianliang, Lu Yao, Liu Xinwu, Jia Pingwa, Zhang Chengzhi, Chen Rong, Cong Weixi, Yu Hua, Su Tong, Lu Wenfu, Han Shaogong, Feng Jicai, Yan Lianke, Chu Fujin, Wang Anyi, Zhang Kangkang, Shi Tiesheng, Liang Xiaosheng, Wang Shuo, Mo Yan, Chen Zhongzhong, and so on.
In the eighties, it was an era of poetry full of emotional feelings and rational criticism. At a time when everything is reviving and the earth is rejuvenated, facing a hopeful tomorrow, those silent poets begin to think about life and envision ideals. Before the materialization era did not strike, a pot of shochu can talk about the sea and the sky with a thousand glasses of wine, a few cups of belly, everything, and there is a tacit understanding and simplicity like the flowing water of the mountains. Shu Ting's rich and delicate and pure "To the Oak Tree"; Xi Murong's delicacy and warmth "A Blossoming Tree"; Haizi's romantic and spiritual "Facing the Sea, Spring And Warm Flowers": Wang Guozhen's Gentleman's Modesty and Indifference "Love of Life".
In the eighties, people broke free from the shackles and waited for the rest of the world, opened their arms to the outside world, and embraced all the fresh air and warm sunshine. In that era, there were both beautiful and tender love stories, as well as legends of chivalrous swords and swords. There is the love interpretation of Qiong Yao and Shu, the wandering plot of Sanmao, and the chivalrous righteousness and courage of Jin YongLiang Yusheng Ancient Dragon Three Musketeers who cross the rivers and lakes. Qiong Yao's white gauze dress swayed with the wind, and the love of the sea oath under the moon before the flower was enchanting, and people were looking for the romantic plot in the pure love story in the real world. Many of her novels have been made into POPULAR TV dramas by the audience, in which the actors are mostly handsome and beautiful women, such as Qin Hanlin Qingxia, these two seem to be trapped in the plot of Qiong Yao's novels and cannot extricate themselves, and interpret the sighing children's love story in the real world.
Compared with the tender and watery love story, Mr. Jin Yong, a generation of heroes, flew snow to shoot white deer in the sky, and the laughing book god hero leaned on the blue duck, leaving us with another jianghu. Some people say that wherever there are Chinese, there are Jin Yong's martial arts novels. Jin Yong's magic pen writes through life, and those story characters have subtly shaped our most simple concept of justice and love to some extent. The most simple chivalrous view of many Chinese people comes from Jin Yong's jianghu. Someone once asked Jin Yong: "How should life be spent?" Jin Yong replied: "Make a big fuss and quietly leave." Jin Yong said: "I don't dare to be a hero, but I like those heroes." "Heroes represent the righteousness and responsibility of the world, and the 1980s of reform and opening up especially need heroes who have made bold moves."
In the 1980s, film and television dramas also shone with ideals and humanity. During this period, not only some elaborate films and television dramas were born in the mainland, but also many classic film and television films were imported from Japan, Europe, the United States, Hong Kong and Taiwan, etc., which became a huge spiritual enjoyment and good memory in people's amateur life in the 1980s.
The TV series "Shanghai Beach" impressed the audience with the story of revenge of the jianghu with a happy vendetta, creating a sensational effect of thousands of empty alleys.
The 1987 version of the TV series "Dream of the Red Chamber" has received unanimous praise from the public and has become an insurmountable monument and benchmark in the history of Chinese television dramas. Not only has a broad historical background story, but also Cao Xueqin's writing, Wang Liping's profound artistic skills, and the exquisite carving of director Wang Fulin, together to create this magnificent TV series. With the meticulous cooperation of Wang Fulin's directorial team, this huge work is perfectly reproduced, allowing ordinary people to see its fragrance. Their dedication and dedication to art makes this magnificent masterpiece the icing on the cake. Chen Xiaoxu, Ouyang Fenqiang, Deng Jie and other actors have performed exquisitely and devotedly, and no one has surpassed them so far. The music of the 1987 version of "Dream of the Red Chamber" is considered to be insurmountable, composed by Mr. Wang Liping, who has a deep traditional cultural heritage, and many songs sung by singer Chen Lichuan have become classics.
The 1986 edition of "Journey to the West" caused a sensation throughout the country, with a very high evaluation, and became a recognized and insurmountable classic. Journey to the West has become an indispensable watching program for generations of people, and has become a collective television memory for Chinese. "Journey to the West" represents the 1980s, which is full of vitality and constant challenges. The four Tang monks and apprentices formed the best team, Tang Monk's kind and kind purpose of teaching, pig eight precepts of the big grin, Sun Wukong's martial arts, strong intelligence and wit, and Sha Monk's diligence and earnestness to work hard and complain, passed the 9981 level, and finally successfully learned the scriptures and cultivated himself into a Buddha. A typical heroic and inspirational feature film, in that era of calling for pioneering and innovative, has undoubtedly become a certain echo of people's heroic complex.
Adapted from Jin Yong's famous book "The Legend of the Condor Hero" and produced by Hong Kong TVB, the TV series of the same name was introduced to the mainland in 1985, causing a great sensation. The vast and grand historical background, the ups and downs of the storyline, the beautiful and entangled love story, and the gripping martial arts scenes have made this TV series a recognized classic martial arts drama, and also made many people's martial arts complexes deeply rooted in their hearts, which has affected two generations in the seventies and eighties.
Classic film and television dramas imported from the outside in the 1980s include "Astro Boy", "Smart Hugh", "Mickey Mouse and Donald Duck", "The Man from the Bottom of the Atlantic", "Ashin", "Tiger's Mouth", "Zorro", "The Hunt", "Zi Sanshiro", "Caravan", "Eight Immortals Across the Sea", "Revenge of Romania", "Notre Dame", etc., which are widely known.
The sports industry in the 1980s was also in full swing, making repeated breakthroughs and creating history. The most famous is the Chinese women's volleyball team five consecutive championships, the main attacker Lang Ping is known for his iron hammer, since then it has been called "women's volleyball spirit", becoming synonymous with hard work and tenacious struggle, inspiring the patriotic enthusiasm of many people and becoming a learning model for the Chinese people. The women's volleyball team won five consecutive championships, which should be the most important thing in the eighties that made the Chinese people raise their eyebrows.
In the early days of reform and opening up in the 1980s, the popular music field opened its arms and accepted the winds from all over the world, especially the popular music of Hong Kong and Taiwan greatly enriched the popular music scene in the mainland, and also promoted the growth and development of original music in the mainland. The popular songs of Hong Kong and Taiwan are like a fresh wind blowing through the streets and alleys of the mainland, which strongly fits the inner emotions of young people in pursuit of individuality, and the popular music played by portable tape recorders makes people feel like a spring breeze and drunk. At that time, the most fashionable standard image of young people was a denim or flared pants, a white shirt with flowers, a exploding head, a pair of sunglasses, and the most popular music of the time hummed in his mouth. The most influential first was Taiwan's Teresa Teng, who is a singer and a cultural symbol. Teresa Teng is the first singer with international influence in the Chinese pop music scene and a milestone in the Chinese pop music industry. Wherever there are Chinese, there are Teresa Teng's songs.
The other, the godfather of Taiwanese music, Luo Dayou, is very important. Luo Dayou's songs have a profound impact on the Chinese world. Pop music has become a symbol of culture and the times in his hands, and he has closely integrated music with Chinese culture, and no one can stand out. The strong sense of criticism and enlightenment in his works allows people to see the height and depth of his music's thinking; a good Chinese cultural heritage allows him to perfectly combine rock and roll with oriental traditions, and can see the beauty of music: a good sense of the times is integrated into the music, allowing people to appreciate the perfect and profound music, and also making Luo Dayou a monumental figure in the Chinese music scene.
An important part of the popular music that flowed from Taiwan to the mainland in the 1980s was Taiwanese school songs, also known as campus folk songs. Taiwanese campus folk songs originated from several key musical figures: Ye Jiaxiu, Li Jianfu, Liu Wenzheng, Pan Anbang, Luo Dayou, etc., while singer Liu Wenzheng, with his burly and handsome appearance and exaggerated typhoon, contributed to the promotion of the popularity of Taiwanese campus folk songs, becoming the standard-bearer and pivotal representative figure of Taiwanese folk songs. The most classic masterpieces of Taiwanese campus folk songs include "Descendants of the Dragon", "Grandma's Penghu Bay", "Childhood", "Country Road", "Scene in the Rain" and so on.
In the dreamlike eighties, although it was not perfect or rich, it was very full and rich inside. Although it is clear and flat, the temperament is extraordinary. Literature, music, film and television, thought, entertainment, sports, etc., are full of vitality in various fields. From the previous years, people are full of hope, ideals, full of enthusiasm, embrace everything, and create a rare prosperity.
The eighties, an era of awakening, an era of vitality, an era of color, a precious era.