Description: This ranking only considers live singing, and the judging criteria are pitch, range, breath, musicality, etc.) C: Deng Lixin Xue Kaiqi twins (Asa is slightly better) Fu Ying
B-:( the scene is barely a car accident): Lu Qiaoyin, Li Caihua, Zhong Jiaxin (singing skills have been improving, there will be hope to B) Zhou Huimin (young B+, serious degradation)
B (a little flaw in the scene): Wu Yufei (general breath, poor treble) Wu Ruoxi (1992, the current singing skills are average, the breath pitch needs to be honed) Mai Jiayu (after 80, the timbre is good, the scene is more stable, occasionally small flaws, the singing skills will be improved) Zheng Rong (1984) (good timbre, stable scene, stable breath, occasional pitch problems) Care for Yan (1979, many early car accidents, great progress in recent years) Yang Qianwei (1974) (the scene is occasionally very god, but the scene of the car accident is also quite a lot, the breath is general, Narrower range, occasionally a little off-pitch)
B+ (Live CD sound quality, strength) Zheng Xinyi (1987) Wei Lan (1982) Swim (1982) Wang Yunzhi (1980)
Liang Yongqi Chen Huilin (1973)
Karen Mok (1970) Xie Anqi (1977) Che Wanwan (1974, early lossless sound quality, declining in recent years, otherwise A or A-) Li Huimin (1969, early proper A grade, now throat... ）
A-:Zheng Xiuwen (1972) Lin Xintong (1990, super lung capacity, super explosive power, wide range, and impeccable pitch) Lin Erwen (1982, good singing and composing) Zhao Xueer (1972) Lei Anna (1959, 1980s pre-mid-term popular female singer, solid basic skills, still able to perform classic works without loss after 50 years old) Lin Zhimei (1963, also in the early and mid-80s, very popular, long farewell to The Song Tan, the skill is still not reduced that year) Liu Yali (1967, The voice is extremely textured, singing is easy, and it is easy to pick up) Mai Jiewen (1954, push the eyes to see and do not move) Kwong Meiyun (1963, very beautiful voice) Wang Xinping (1969, Poly Gold Four Small Flowers, singing skills are good, and each has its own characteristics) Tang Baoru (1971, Poly Gold Four Small Flowers) Li Ruien (1973, Poly Gold Four Small Flowers) Liu Meijun (1964, very magnetic female voice, bass thick, high voice full of explosiveness) Zhang Delan (1960, singing voice full of perseverance and indomitable, Very has the atmosphere of the times) Li Leshi (1973, the breath is strong, the sound pressure is strong, the disadvantage is that the vibrato is too exaggerated) Faye Wong (1969, the voice is very ethereal, but the true high pitch is poor, the early Faye Wong is simply open and hanging, to the later live is difficult to satisfy, may be long-term non-practice caused by the breath is inaccurate and the pitch control is improper, coupled with age growth and other resulting in damage to the vocal cords)
A (Big God Online): Yung Zuer (1980, The Emperor's Sister, on-site control of the summit) Deng Ziqi (1991, hard singing skills super A-level, and young, not yet reached the peak) Kwan Shu Yi (1966, the voice is toxic, the word "psychedelic" is the most suitable to describe her voice) Chen Huixian (1965, personally feel that the princess voice line is the most perfect voice in Hong Kong, fresh, beautiful, rounded, can be called a natural sound. Now over 50 years old, the timbre is not as sweet as it was then, but the bass is more calm and pleasant, more charming) Lu yunna (1963, Lu Yuna has a strong pitch, breath and rhythm, so she is extremely good at the spark of love This rhythmic and frequently changing songs, but this song is a nightmare for singers below B+. Now the figure is out of shape, but the singing ability has not dropped significantly, it is really rare) Lu Shan (1964, when today among the ranks of the predecessors of the singers, the voice skills are excellent, the singing voice is round and godlike) Guan Juying (1958, 14 years old won the championship to enter the music world) Xi Ni (debuted in 1956, 1977, because of the magnetic voice whenever the change, deep into the hearts of the people, is the good voice of that era)
A+ (Knee Ready): Peng Ling (1969, the voice is unique and delicate and soft, very pleasant, the treble is excellent, easy on the high quality E5, F5, the face does not change color. More than ten years in the music scene, nearly 50 years old, the skill is not reduced) Li Wei (1975, the transliteration is very good, the breath is first-class, the position is very concentrated and soft, very explosive, the song path is extremely wide, the variety of styles, in my songs vividly reflected) Ye Qianwen (1961, can sing down this Wang Zhaojun are all gods, Ye Qianwen's early true voice easily on E5, F5, and this highest note is G5, the treble also has a transliteration. Outstanding explosiveness, incredible lung capacity and wide vocal range. Of course, Ye Qianwen's injury also has a gentle side) Lin Yilian (1966, the voice condition is good, the true tone range is quite wide, and the 9keys that rose in that year are still invincible. False tones and dolphin tones are also praised, and the recommendation is fruitless. Live version of persimmon final F5 angry tone, comparable to the European and American diva level) Mei Yanfang (1963, Mei Yanfang is invincible in the bass (it is estimated that except for Xu Xiaofeng is her), the voice is classical and charming... Comes with subwoofer special effects, but her favorite songs such as Bad Girl) Chen Jieling (1955, joined the music scene in 1970, was the lead vocalist of the early band New Topnotes, and later developed independently. Early on there were extremely powerful and explosive high-pitched levels ... Tonight night's song Chen Jieling danced while walking, and also showed a very high quality real voice E5. Today, the breath is worse, but the level is still not low) Maria (1954, fat mother has the singing ability of black mothers, the singing style of black mothers, and the size of black mothers, and her prison trilogy is deeply rooted in the hearts of the people. Fat Mom's signature Lamai is super scary, she can be high-pitched throughout, the angry tone face does not change color, and can still receive the sound. Ye Dexian (1947, recommended live singing and dancing version of Beat it. The singing voice is low and gentle, and it is a little dull when it is first listened, but in the hundreds of turns, it reveals a wave of sincere emotion, which belongs to the rare top jazz fan among Chinese female singers) Ye Liyi (1947, more than 40 years in the song world, her heroic singing skills have never been surpassed by female singers. The breath is top-notch, the singing is calm, the voice pressure is strong, the bite is clear, and all reveal a kind of female Haojie's breath) Xiandura (1943, after the ghost horse song, Xiandula, avant-garde in style, singing internationalization, early cover singing of a large number of European and American songs, high notes, angry tones out of the magic)
S (Mythical Level): Xu Xiaofeng, Du Lisha, Zhen Ni
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