Autumn Japanese dramas have ended, I don't know which one you like the most? The following is in the order of ratings ranking, to recommend a few to everyone.
Although the ratings ranking at the beginning of the broadcast was relatively fierce, the "legal V" starring Ryoko Yonekura still maintained the first place, and four of the previous five seasons of "Doctor-X" won the annual ratings championship, and this time Ryoko Yonekura once again defended her position as the queen of Japanese drama ratings.
Created by the doctor-X production team, "legal V" brings together a luxurious cast of Kashiri Kami, Hayashiko Hayashi, Ryo Arakawa, Yumi Anda, Shohei Miura, Masanobu Katsumura, and Fumiyoshi Koichi in addition to Ryoko Yonekura.
The style of the show continues The light comedy routine of Doctor X, except that Ryoko Yonekura is no longer a loner this time, but is deprived of her bar credentials and wins the lawsuit with a group of companions.
Although the plot does not have too many surprises, but in addition to the unsatisfactory one or two episodes in the middle, the overall is still relatively high-quality, each character has distinct characteristics, and each episode has a good reversal, which is worth watching.
"Xiang Stick", which appears every autumn, can be said to be the guarantee of ratings, each story is closely related to the big era, and the ending is either happy or sad, which is lamentable. In addition, the themes focused on by "Xiangbao" also include adolescent issues, aging society, family and marriage failures, political shady scenes and even contradictions within the police system.
In the New Year special that airs next week, Yuki Nakama will star again, her first postpartum work.
Although the 13.5% rating data of "Shimomachi Rocket" is eye-catching, it is actually more disappointing, and it should be known that the first season of the whole series averaged 18.5%, and won the ratings championship in 2015.
The second season is not mainly to build rocket engines, but to make transmissions for unmanned tractors, from space to earth. A big reason why Buya Jun felt that the ratings plummeted was that the plot performance was not as good as the first season, the protagonist's character was idealized, there was too much positive energy, and the plot seemed slightly protracted, perhaps the audience gradually felt tired of the inspiration of the Ikeido Run. After the finale, an episode of Chinese New Year SP will be released next week.
In addition to "Xiangbao", Asahi tv also has another longevity drama "Daughter of Kesoken", which even broadcast one more season than "Xiangbao", which can be broadcast live every year, also thanks to the high ratings.
The gimmick before the launch of "The Gold Lawyer" is undoubtedly the co-performance of Oda Yuji and Suzuki Ho nami after "Tokyo Love Story", but in addition to the first episode that can attract audiences, the ratings of the next few episodes hover around 10%, but it is also higher than most of the month nine dramas in these two years.
The drama remade in the American drama actually does not see much Japanese localization, and the lines and performances exude the flavor of the American drama, and the overall is relatively decent. In addition to Yuji Oda and Nanami Suzuki, the collision of young actors such as Yusho Nakajima, Nanami Suzuki, and Mizaku Imada is also a major attraction.
"Big Love" had a high rating of 13.2% in the final episode, ranking 6th on average this season. If you see the heroine suddenly sick and amnesiac plot written in the introduction is very cheesy and give up watching this drama, it will be a big loss.
The 67-year-old screenwriter Dashi Jing showed her skill, although there are no various golden sentences that can brush the screen, but the metaphors of "vicious and erotic stimulation" and "getting off the car into the desert" still hit the hearts of many people, coupled with The performance of Muro Yi from time to time, a glass-to-sugar story, even if there is a terminal illness, "Japanese drama running", taking money to leave my family treasure and other blood-inducing vulgar bridges, the tip of the blood-stained tongue still tastes a sweet smell.
"I Am Big Brother", which is also popular in China, has an average rating of 9.9% relatively smoothly, ranking seventh this season. This drama should be too much introduction, not only is it familiar to everyone, because he himself does not have much to explore in depth.
Plot sand sculpture, Yuichi Fukuda's nonsense spoof, all the actors are flying themselves, so that you can take screenshots in minutes to make memes. If you feel stressed in life, or in a bad mood, let this show be your source of happiness.
The serious criminal investigation theme is no better than that of AsahiDai, and The Japanese station found Hayashi Hirokashi to write "Thief Criminal Police" about the cooperation between criminal police and thieves to solve cases. The interesting thing about the setting of this drama is that the police bandits are no longer intrigues, but become uncles with indisputable juniors learning how to enter society.
After all, it is the starring work of "National Wife" Niigaki Yui after two years, "We Can't Be Beasts" has attracted a lot of attention before it was broadcast, but on the contrary, the ratings are dismal, averaging only 8.7%, which is the main water ten-file series of Japan, the lowest rating series in recent years.
The audience reputation of this drama is also polarized, and Budaya Jun feels that there is a gap with several works written by Akiko Nogi before, but it is also a passing work.
A little scattered, a little warm, there is no plot that makes people or Daigo, or adrenalines go berserk, but there are always some unusually real scenes that make people feel empathy, which has aroused a lot of resonance among urban people, especially people in the workplace.
It may have been flooded, this "Middle School Sacred Diary" about the "forbidden love" of teachers and students did not trigger excessive discussion, but in fact, the gradual improvement of the plot is also reflected in the growing ratings data, delicately describing the sweet love between the two and the inner torment of not being recognized, and not too disappointing.
Whether it is work or married life, following the rules for decades, if it ripples, how will you choose? "Twilight Meteor Swarm" tells this kind of middle-aged non-ordinary story, of course, it can also be regarded as a pure love story of middle-aged people.
Although "We Are Made of Miracles" does not have an ups and downs and reversals, it mainly plays the warm card. The protagonist played by Takahashi is dumbfounded, often addicted to his own world, full of curiosity, while the heroine played by Eikura Nana is bound by rules and regulations, living a difficult and sad life, and can not get the understanding of others. Through such contact between the two, the screenwriter constantly healed the audience and gained a high reputation.