In terms of time, "The King of Comedy" is an old talk. But this movie is very special, and many years later, the film stills and lines can still break people's defenses in an instant. Unlike Star Ye's other movies, either like "Journey to the West" full of detached fantasies, or like "The Inquisitor", it is more like a funny film, "The King of Comedy" is not an after-dinner talk, it is the peak of reality - especially, there is love that moves me.
The heroine of the movie, Liu Piaopiao, played by Cecilia Cheung, can be said to be equal to Chow Sing Chi in terms of role and acting skills. This is an exceptional case in any film starring Stephen Chow.
It can be said that without Cecilia Cheung's performance, "The King of Comedy" would be half inferior.
This is also the first film I watched her - debut is the peak, this movie is a god because of her.
Now I just want to talk about a few of the sequences from the show that she remembered me the most — and when I think about them, I think of the time I first saw the movie.
Cecilia Cheung appeared in the movie for 15 minutes, the camera and dynamic music sounded together, Cecilia Cheung, who was wearing a snow-white sailor suit and student clothes, suddenly turned her face, this look back, I don't know how many people were amazed - this eyebrow is picturesque, let people lament that there is such a beautiful woman in the world, even Lin Yihua said: Only in her can she feel the "French girlish free breath" of people.
This heartwarming beauty stems from the youthful invincibility of 18-year-old Cecilia Cheung.
Both men and women pause in this shot for a long time – thinking that their green years are gone.
However, just when everyone is still intoxicated, the picture turns, and Liu Piaopiao does not appear in a garden school, but appears in a nightclub and becomes a stage lady.
Our eyes are all played! Who says that what is beautiful is really beautiful? Only later when everyone learned about Liu Piaopiao's life, we had to review, who said that ugly is really ugly?
She is a simple student who was entrusted to non-people, but after falling into red dust, she has to learn pure fake smiles, and knows the male protagonist Yin Tianqiu at the wrong time, which is bitter and imaginable.
This extremely important scene appeared 48 minutes after the opening.
Two people who have great self-esteem and low self-esteem have finally come together.
Under the overhead camera, we can see that the bed where Yin Tianqiu lives is actually not a bed, to be precise, it is just a folding chair.
The woman who can sleep with you in such a "broken bed" must be cherished by men with a lifetime - Yin Tianqiu has indeed done it.
Waking up, Liu Piaopiao suddenly gave people a feeling of rebirth, which was pure plain face, but it was indeed more beautiful.
At that time, Yin Tianqiu lived in a shared commune, and after dawn, it became a super wide sea view room!
Girls wearing men's shirts is probably developed in this drama.
I have remembered this scene for many years, how can I forget it? Seeing this scene, I easily coincided with Yin Tianqiu's idea: I want to raise her, be good to her...
This one is also a favorite of many people - from a distance and not to be played. For a moment, I really felt as if there was no one in the world who looked better than her. Nicholas Tse, you are worth it.
At that time, Cecilia Cheung was only 18 years old, and to play a pure and contradictory female role on the stage, it was not something that could be done as a vase at random - she wanted to make sure that everyone who saw this scene in the movie had their minds rolling.
Sure enough, Yin Tianqiu saw cecilia Cheung's scene and gently closed the door and retreated.
Come back to what to do, in order to inquire about the overnight market of the woman sitting on the stage.
Hey, Hong Ye, what is the price of the lady of the nightclub outside to spend the night now?
Ordinary about 1000 to 1200 pieces.
What if the quality is better?
How about a good law?
I dare say it is the quality of the best.
More than a million to more than ten million. Hey, hey...
Why ask this? If before, Yin Tianqiu's feelings for Liu Piaopiao had an element of love, at this time, Liu Piaopiao was unworthy of love.
After listening to the market, Yin Tianqiu took out all his belongings in the broken iron box, not the whole banknote, but the scattered pieces of money, carefully flattened a few paper notes with a small denomination, put a handful of coins, and finally bet on a watch.
It was all she had, and she gave her almost everything she had, not even a single coin!
Their own life is so difficult, why do you still have to take money to Liu Piaopiao, obviously the other party is also voluntary, you love me, it seems that it is nothing to give money, Liu Piaopiao will not force it, but Yin Tianqiu still gave it to her.
How sad this scene looks, but this is the love in Stephen Chow's movie! This man is embarrassed, but he needs more dignity.
He knew she wasn't easy, he wanted to respect her, he didn't want his loved ones to look down on him — in the guise of emotion, he was actually a white-food eater. More importantly, he wanted to continue with her!
And Liu Piaopiao, glancing at the scattered money he put on her bag, she was stunned, and then everything changed.
Originally, I thought I could talk about some feelings, but I didn't expect it to be a deal. (Lines from the movie "007")
Will she interpret the reward she sees as a sign that the other person wants to draw a line with herself?
No.
She had already guessed that this was all the money that Yin Tianqiu had, and she was touched and thought about not wanting this money, but she almost immediately decided, as usual, to collect the money twice, and no one owed anyone anything. Her idea should be that she is doing this line of work, how about not collecting money, is it possible for them? What about him and her?
With a "thank you boss", Liu Piaopiao packed up his things and left, and at the bottom of the picture was Yin Tianqiu, who pretended to be asleep. In this one shot, we can already see two people who already have each other in their hearts and hide their feelings.
Yin Tianqiu's introverted emotional expression was shown by Zhou Xingchi with great tension and profoundness.
Then Liu Piaopiao walked away, looked back at the house, the angle turned, and Yin Tianqiu, who stood by the window and did not dare to send each other, we saw again that these were two people who were obviously reluctant but did not dare to approach.
There are many clouds of emotions in this - men's innate fragile self-esteem, inferiority, all have.
Loving someone is too risky to turn each other down – thousands of people who have worked as service workers and clients can only feel the heartache.
Next is Liu Piao, who walks quickly on the bridge, looking indifferent, we think that the telling of this relationship will end with regret and indifference, and the story of the two people will end because of this.
However, the next transfer was fantastic! Whether it's the editing or the soundtrack, it's a first-class collocation. Here We Are Again_ Movie Soundtracks Online Demos Cool Me Music
Yin Tianqiu could not pretend to sleep after all, and resolutely ran out to stop Liu Piaopiao.
Vengeance: Hey! Piaopiao: What? Vengeance: Gone? Piaopiao: Yeah. Vengeance: Where to go? Piaopiao: Go home. Vengeance: And then what? Piaopiao: Go to work. Heavenly Enemy: Is it okay not to go to work? Piaopiao: Do you raise me when you don't go to work?
Why is there such an unnatural conversation?
This is the biggest similarity between the two people, both have a strong sense of self-esteem and the resulting sense of inferiority.
Yin Tianqiu wanted to stop talking, so he had to smile and retreat.
But when Liu Piao had gone far, he plucked up the courage again and chased him out.
Vengeance: Hey—"
Liu Piaopiao lit a cigarette and turned his back on Yin Tianqiu: What's the matter?
This was a thrilling moment, Yin Tianqiu's mouth twitched several times, and his feelings that were about to come out finally rushed out: I raise you!
Instead of "I love you", jump straight to "I raise you".
This is undoubtedly the most touching sentence in "The King of Comedy".
I even have food and clothing problems, but I want to raise this girl for a lifetime, here temporarily do not discuss feminism and female independence, we first go back to that era, Yi Tianqiu and Liu Piaopiao are low-level small people, all day long hard only to survive, the "I raise you" of that era, the weight is far higher than the current "I love you".
I saw the obedient person standing still, his long hair fluttering, and he was silent for half a moment.
Because of the various preparations in front of us, when Yin Tianqiu chased out several hesitations and hesitations, and finally plucked up the courage to say the words "I raise you", we can easily appreciate his thoughtfulness and sincerity from the bottom of his heart!
Such "I raise you" can make people convincing and moving!
But Liu Piaopiao finally turned back and replied to Yin Tianqiu's words like this:
Take care of yourself first, fool!
How intriguing, she knew that he was not the one who met a woman he liked and said "I raise you", she also knew that Yin Tianqiu was not a casual talk, she actually believed in him, and deep down she had accepted it, but rejected the other party with a light and fluttering sentence.
This is Cecilia Cheung's acting skills - the person who has been hurt does not affect her love for another person, but it can affect whether she can show the love in her heart and how to show it.
Willow walked away with her tall boots. The remaining speaker was so depressed, wearing a worn-out shirt, standing in the wind.
How does a person who has a meal and does not have a meal bear the life of another person? Does a dragon runner who doesn't even have dignity have the right to pursue happiness?
Zhou Xingchi used Yin Tianqiu's mirror to tell everyone - yes!
I can't even raise myself, but the moment you leave, my anxiety climbs to the extreme, and I am afraid that if I let go, you will disappear into my life like fireworks forever. So, even if it's hard, I still have to keep you. Even though I have to fight for even a bento, even though my dreams are out of reach, I still have to hug you desperately and do my best.
Liu Piaopiao endured the boiling emotions to get into the car, trying not to cry in front of Yin Tianqiu, and when he got to the car, he could no longer hold back, and his feelings burst out, crying like a tearful person.
This is the scene in "The King of Comedy" that Cecilia Cheung impressed me the most, and there is no one.
I think this cry came really in time, she cried a mess, but not at all abrupt, only the most real touch will cry like that, tears flowing, eyes are red, only real crying will be like this - it is said that no one really cries will look good, but I don't think she is crying where it is not good, I feel that Cecilia Cheung at this moment is very beautiful, simply amazing.
This should be the most classic cry of joy - because she is also happy in her heart, so it should be laughing and crying, so this is also her happiest moment.
I don't know how many people have been conquered by this cry, and how many people have relived the film more than once in order to watch this clip. I always feel that this scene has made Cecilia Cheung -- when I looked at it, I thought how could this girl be making a movie for the first time? For the film, the actor's inability to sustain himself and the authentic performance will definitely be a successful work.
Why would a prostitute cry like this? Because Yin Tianqiu had crushed the most fragile defense line in Liu Piaopiao's heart.
Yin Tianqiu did not understand what Liu Piaopiao was thinking, but simply acted according to his inner thoughts, but how many people and things Liu Piaopiao had experienced, he had already seen through this simple and kind "fool".
Looking back at her ex-boyfriend was "I raised you" and "how do I raise you if you don't sell yourself!" "Smiling tiger, pimp. This paragraph appears in the flashback of memory, the "I raise you" of the first love is to sleep until Liu Piaopiao, and Yin Tianqiu's "I raise you" is after sleeping liu Piaopiao.
This sentence applies only to the little people at the lowest level of society, whose dignity has been trampled on, whose personal safety is not guaranteed, and who see people's faces and eat. That is to say, only a woman like Liu Piaopiao, who has strayed into the wind and dust, will be moved.
So this cry proved that she was completely in love with him. She wanted to understand that Yin Tianqiu's situation gave her the most missing thing - respect, respect for her hard work to live, which was incomparable to the scumbag who had once been the first love - which was what made her rekindle her yearning for love.
Liu Piaopiao took out the "Self-Cultivation of Actors" that he had taken from Yin Tianqiu. What is there about such an obscure title that attracts her attention?
This shows that what she really wants to do is to enter yin Tianqiu's world through this book.
Liu Piaopiao's willingness to believe in love after experiencing so much is also one of her charms in my eyes.
Cecilia Wept to the sound of Karen Mok's 24-7 music, a song that perfectly matched. In detail, the reason why this scene can touch people's hearts in this way is due to its lens language, the mastery of time and the control of the rhythm point of music - every split-shot switch is a reversal, the feelings are peeled off layer by layer, each layer is a different expression, after the extremely rich brewing and laying, the audience's emotions are burned up - the explosion of the general wonderful, the rich layers of emotions are displayed to the fullest.
The advantage of Stephen Chow's film is that the emotions are in place, which is also the most brilliant place of "The King of Comedy".
When Yin Tianqiu and Liu Piaopiao met again at the same time, Liu Piaopiao, because she fell in love with him, refused the guests of the nightclub, was beaten to the point that her nose was blue and swollen, and almost broke her face, but she determined her intentions for Tianqiu and came to him again, but this time she still did not immediately say the purpose of her coming.
Because yin Tianqiu came to run at this time, he became the male protagonist, and after the gorgeous turnover, the dialogue between Liu Piaopiao and Cuckoo Er and Yin Tianqiu caused enough suspense.
Yin Tianqiu did not ask too much about Liu Piaopiao's face, Liu Piaopiao had always been enthusiastic and frightened, but Yin Tianqiu's performance had always been relatively cold because of Cuckoo's urging.
When Liu Piaopiao suddenly realized that she couldn't put her mouth in, her expression changed, and she wanted to say something and stopped, and then she stepped aside and was silent.
Just like that, watching the car drive away, the two people who were originally ready to fight each other seemed to be about to start parting ways.
We also heard Liu Piaopiao saying to herself, "That's it."
However, as soon as the painting style changed, Liu Piaopiao's face suddenly appeared to have a new look of breaking with the past, which was a situation that no one else had been to, and at the same time, her eyes softened.
The phrase "Did you say last time you raised me?" "Almost every question that was gambled—God knows how much courage Willow had to exhaust before she dared to shout to stop Cuckoo's car.
And the most beautiful thing is: Liu Piaopiao asked this, Yin Tianqiu did not hesitate, did not have a little to consider the current situation, and finally gently gave Liu Piaopiao an answer without negative heart.
What a vivid two faces, the moment when love comes... Really nice!
Compared with the star-studded Bai Fumei in the car, is the woman with a blue nose and swollen eyes not eligible to pursue happiness?
Cecilia Cheung's answer was: Yes!
In fact, everyone knows why Yin Tianqiu had such an opportunity, but he blurted out without thinking about it - finally broke through himself, did not give up hope, did not give up the pursuit of love. No matter how cruel the reality is, this love is really great.
<h1 class= "pgc-h-arrow-right" > this film may be imperfect, imperfect is precisely in Zhou Xingchi's own excellence, but the first half of the portrayal of three points into the wood, the thick traces of life of small people, has pushed the entire film to an unparalleled height, I can't help but use a variety of praise words to praise, this is from the heart of the admiration and touch! </h1>