"Lies of Lies" starring Lee Yoo-ri and Yeon Jeong-hoon has aired 12 episodes, and there is no sign of the female protagonist's revenge until the end of the show.
Many people complain that the heroine has to put a cruel sentence every episode, "I will never be robbed of anything by you again", "I will never regret it again", and the result is still so weak.
In the eyes of most viewers, the first half of the plot is quite normal, especially when the heroine mistakenly thinks that her daughter is no longer there, the courage to die with the evil mother-in-law, let people expect that this will be a big happy revenge drama.
However, is it to praise Li Youli's crying drama, or to praise Li Youli for crying every episode without swelling, the heroine gives people the feeling of being too weak, weak enough to make people hate iron not steel.
You know, Chinese people generally like cool dramas, it is best to die in one episode, such as acting raiders, but most of this kind of domestic dramas are water dramas opened by the protagonists, just look at a nervous stimulus.
"Lies of Lies" is just the opposite, although there is a criticism of the heroine's mouth as if it is pulled by a zipper at a critical moment, but at least it is not so unrealistic, in reality, where ordinary people are so easy to fight back against the powerful people.
The main thing is that the heroine behaves too miserably, and the feeling of powerlessness of being bullied by the former mother-in-law makes the audience angry and eager to see the heroine kill.
But have the complaining people ever thought of such a question:
There is a woman, she suffered unjust injustice, her father died, only left alone, desperate, but also committed suicide, but by the obsession of wanting to see her daughter again, she survived 10 years of imprisonment.
Even if the label of "murderer" has not been torn off, she wants to become her daughter's mother again, although she is weak and humble, but her heart to protect her daughter is absolutely firm.
This is not a revenge drama at all, even if at the end of the episode the truth is revealed, Li Youli's innocence is returned, and the evil mother-in-law is brought to justice, which is also the evil mother-in-law's own doing.
From the day Li Youli found her daughter, Li Youli completely let go of her vengeful heart and only wanted to protect her daughter.
In this way, there is an initiative to provoke the plot of Yan Zhengxun, in order to be able to live with her daughter as a stepmother.
If the evil mother-in-law who oppresses people does not take the initiative to provoke things and press forward step by step, both sides will live this life in peace and confusion.
The heroine stayed in prison for 10 years, after getting out of prison, basically equal to no connections, Secretary Yin was still influenced by her before standing on her side, the evil mother-in-law is so powerful, plus the female second from the obstruction, a female protagonist without the power of the chicken, in addition to crying, I really don't know what kind of blackening can be successfully countered by the pressure brought by the mother-in-law.
In the face of absolute power and money, in the eyes of the public is the heroine of the murderer, in the face of the president of the chaebol who has been doing charity for 10 years and has an infinite positive image, the public should think that all the mistakes are the heroine,This is human nature, it is difficult to refute.
Fortunately, now the male protagonist and the male second are helping the female protagonist, the death of Secretary Yin and the identity of the former chaebol daughter-in-law of the female protagonist have been revealed by the male protagonist, which can only restart the case of the year and let the male protagonist with a sense of justice intervene in the investigation of the truth of the incident.
If the heroine's temperament changes greatly after she is released from prison, and she changes the weak image of being afraid to resist and only know how to escape after being subjected to long-term domestic violence, then it is really called the screenwriter outrageous.
Now this cowardly, troubled helpless persona is more real.
In this way, we have always seen the image of Li Youli, the "strong king of the mouth".