The director found 44-year-old Bao Guoan and told him: You must play Cao Cao in the hearts of the people

In 1990, director Wang Fulin found 44-year-old Bao Guoan, invited him to play Cao Cao, and told him: You must play Cao Cao in the hearts of the people.

What is Cao Cao in the hearts of the common people?

This made Bao Guoan very embarrassed, and during that time, he was like a demon.

When they saw people, they asked: What is Cao Cao in the hearts of the common people?

Asked thousands of people, each said something different.

"Romance of the Three Kingdoms" was filmed for 4 years, most people would go home when there was no drama, but Bao Guoan was stationed in the crew almost all year round. Not only because he has a lot of scenes, but also because he takes the time to check relevant historical facts and figure out the characters.

Finally, after reading countless materials, Bao Guoan understood the core of playing Cao Cao, and wrote an academic paper that was permanently preserved.

In the scene where Guan Yu was released, he used four expressions to fully express Cao Cao's mentality.

Once the 94th edition of "Romance of the Three Kingdoms" was broadcast, Cao Cao was recognized by the audience, and even in the hearts of many viewers, as soon as they saw the character of Cao Cao, they would automatically replace The face of Teacher Bao Guoan.

But what is strange is that in the next 3 years, Bao Guoan had no drama to shoot.

The Cao Cao he portrayed is too classic, so many directors dare not look for him to act

　　Other plays. It was not until 1997, when director Xie Jin invited him to play Lin Zexu, that he was allowed to walk out of Cao Cao.

Since then, with his superb acting skills, he has created the most classic second role in his life, Lin Zexu, and won numerous awards for this.

Over the years, Teacher Bao Guoan has played countless classic roles, but as long as he sees his face, many people still directly call him Cao Cao.

In fact, there are not a few old drama bones like Teacher Bao Guoan, for example, when we talk about Jigong, we automatically think of Old Mr. You Benchang; when we talk about the White Lady, we automatically think of Zhao Yazhi; when we talk about Sun Wukong, we think of six-year-old children; when we talk about Jia Baoyu, we think of Ouyang Fenqiang...

These classic roles have enriched our entire childhood, but for the actors, although they are remembered, they are automatically labeled.

In fact, the difference between actors is still very large.

Some people have acted in a lifetime of drama, and none of them have a role that people remember. Some people only play one role, but let the audience remember for a lifetime, is this a gain or a loss?