Among the many music roundups, I found that many of them are the models of new and old singers.
Lin Zixiang of "Our Song", Lin Zhixuan of "Brother With Thorns and Thorns", Zhan Wenting of "The Great Hip Hop Era"...
In cooperation with each other, we can see many new aspects of the previous singers.
They will make some breakthroughs with the newcomers.
But with that comes the questioning.
Especially for those senior singers who participate in non-special fields, the audience will wear colored glasses.
Gong Linna participated in "Rap Listen to Me", but she could not escape the insults of netizens.
Before adapting "Quest", she integrated rap and stage drama, and as a result, many audiences were scolding her.
Saying that she sings awkwardly, is not suitable for rapping, blindly adapted, too selfish...
To be honest, I still feel bad for her.
She has been looking for a breakthrough in this show, and the stage presentation is also very good, but the audience just does not recognize it.
As a Chinese new art music singer, it was really difficult to connect her with rap at first.
One is serious and one is popular.
The two seemingly incompatible areas have been overlooked by everyone.
They're all music, just different styles.
For Linna Gong, music is a whole.
If you only study the national singing method, it is obvious that you cannot satisfy her "ambition".
What she wants is to set a hundred voices.
Draw nourishment from many styles of vocal cavities such as bel canto, opera, folk songs, world music, jazz, European and American pop, etc., while there are more changes in the performance.
This time I participated in the rap show, but I also hope to learn some vocal skills.
In my opinion, Gong Linna is an artist who accommodates Hundred Rivers.
Only by fully understanding all the vocal cavities in the world can we kill a bloody road in the vocal music world.
Of course, what comes with it is not being understood by the world.
All the scolding she experienced was caused by her persistence.
"Nervous" is the best proof.
At that time, he was dressed in a strange costume, which frightened many viewers.
Singing, costumes, and performances are all extremely detached from the public aesthetic.
For a moment, all the unbearable insults slammed into her.
Laymen watch farce, insiders watch big gods.
I was studying at the Conservatory Of Music, and the professional teacher told us that this was a true practitioner of the arts, and if you all laughed at her, it would be a very sad thing.
Behind the seeming "spoof" is actually the condensation of Chinese music.
It integrates a variety of timbres such as Peking Opera Lao Dan, Lao Sheng, Black Head, Hua Dan, etc., and the gods are all in shape.
Now when you listen to "Nervous", you will find that many people in the bullet screen have come to "admit their mistakes".
The audience of hindsight is innumerable.
Fortunately, more and more listeners are now beginning to understand her behavior.
As for those who are chasing after them, let them scold.
For Gong Linna now, she has already experienced large-scale online violence, and now these are just small fights.
As on stage in the latest issue of Rap Listen to Me, she said:
"Gossip is not valid for me, I set my own flight trajectory, laughter or tears are natural outflows."
In the past, the work did not have the opportunity to make her fight back head-on, and this time she said a lot through rap.
This time, as a singing mentor, she adapted "Nervous" with Good Morning.
It was called "Don't Worry".
Many people say that her rap is too strong and less of a rap texture.
In fact, I agree with this point, mastering rap skills does not mean that it is suitable.
At this stage, Gong Linna has mastered at least 20 sounds.
Can she sing to the extreme with every kind of music?
Obviously not.
But she's willing to learn, and I've seen her do a lot of interviews before.
"The most important thing is not to think, but to act."
Thinking helps to act, and only action can better think.
From a rap point of view, her singing style may not be suitable, but in "No Worries", she shows more Vocal, and rap is mainly good morning.
I love the show because it's a very successful Chinoiserie rap piece with a clear attitude.
The instrumental part incorporates Chinese drums, guzheng, bamboo flutes, shengna, sheng, and cello.
The vocal part is integrated into the vocal cavities of rap, lao dan, lao sheng and so on.
Rap and the main theme of "Nervous" are perfectly integrated, and one call and one response are complete.
In the Verse section, Good Morning begins rapping to the four-beat rhythm of Progamme and folk music.
The rhythm is fixed, but his singing is varied and the structural design is very meticulous.
Chorus transitions by playing with a chant.
This section is really a scream, who fights with the front.
It makes sense to say it's a rogue instrument.
Although the two men sang at the same time, the voices did not fight.
Gong Linna sings all onomatopoeia, her only singing information is the melody itself, more like an instrument, and the good morning lyrics are very dense, he is just interspersed in the onomatopoeia, so that the lyrics are easily received by the audience.
In the Interlute section, the encounter between cello and sheng I loved.
When I saw this picture, I thought it was wonderful.
The depth of the cello meets the softness of the sheng, and the tone is dreamy.
In the end, Gong Linna and Good Morning's rap duel was even more wonderful.
This part directly removes Progamme and uses Chinese drums to limit the rhythm.
One rap, one chant, like two old pedants arguing endlessly.
You said nothing, a stalemate, and finally the two reconciled in the chorus.
The epilogues are designed to be extremely conflicting, they do not give the listener time to breathe, and continue to push forward until the last note falls.
They let loose, and the audience relaxed with them.
After the singing, the whole audience exploded, and the bullet screen was even more praised.
Being able to make the audience and the singer's emotions go in and out together is a good performance.
They did that on rap shows.
In the face of outside skepticism, Gong Linna also gave a strong response.
"You're all definitely more hip-hop than I want, but I'm definitely more real than you!"
In this show, she innovates and constantly seeks breakthroughs.
When others questioned, she had already climbed several ladders.
On the surface, Gong Linna's playing rap seems to be a kind of crossover.
But in fact, whether it is pop, folk songs or raps, their roots and souls are sincere.
Sincere creation, sincere singing.
From 11 years ago," "Nervous" to today's rap, Gong Linna has never stopped.
All excellent musical techniques can be used by her.
This way she was destined not to be understood, but it was also destined to be extraordinary.
For such an artist who dares to innovate, I hope that everyone can have more understanding and tolerance.
In this era, we are too short of singers like Gong Linna.