When the truth of marriage is exposed to the sun, what are we left with?

If you think about it, there are still many realistic novels that I have read recently, such as the "Pearl at the Bottom" by the famous Czech literary master of the 20th century, Hrabar, who has just finished reading, which allows us to glimpse the attitude of the people at the bottom who are under the extreme darkness and external shackles of life in fourteen short stories. For example, the book "Flowers and Flowers" that I am watching now uses realistic techniques to depict the seemingly real but illusory love between husband and wife.

Guo Nan, the author of "Flowers and Flowers", his works are scattered in "Harvest", "Shanghai Literature", "Novel Circle", "Mountain Flower", "Furong", etc., and has been reprinted by "Selected Novels", "Selected Novellas", "Selected Novellas in Beijing Literature", and "Yangtze River Literature and Art". Several novels have been published. For this new work "Flowers and Flowers", Cheng Yongxin once said: Guo Nan wrote a clever story of the love between men and women, with a meticulous mind, a magnificent narrative with a sense of space, showing the zero point reality in the appearance of life.

I believe that everyone who has watched "Flowers and Blossoms" will have a wave of helplessness in their hearts, because the overly realistic plot seems to reflect everyone's true attitude towards life, family, and love, and these helplessness are forced by various factors in life, which also makes us have to face up to when the truth in marriage is exposed to the sun, what can we leave?

Should Liang Xiao, who is at the bottom of the ladder, not be able to turn over even if he tries harder? Should Shu Yi, who has suffered from injury and suffered from mental illness, be like this? Should the same be true of the reclusive wife in the mansion who opens her daughter's defensive heart? Not! They (she) should not be like this, but life has forced him (her) to this point step by step, for their own selfishness, the mother will take Liang Xiao to the daughter with mental disorders, for the selfish Liang Xiao seems to be forced but still guard this marriage without feelings, for the selfish comfort to dominate this deformed married life, if it is pitiful, sad, lamentable, it can only be so for this marriage, and the person who has achieved this sad and lamentable marriage does not deserve our pity, when the purpose of marriage as a means exists, So what's the point?

The most involved entanglement between people comes from love, does Liang Xiao love Shuyi? I think he doesn't love, maybe there will be sympathy and pity, but love is not called. And Shu Yi undoubtedly did not love Liang Xiao, she just used him as her own lifeboat, hoping to take her out of the abyss. The feelings between them are more inclined to affection than love, although not satisfactory, but better than plain and true.

At first glance, "Flowers and Blossoms" seems to be criticizing the appearance of a real life, but it also makes people think deeply about it in the plot of reversal and reversal, and uses its delicate brushstrokes like a knife to tear the fragile and sensitive hearts of modern individuals, exposing them to real life for deep thinking and the reason.