1. "Greyhound"; the rainy atmosphere at the beginning of the film is like the little plum waking up from the beach when watching Inception many years ago, like the past speeches the king and Captain Barbosa practicing their tongues in melodious music, like saving Private Ryan Lee on the landing craft Hanks trembling and taking a sip of water, the surprise is so sudden.
2, "Blood Battle Mosul"; adaptation of real battle examples, Mosul SWAT team predatory soldiers killED ISIS religious berserkers; not exaggerated, not sensational, not procrastinating, not chicken soup, all kinds of encounters full of sense of presence. The whole film is tense and compact, the painting style is cold, the painting style is really bloody, and the ending is unexpectedly warm and sublimated; a person can really persist without fear of death, which requires a strong motivation; this motivation is not external, but internal.
3, "Kalashnikov"; the content is a bit mysterious, how to design it does not know how to feel very sudden, the character shaping is not enough, I feel that I only know half of Kalashnikov, and I don't know why I added it with the officer in the middle. The specific creative process has also been omitted, and it feels like the director and screenwriter did not fully tell his story and ignore too many details, and the character became too magical. The best ending is also too sloppy.
4. "1917"; wonderful. Countless heart-wrenching moments are collaged into long shots that quietly peel off the impact of war on individuals, without grand scenes but thrilling and cruel. The perspective of the little people, the real front line, the tense atmosphere. The soldiers had no time to grieve, no time to fear, they had to cheer up, bid farewell to their companions, crawl over the floating corpses, and struggle in the rapids. Especially the scheduling of running in the ruins and broken walls is wonderful!
5, "The Battle of Lezhev"; pay more attention to the ambivalence of the Soviets in the war and the depiction of the soldiers themselves, in fact, it is not a traditional type of war film, although many plots are more cleverly designed, such as the cross in the flames, the contradictory psychology of the regimental commander, etc., but the overall story is relatively loose, the war is not clearly filmed, and the portrayal of human nature is not very profound.
6, "Soul Blizzard"; do not understand the history of that country and participation, the most straightforward sensory visual war is not presented in place, with more sides and ubiquitous stray bullets hit the people around him, the male protagonist did not face until his father sacrificed, since the war was not elevated, looking forward to the Soviet Union black also did not agree to shoot comrades to seize prison and escape. In the final battle for the country there is no special emotion substituted, hitting the abdomen thoughts to follow the footsteps of himself and his brothers and fathers from it.
Fierce war blockbusters, these 6 are lamentable!