No matter what mood and scene, as long as it is Ma Yu's song, it must be able to distinguish it through the timbre at the fastest speed. There are very few female singers whose voices are so recognizable, and Ma Yu is one of them. Of course, if it is really impossible to confirm, the style has become another personalized label for Ma Yu.
In the recently launched song "Love Your Madman", it inherits its usual style genre, combined with its tireless singing field, the entanglement of love and love is inseparable and entrusted. In this fast-paced Internet era of "eyeballs" and "earn traffic", she still insists on using this absinthe-like love song to compete with the current deformed market, in addition to self-judgment and positioning, she is using faith as the source power.
In the minor key color, the electronic sound is used as a laying, rendering the auditory world, touching the auditory nerves, and then opening the door to the world of love with the rhythmic and dynamic drum beat, and the guitar's strings gradually shrink into a focal point like a spotlight, hitting Ma Yu's vocal line.
The natural unique sound quality combines with the timbre of the artistic conception, not to mention the lyric content of Ma Yu's singing, simply from the sound, it has already expressed all the grinding of those gains and losses, sorrows and sorrows, hopes and disappointments. In the grainy voice, there are stories, memories, and countless words that are inexhaustible but cannot be said. It has the feeling of "wanting to say two lines of tears" written in the opera "Jade Hairpin" created by the Ming Dynasty writer Gao Lian.
In the lyrics of the strict march of the structural logic of time, Ma Yu's slightly brewed emotions will express the main theme to the fullest. The singing voice and the gradual arrangement seem to form a visual dynamic love story around the listener's eardrum. About you and me and him, about the past, present and future, about everyone who still believes in love.
As the song progresses, the rich elements begin to move forward and backward, forming a high degree of resonance with the listener in the climax. The switch of true and false voice techniques shows that she is a female singer in the expression of the theme of love - infectious, but also from brewing to obsession to complete catharsis.
This emotional tension creates a different look for the song, and it is in line with Ma Yu's previous style. The singing voice in place is sometimes calm, sometimes explosive, sometimes with contemplation, constantly interpreting the warmth and indifference of love. There is helplessness and unwillingness, so it seems to be inadvertent, touching the hearts of the audience.
As mentioned earlier, there is a deformed development in the music circle, and Ma Yu did not go with the flow. When the singers took their eyes off the earth, stared at the sky and the universe, and tried to discover the romance and fantasy of space and release the breadth of the song, Ma Yu buried his head and was still as persistent and serious as he sang "If I Remember You in the Next Life" many years ago, exploring the depth of the emotional soul. Just this year, Ma Yu has released "Remember", "Lover", "Whose Love Is Not Sad" and the current song "Love Your Madman", along the trajectory of time, outlining the sour, sweet and bitter life of love life and the warmth and sweetness of family life. This kind of truth-seeking and pragmatic purity, for the singer, in addition to the scope of faith, also needs to have a clear outlook on life in self-planning to achieve.
Perhaps, in a few years, everyone will realize that the farthest is the most recent, and the most easily overlooked is actually the most important.
In the song, Ma Yu does not give us the answer, in the memory of sweet, but also in the taste of bitterness, in the love of the madman, but also in the love of the fool. But at the same time, it can also be seen that Ma Yu's answer is the belief in love and the attachment to true love. Through the up-and-down of music, the importance of love to ordinary people is conveyed.
This kind of emotion, the arranger Jiao Ao also grasped just right, the end of the song, the sweeping piano keys like ripples, in the heart, a circle, and then shocked back. It has strengthened people's adherence to love visions and promises, and strengthened their faith, even if it only becomes the cinnabar mole that Zhang Ailing's pen imprinted on her heart, it will not hesitate. No matter what mood and scene, as long as it is Ma Yu's song, it must be able to distinguish it through the timbre at the fastest speed. There are very few female singers whose voices are so recognizable, and Ma Yu is one of them. Of course, if it is really impossible to confirm, the style has become another personalized label for Ma Yu.