The National Museum of China's Ancient Chinese Paintings and Calligraphy (Phase II) was re-aged in December last year, and although there are fewer works than the first issue, there are still many fine works, especially many that have not been exhibited before.
Song, anon. "Snow Window Reading Map"
One of the openings in the qing palace's old collection of "Famous Paintings and Treasures" is said to be Li Tang's works, the architectural figures in the paintings are still acceptable, and the mountain stone is slightly chaotic, which is the work of Li Tang's school. Folio has the Qianlong Imperial Inscription.
Song, anon. Hunting Map (partial)
There is also a glass frame on the wall, so I can't shoot it. In addition to the two horses, there is also a fawn in the lower right corner. The figure Kurama is very thinly painted, according to the dress should be a nomadic man and a woman, the work may also be a Liao or Jin painter.
Northern Song Dynasty, Feng Pre, "The Eighth Volume of the Three Treasures of the Kaishu Dynasty" (partial)
This northern Song Dynasty copy of the scriptures is the Great Collection of Haihuiyuan in Huating County (present-day Shanghai), Feng Pre was a scribe, there is no record in history, and he also has the "Book of Knowledge of the Buddha" in the Guangdong Provincial Museum, the penmanship is similar to this volume, the body is rigorous, and it continues the Tang style of writing scriptures.
Southern Song Dynasty, Ma Lin (paragraph) "Dechun Xian Tu Scroll"
Ma Lin's paragraph is suspected to be added later, the inscription of Zhu Yunming in the front, Shen Zhou and Zhu Yunming in the back are also suspicious, and the artistic conception of the painting is good, the flowers in the water and the moon in the river.
Yuan, anon. "TanJing Tu"
This one is completely impossible to take the full picture. The "Luohan Diagram" painted by Luohan and Liu Songnian of the Southern Song Dynasty and the "Five Hundred Luohan Diagrams" of Zhou Jichang and Lin Tingjue have a certain continuity.
Yuan, Defu "Xingshu Baobai Horse Riding Sutra Picture Scroll"
The "White Horse Riding Sutra Diagram" is the work of Tang Yan Liben, and the present map has been completed. Miaofeng Defu was the abbot of daqing temple in the Yuan Dynasty, and the style of writing was obviously learned from Zhao Mengfu, which was written in the first year of the First Century (1341), nearly 20 years after the death of Zhao Mengfu, and the Zhao style of writing was still very popular. Defu is not famous for calligraphy, and it can also be seen that there are many people who are good at Zhao characters in the late Yuan and early Ming Dynasties, and many of Zhao Mengfu's works today may be the result of moving flowers and trees. At the end of the volume, there are Ming Chen Jian, Xia Shizheng and others.
Yuan, Yao Fu,"Cursive Poetry Scroll"
The book is Du Fu's "Drunken Song Line", which is written on sprinkled gold paper. Yao Xuanguan to Hanlin Bachelor Chengzhi, Jixian University Scholar, the article and Yu Ji together.
Ming, Shen Zhou, "Flying Peak Map"
Very typical of the rough shen works, pen and ink from Huang Gongwang and Wu Zhenzhong, layer by layer, Cangrun Huazi, painting is the scenery of Suzhou Tianping Mountain Feilai Peak.
Ming, Lü Ji (biography) "Camellia Jinji Tu"
It feels like the same as the One at the National Art Museum of China, that is peach blossoms and peonies, this is plum blossoms and camellias, all of which are colorful and rich and atmospheric.
Ming, Wen Boren, "Deep Map of Streams and Mountains" (partial)
Very high axis, not easy to shoot, can only see an official local map. This is a typical example of Wen Borenxue Wang Meng, with a dense composition but no mess.
Ming, Shen Shichong, "Snow Seal High Stack"
The composition is strange and steep, with the characteristics of the late Ming Dynasty.
Ming, Lan Ying "Parking Love Night Map"
When this painting was made, it was already clear, according to its own title, it was imitating Fan Kuan's brushwork, of course, Lan Ying was the same as his teacher Dong Qichang, imitating and not like the norm.
Ming, Qian Gong ,Cangzhou Fishing Music Picture Scroll》
Qian Gong was a disciple of Wen Zhengming, but the style of painting was more secular, and the theme of the painting was similar to that of the fisherman's father, expressing the meaning of retreat. After the volume, there are Zhang Fengyi, Zhou Tianqiu and other people.
Ming, Wen Congjian ,Jieshi Academy Picture Scrolls
Wen Congjian was the great-grandson of Wen Zhengming and the grandson of Wen Jia. Wen Zhenmeng is also the great-grandson of Wen Zhengming, the grandson of Wen Peng. First of all, there was Wen Zhenmeng's book "Jieshi Academy Ziyou Ancestral Hall Record" and Hou Zheng's book "Fujie Shi Academy Mingquan Pavilion Record", and then wen Congjian's supplementary map.
Ming, Wen Zhengming, "Twelve Volumes of Poems of Xingshu You Xishan"
According to the Department of Funds, it was written by Wen Zhengming at the age of 84. The style of the book is grassy, and it may be Wen Peng's ghostwriting.
Ming, Wu Kuan, "Xingshu Tour to the Western Mountains"
It is completely learning Su Shi, and there are seven or eight imaging.
Ming, Dong Qichang,"Xingshu Wheat Cake Feast Poem"
This one is not very good. There are also several fans, the picture is not good, I will not look at it.
Ming, Zodiac Zhou, "Seven Words and Verses of the Book of Conduct"
Qing, Wang Yuanqi, "Landscape for Zi Weng"
It is a masterpiece of Wang Lutai's later years.
Qing, Wang Yi,"Bamboo Forest Sitting Alone"
According to the self-titled "Xiao Qi Suitable Friend Holds the Bamboo Scroll of wang sheren to see and see, and uses its meaning playfully", it is indeed quite a taste of Wang Fu.
Qing, Zhu Yun, "Pine Tree Double Deer Diagram"
In addition to fish and birds, the eight paintings are the most painted deer, right?
Qing, Shi Tao,"Peony Orchid Stone Map"
The title is four peony poems by Su Shi.
Qing, Wang Shishen, "Taomei Calligraphy and Painting Volume"
Wang Shishen's paintings and writing are extremely elegant. Originally supposed to be an album, it was converted into a hand-scrolled. There are still many paintings and calligraphy in the Qing Dynasty, so I will not look at them one by one.
●Ancient Chinese Calligraphy and Painting (Phase II)
Duration: December 17, 2020 – to be determined
Venue: National Museum of China