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Zhou Rubi, male, Han ethnicity, born in August 1952, from Xinfu District, Xinzhou City, Shanxi Province, is a member of the Chinese Calligraphers Association. He once served as the county magistrate of Hequ County of Xinzhou City, the secretary general of Xinzhou Municipal Government, the standing committee member of the Cpc Xinzhou Municipal Committee, and the director of propaganda. He is currently the president of Wutaishan Calligraphy and Painting Institute and the president of Wutaishan Cultural Research Institute.
He studied under the famous calligrapher Mr. Sun Boxiang and fell in love with Wei Bei. He first studied Zhang Ronglong, and then carefully studied Zheng Wengong, the Good King, and various statues, cliffs, and epitaphs, and studied the second king of The Master Zong, who also visited the families. The stele seeks its strange solemnity, strength and simplicity, and the stickers seek its freedom and flexibility, with a keen artistic intuition, from the monuments and stickers of the ancients to understand the spirit, the essence of the stele, the excellence of the Na Ti learning, and unremittingly seek the road of integration of the stele, thus forming a unique and distinctive calligraphy style.
The book is based on the Wei Stele, integrating kai, xing, and grass with thick accumulation and thin hair, and becoming a self-contained. Wei Bei's works are generous in body, clumsy in coincidence, the brushwork is calm and heavy, and even have the strength of axe and knife cutting; the lines and lines of the works are rich in texture, the dot painting is flying, the knots are mellow, and the brush gestures are dancing, reflecting the spiritual connotations and aesthetic feelings of opposition, contradiction, harmony and unity.
Mr. Sun Boxiang, a giant of the North Monument, commented on his calligraphy: dignified and flexible, meticulous and insightful, flowing in Tibet and high antiquity. Mr. Chen Jusuo, a famous calligrapher, commented on him: immersing in the Wei Monument, using zhi without distinction; taking the essence and using the macro, it has its rhyme. Mr. Zhang Qiming, a famous calligrapher and painter, commented on him: the inscriptions and posters are harmonious, the law is rigorous, the lines are rich, and the elegance is thick.
It has organized large-scale activities such as national calligraphy art exhibitions, cultural exchanges, and the publication of literary and art classics for many times. The organization and launched the "China Wutai Mountain Thousand Calligraphers Writing Calligraphy Exhibition", "100 Calligraphers On-site Scripture Writing Activities", "Contemporary Calligraphy Theory Seminar", "Yicai Wutai Mountain" Yanglian Solicitation selection and creation exhibition series of activities" and so on, which had a great impact nationwide. Wutaishan Calligraphy and Painting Institute was established as a platform to attract famous artists, cultivate talents, carry out activities, provide services, and make outstanding contributions to the prosperity of calligraphy and painting.
Calligraphy works are exhibited in many places across the country. "Deep Courtyard Qulan" was collected by the Capital Library, the banner "Heart Sutra" was collected by the Wutaishan Tibetan Scripture Building, and "Song of Righteous Qi" (10 screens) was collected by the Great Hall of the People in the Capital. He has compiled and published a number of calligraphy and painting collections, such as "Collection of Works of Thousand Chinese Calligraphers Writing Scriptures and Calligraphy", "Collection of Works of Wutaishan Temple", "Qingliang Sacred Realm Hanmo Famous Mountain", "Poetic Ink YunShan Heguan", "Luya Seeking Victory" and many other calligraphy and painting collections. At the same time, the "Selected Works of Zhou Rubi Calligraphy" was published successively.
Song Dynasty Yang Wanli's "Title Zeng Wuyi Hundred Sails", the size of 78cm×53cm
The size of "Lesson Tea and Seed Ink" is 180cm×48cm
The two works are the author's intentional works, good pen occasionally, but looking at the essence of his penmanship and the layout with ink, the air rhyme between the collection and release is continuous, the dryness and change of the pen is natural, and the artistic style of rigidity and clarity and ease and handsomeness also reflects the beauty of the rhythm of ups and downs.