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In recent years, in the transaction records of modern calligraphy and painting auctions, Haipai calligraphy and painting has become the main plate in the Chinese painting and calligraphy market, and the price of its works is also quietly rising, and the real academic and market value of Haipai calligraphy and painting is gradually being accepted by more and more people, becoming a potential investment depression in the field of modern and contemporary calligraphy and painting. As the first of the leading figures of the Shanghai School painters, "Three Wu and One Feng", Wu Zhiqiu's calligraphy and painting works are more worthy of everyone's attention. Wu Waiting for autumn landscape painting was first passed down from family to family, and the flower painter Wu Junqing wrote and inked in his early years, and later peeked into the Yuan and Ming families. Calligraphy is learned from Wang Juesi and Ni Yuanlu. He is good at painting landscapes and flowers, and can also make characters and ladies, and in his later years he likes to make Buddha statues, which is quite ancient.
Wu Zhiqiu can also rule the seal. Together with Wu Hufan, Wu Zishen, and Feng Chaoran, they are collectively known as "Three Wu and One Feng", and because of their old age, they are listed first among the "Three Wu and One Feng". This kind of painter with a family origin and a broad vision is the representative of the Hai school of painters, since the formation of the Hai school art, has been with the attitude of "hai na hundred rivers" to lead the creative trend of Chinese painting and calligraphy, which is characterized by a wide range of compositions, diversified pen and ink expression, creative themes and concepts of multi-dimensional. The Haipai painters have different styles, which effectively cater to the interests of collectors. Therefore, the individual characteristics of Haipai works have become an important reason for the appreciation of the value of such collections.
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(Edited by Zhang Caihong)