"Preface to the Tengwang Pavilion", how to do this article, how to do a good law?

First put the poetry town building of the Du Gong Department:

Wang Yang Lu Luo was in his body at that time, and he was light and thin.

Ercao's body and name are destroyed, and the rivers and rivers are not wasted.

The four masters of the early Tang Dynasty, Wang Yang Luluo.

The first king to start was Wang Bo.

His articles, including the Preface to the Tengwang Pavilion, have entered the annals of history: do not waste the ancient flow of rivers and rivers.

"Tengwang Pavilion Preface" well, the sound rhymes sonorous, the rhetoric is magnificent, the literary style is smooth, and the magnificent and handsome.

What is rare is that a piece of writing is written with a flying spirit.

Let me boldly say:

Six morning bodies,First Tang Dynasty voice.

Wang Bo was only twenty-six years old when he died, and the Preface to the Tengwang Pavilion was written on the spot.

The reason for this article is well known: DuDu Yan Gong wanted his son-in-law to make a splash, so he memorized one first and prepared to write it on the spot to play handsome.

Unexpectedly, Wang Bo grabbed the limelight to write, and Yan Gong was very upset, so he whisked his sleeves away and listened with his ears open.

Hear "Nanchang Old County, Hongdu New Province." Old Yan: "It's also a cliché." ”

Hear "The stars are divided into wings, and the ground is joined by Heng Lu." Old Yan groaned.

It is heard that "the sunset and the lone bird fly together, and the autumn water is long and colorful." ”

Old Yan suddenly rose: "This true genius, when immortal!"

Ouyang Xiu and Su Rui were slightly dissatisfied with the "Preface to the Tengwang Pavilion" and felt that it was too "haiku".

We now have a God perspective, accepting the views of the ancient Text Movement, and will also think that the Piao Wen is not very good; in fact, the problem is not the Piao Wen itself.

Yesterday, when I mentioned Luo Bin Wang, I also said: Good Text, it reads smooth and gorgeous, isn't it very good?

It's just that in the late Six Dynasties, The Piao Wen tied up the rhetoric, and the form was more important than the content, so it was not good; it was like four voices and eight diseases, which was originally very good; but in the later period, it was inevitable to tie people's hands and siblings, which was not good.

Many of the problems of the late Six Dynasties are not in the Piao text itself, but only rhetoric and no content. In our modern words:

"These people who write lyrics write everything for rhyme."

If the text has content and weather, then this form is quite good -- Luo Bin Wang wrote a piece of text to scold Wu Zetian, and didn't he also let Wu Zetian praise him?

In the Preface to the Tengwang Pavilion, there is almost one allusion and one idiom. Three rivers and five lakes, longguang bull fighting, greedy springs, fu sha la, are all all allusions, and chinese teachers are required to memorize.

Who will say: Isn't that an enhanced version of Xin Abandoning Disease?

However, precisely because of the allusions, this article is very thick. When we read xin renunciation words, we often forget that it is only a few dozen words because we can't move to pull countless allusions. In the same way, the "Preface to the Tengwang Pavilion" is rich in allusions, and we often forget that this thing is actually only 773 words.

There was no Internet in that era, and allusions could not be checked at any time, they had to be packed in the stomach, or written on the spot.

This can be endured.

However, the magic is wonderful, there are many allusions, but they are not corrupt.

The voice is sonorous, the rhetoric is magnificent, the literary atmosphere is smooth, and the magnificent and handsome.

Let's go word for word.

Begin with "Nanchang Old County, Hongdu New Province." "Old Yan said it was a cliché. Indeed, this is a ready-made set, similar to the Spring League.

Hear "The stars are divided into wings, and the ground is joined by Heng Lu." Old Yan groaned, because the two verbs of dividing and receiving were used quite well.

Verbs are important in this article.

"Three rivers and five lakes, control the barbarian thorns and lead Ouyue." Four word pairs below seven word pairs. Miao in this three rivers belt five lakes, the momentum is extremely high, the field of vision is extremely high; and then control the barbarian and lead Ouyue, that directly up to the height of the satellite map.

The so-called meteorological high is nothing more than this.

Also, notice that this placket and the control quote are verbs again.

After exaggerating the place, talking about the characters.

After saying allusions such as what wuhua tianbao people are brilliant spirits, it is "Xiongzhou fog column, juncai xingchi." The fog and stars in this sentence are also used very well. At least Ms. Ling Bao'er would feel good - otherwise why is her son named Stephen Chow?

The latter paragraph is a relatively honest text, and some are clichés, and the high friends are full of victorious friends like clouds.

Okay, that's the first paragraph. The beginning is high and the words are exquisite.

The second paragraph writes about the scenery.

In other words, when writing about scenery, the most taboo thing is to say a cliché. Because there is no shortage of gorgeous layouts in the text, it is especially necessary to be fresh and refreshing.

The top articles of the Southern and Northern Dynasties, such as Qiu Chi's "Book with Chen Bo", begin with a "Late Spring march, Jiangnan grass grows, miscellaneous peanut trees, and warblers fly wildly." ”

For example, Wu Jun's "Book of Thoughts with Song Yuansi" gives you a "cicada is endless, and the ape is endless." ”

Be fresh.

Back to Wang Bo.

"Yu Yu on the road, visiting the scenery in Chong'a; the Long Continent of the Emperor, the old museum of the Heavenly People." This passage is the level of ordinary Piao Wen. But Miao in front of it has "the water is exhausted and the cold pool is clear, and the smoke condenses and the twilight mountain purple." "Behind it" is "the layer of mountains towering green, up out of the heavy sky; flying pavilion Liudan, down to the landless."

Smoke, Tanshan, Cuiluan, Dange, look up and down.

The color and the field of view are gone. It's a dynamic and colorful feeling. No plates, no rot.

This sense of up-and-down dynamics leads to the following:

Cloaked in embroidery, carved on the top.

This drape and pitch, or up and down perspective conversion.

Later, Su Shi's "turn zhu ge low qi household photo sleepless", turn low photo, there is a similar magic.

Because of the cloak and the bow, Wang Bo began to pull the camera sharply:

Yamahara is wide-eyed, and Kawazawa is horrified.

Lu Yan Pak Di, Zhong Ming Ding Food House, Ship Yajin, Green Sparrow Yellow Dragon Ship.

Cloud pin rain Ji, cai che district ming.

The sunset and the lone bird fly together, and the autumn water is long and colorful.

The fishing boat sang in the evening, sounded the shore of the poor Pengli, the geese were frightened, and the sound broke the pool of Hengyang.

Yamahara Kawazawa is so big, this is a overlook.

Cloud pin rain Ji, cai che district ming. This is a distant look.

The sunset and the lone bird fly together, and the autumn water is long and colorful. This is a famous sentence throughout the ages, borrowing the impression of sunset and long sky, reflecting the lone bird and autumn water, which is a very clever and gorgeous way to write. Learned yuxin's syntax, but blue is better than blue.

The magic is in the end:

The fishing boat sang late, these four words, allusions to this, now become the name of the ancient song. In the thousands of years to write the peaceful style of fishermen, it is no better than these four words.

Fan Zhongyan's later "fishing songs answer each other" are not as picturesque as "fishing boats singing late".

So far, it's a neat, gorgeous, picturesque article.

The first paragraph begins with various duals, the second paragraph describes the landing scenery, and the third paragraph dynamically pulls the camera to describe the vastness of heaven and earth. The end is good.

After writing the scene, I said that I was in a mood.

As mentioned above, the "Preface to the Tengwang Pavilion" as a whole is very flying momentum, using very rapid verbs.

At the beginning, the stars are divided, the ground is connected, the belt is belted, and the area is controlled.

Then up and down, then draped, then leaned over. Always moving.

This dynamic has been led to the fourth paragraph: Yixing and Flying, Refreshing Breeze, Singing White Clouds, And Sunny Light.

At this point, the emotions are still happy; and then the more you look, the mood turns.

I feel that the sky is high and the earth is different, I feel that the universe is infinite, and I am full of sorrow and sorrow.

It started to be a little sad.

——At that time, Wang Xizhi "So the wandering eyes are full of nostalgia, enough to be extremely audiovisual entertainment, and the letter Coke is also." Lady's Phase and Bow I", that's where it is.

Su Shi "sent ephemera to heaven and earth, a millet in the sea." The beard of mourning is born, and the envy of the infinity of the Yangtze River" is almost the same.

——Wang Bo was also sad for a while: after the sky was high and the sea was wide, the times were uneven, and the fate was uncertain; Feng Tang was old, and Li Guang was difficult to seal!

If it ends here, it is a strengthened version of the "Orchid Pavilion Preface": the scenery is also written, the emotion is also lyrical, and the emotion is also sent, which can be done.

But Wang Bo did not sink to the end. It seems to be depressed, and the tone of the text turns again:

When old and strong, would you rather move the heart of the white head? Poor and strong, do not fall into the ambition of the clouds!

Then he began to brush and pull again, pouring allusions in one breath.

Persuaded everyone: Come! And then the joy began! Then the music and the dance!

Then I also soared: I Wang Bo Yijie shusheng. No way please have a pen! The allusions of Sima Xiangru and Zhong Zi period are out! Get up!

Xiantou said that this is the Six Dynasties body, the first Tang Dynasty.

If it was the Six Dynasties scholars who wrote this, they might have been happy for a while, began to be sad, and finally sighed, and let go, to a "look at the present after, but also look at the past, sad husband!" ”

Wang Bo was not decadent.

At the beginning, the rhetoric is gorgeous and the enclave is dynamically written, and the middle sky is high and sad.

But looking up again, I got up again.

The article is a piece of text, but the words and phrases are majestic, fresh and vast, and they are not decadent at all. The whole story is dynamic.

Heaven and earth pull the lens, and the past and the present come to find allusions.

This is the so-called Datang weather, the heart of a young man, although he wrote this article was unlucky (and he was about to die, at this time he did not know), but still believe in the future, a generous faction.

What is a good article? The use of the piao text is a good place - rhetoric, meteorology, color - without being corrupt, this is a good article that has rarely been seen throughout the ages.

Finally, the pattern.

The full text of Wang Bo's "Preface to the Tengwang Pavilion" is like a symphony:

Begin to fly high-spirited writing scenes, like the first movement allegro.

The middle is full of sorrow, like the second movement of the slow movement.

Immediately below, when the old and strong are strong and poor, do not fall into the ambition of the clouds, and play the flowing water, like a happy dance.

The last poem is the final movement.

At the beginning, the poem of Lao Du was mentioned, which was very imposing:

And the poem at the end of Wang Bo:

King Teng's high pavilion is linjiangzhu, and Pei Yumingluan is singing and dancing.

The painting is facing the South Pu cloud, and the bead curtain is rolling in the rain of the western mountains.

The shadow of the idle cloud pond is leisurely, and the things change stars to move several degrees in autumn.

The magic is in the last link.

"Where is the Emperor of the Cabinet now?" This is the top style in the thousand-year-old nostalgic poem, Chen Ziang's "Dengyouzhou Tai Song" did not see the ancients before and after the people did not see, but it is also so.

Now what is in these three words, allusions to this.

"The Yangtze River outside the sills is empty and self-flowing", and Lao Du's sentence "Do not waste the ancient flow of rivers and rivers", the arrogance is as if: history flows on its own, and no one can sway.

When we say that an article or a poem is good, it is better than meteorological high vision: this is meteorological high, this is big vision.

As for how good is the "yangtze river empty artesian flow outside the sill"? In particular, this "emptiness", this "self", and the grandeur of history are all in it.

Wang Anshi has been a maverick all his life, saying that he should not imitate his predecessors, but he still couldn't help but borrow this sentence and use it in his "Nanxiangzi":

Swim around the water, climb the floor and go upstairs, the past is leisurely and gentle, looking back. The Yangtze River flows empty of its own streams outside the sills.

Miao's poem is also integrated with this whole article:

Ming Ming Xiaowen is most likely to appear stagnant, but Wang Bo dynamically swings, up and down ancient and modern, the stars gallop geese fly, and the clouds flow.

Du Fu Wang An Shi, as well as Han Yu, the great leader of the Guwen Movement, did not love to lay out, but they both called Xu "Preface to the Tengwang Pavilion".

It's like three masters who make white chopped chickens and become gods, "Yo brothers, you are a good roast of kung pao chicken!" ”

Heartfelt praise across genres and styles is much heavier than bragging about by the same genre.

I recommend an old movie. The Death of Wang Bo.

When Wang Bo Baiyi Lingyun wrote the "Preface to the Tengwang Pavilion" with a false Lingkong, it was really in place.

One look back, and the thousand-year-old white clouds are in it.

Written three and a half years ago, revised and supplemented.