Biography of a famous artist
Xie Jianjiang, also known as Xie Xie, born in November 1958, a native of Zhaoqing, Guangdong, is a contemporary poet, calligrapher, and scholar of literature and history. He is currently the president of Zhaoqing Famous Cities and Tourism Development Research Association, the chairman of Duanzhou Calligraphers Association, and a national first-class calligrapher.
He is a literati artist with thick accumulation and thin hair, who loves his post and dedicates himself to his work, who is dedicated to his work, who seeks art from teachers and scholars. His calligraphy was deeply influenced by Yan Jialong, Shi Mu, and Yan Renfei, and his casual nature was caused by his style and bones, and his poetry was long, and he was also keen on literature and history, and he was enthusiastic about literature and history, and he was educated in writings, including "The Story of the Governor of Zhaoqing and Liangguang (Ming and Qing Dynasties Volume II)", "The Palm of Duanzhou Hundred Streets", "Bao Zheng in Duanzhou", "Guangfu Family Style Broadcasting Ancient and Modern", "Humanistic Duanzhou", "Wu Ding Xianshi", "Xinhai Huanghua (Li Binghui)", "Mo Xuanqing Biography (Xicun)", "Zhuang Huai Fierce (Chen Zhongyu)" and other publications, and was awarded the expert committee of the Computer Society and the expert of the Intangible Cultural Heritage Protection Committee.
Appreciation of Xie Jianjiang's works
The Deep Master's Stele is in harmony with each other
——Remembering the famous calligrapher Xie Jianjiang
Text/Lin Zhixian (famous critic of calligraphy and painting)
The method of calligraphy is, first, recorded in the book, and second, hidden in the inscription. Therefore, in order to obtain the true meaning of calligraphy, it is necessary to "teach the Fa by the teacher", to read books and theories, and to study the inscriptions. Taking the book theory stele as the teacher, this is the path of mr. Xie Jianjiang, a famous contemporary calligrapher. As a calligrapher who respects the tradition alone, he spares no effort and strives for excellence in the study of the fa ti of the past, and has a strong inheritance of kung fu from beginning to end. There is also a teacher's informal innovation kinetic energy, which can express his feelings according to the book in the process of becoming a golden book, which is just a model of pen and ink with the times!
Mr. Guan Lin's calligraphy has the breadth of all books, and the depth of his knowledge and research. Xingcao's works are written with the atmosphere of humanistic calligraphy, slightly bone and fleshy, which shows the spirit of spirit. With a sense of unhurried penmanship, he composed the line rhythm of the pen and ink of all things. No word is dull, and no stroke is thick. Pen in hand, heart in the heart. Put the essentials of the penmanship obtained from the study of the "Orchid Pavilion Preface", "Sacrifice Nephew Draft", and "Cold Food Post", one by one, silently, thoroughly in the pen, integrated, assured writers, sure enough, Han is not vain, there will be a reason! It can be undulating in one stroke, or it can be frustrated by a single point!
Zhao Ziang's discussion of calligraphy, with the saying that it is not easy to use the pen for thousands of years, has become the golden rule of calligraphy practiced by later generations. The so-called difficult method is the ever-changing use of the pen. If the calligraphy is written flush up and down, left and right, and flat, it is obviously not true calligraphy. Looking at Mr. Xie's calligraphy works, he is also extremely capable of "changing", and the infinite changes in calligraphy as a line art are incomparable. A stroke of vertical and horizontal, wrote out the change of weather in the wind and rain. Turning the pen, I saw the poetic imagery of falling flowers and flying snow!
The change in his penmanship not only changes the image of the distant objects, but also the changes in the mood of the near-taking of the bodies. Yes, whether it is the external form or the inner god, in the change of pen and ink, they express the creative effect of both form and god, especially valuable to God! The Jin Dynasty literati wrote letters, which is such a wonderful thing. The literati of the Song Dynasty wrote poems, which is what it is.
Mr. Xie Jianjiang, with his confucian and elegant contemporary literati cultivation, has made a presentation of the continuity of ancient and modern with the method of using the pen that is not easy for thousands of years. Therefore, when watching his calligraphy works, I often have such feelings: Han Mo is wonderful, and there are endless generations of people; the sages are born from generation to generation, and the style of writing is exquisite!
Deep master stele, square circle together. Mr. Xie's calligraphy has a very resistant cultural and philosophical message! This is because he has the responsibility of inheriting culture in calligraphy, does not write about the jianghu body, and focuses on humanistic skills. And because his calligraphy is very much in line with the philosophy of "Tao" emphasized by Oriental aesthetics. When the front and fiber are coming and going, they do the care of greeting each other, continuing back and forth, and comparing length and shortness. The pen is powerful, and the pen is also gas! Writing calligraphy according to qi can achieve harmony between square circles, rigidity and softness, and also have the profound connotation of virtual reality. The momentum is unstoppable, the momentum is unstoppable, and the momentum is unstoppable. The dynamic origin of pen and ink continues from the momentum of pen and ink, and every time the calligraphy has the dynamic of killing paper in the air, the autumn eagle chasing the rabbit, and of course, the tension of the cunning rabbit and the unstoppable. There is ink in the pen, there is a pen in the ink, and the works that are made in one go, of course, have the calligraphy realm of the dragon jumping the heavenly gate and the tiger lying in the phoenix!