CCTV's Mid-Autumn Festival Gala program was cut, and Yu Shi's follow-up development can refer to the two artists
The popular students were "cut off", and the moral yardstick of the entertainment industry and the traffic game
The fine-tuning of the program list of the Mid-Autumn Festival Gala quietly erased the name of a popular student and pushed him to the forefront of public opinion. Although he did not violate the red line of the law, his moral flaws hung over his acting career like a sword of Damocles. CCTV's "one cut and gone", like a thunderclap, woke up the traffic dream of the entertainment industry, and also triggered our in-depth thinking about the industry ecology, moral yardsticks, traffic and values.
Yu Shi incident is not an isolated case. In recent years, from the immoral behavior of traffic stars to the value deviation of variety shows, the chaos in the entertainment industry has frequently aroused public doubts. The industry, which was once coerced by capital and traffic, seems to be undergoing a profound value reshaping.
On the one hand, public figures, as leaders of social values, have attracted much attention in their words and deeds. Especially idol stars with a large number of young fans should lead by example and pass on positive energy. Some artists regard traffic as the only pursuit, ignore their own social responsibilities, and ultimately reap the consequences, which also sounded the alarm for the industry.
On the other hand, the profit-seeking nature of capital is also an important reason for the chaos in the industry. In order to maximize short-term profits, some film and television companies and platforms choose to put traffic first, ignore the quality and value orientation of works, and even do not hesitate to touch the moral bottom line. This rush for quick success not only damages the long-term development of the industry, but also overdraws the trust of the public.
It is worth pondering that Cai Xukun and Yang Ying's "lessons from the past" do not seem to be a warning for those who come after them. Of course, there are factors of personal choice and industry environment, but it also reflects the lack of moral restraint mechanism and value guidance in the current entertainment industry.
In the face of the game between traffic and values, we cannot simply blame individuals or capital, but need to work together to build a healthier and more rational industry ecology.
Regulatory authorities should strengthen the supervision of the entertainment industry, improve relevant laws and regulations, increase the cost of violations of laws and regulations, and form an effective deterrent to unscrupulous artists. It is also necessary to guide industry associations to play a self-discipline role, formulate industry norms, strengthen the construction of industry ethics, and create a clean and upright industry atmosphere.
Film and television companies and platforms should assume corresponding social responsibilities, put social benefits in the first place, insist that content is king, pay attention to the ideology and artistry of works, refuse the supremacy of traffic, and put an end to the distortion of values.
More importantly, it is necessary to strengthen the guidance of young people's values, help them establish a correct view of idols, rationally pursue stars, and not blindly worship. It is also necessary to guide them to pay attention to the work itself, improve their aesthetic ability, form the ability to think independently, and not be coerced by traffic.
Behind the "cut and gone" is the public's reflection on the chaos in the entertainment industry, and it is also a call for the return of the value of the industry. I believe that with the joint efforts of all parties, the entertainment industry can get back on track and bring more excellent works and positive value guidance to the public.