Autumn night to meet the king
【Tang】Wang Ji
The north field is gone, and the east is returned.
When the autumn moon is full, it is worth flying at night.
He finished hoeing the beans in the garden on the north side, and came back from the fields on the east side. I met my old friend under the full moon in autumn, and I met fireflies flying at night.
This little poem describing the joy of pastoral life contains rich and timeless poetry in its simplicity and plainness. The first two sentences write about the return of agricultural activities, which is a mediocre narrative without any portrayal rendering. But it is precisely in this casual and plain tone and soothing rhythm that the poet's habit of pastoral life and his leisurely and leisurely taste are revealed.
In the last two sentences, with the slight fatigue and happiness after the day's field work, and with the joy and comfort of the rural life, the two old friends of the countryside met unexpectedly on this quiet and beautiful autumn night. It was a full moon night, and the whole village and fields were shrouded in the clear light of a bright moon, which seemed extraordinarily quiet, peaceful and harmonious. Here and there, there are dotted autumn fireflies flying like shuttles, weaving into a pattern of changing light. Their appearance adds a flowing meaning and cheerful vitality to the quiet and quiet autumn night of the mountain village, and contrasts the tranquility and tranquility of the entire autumn night mountain village. With the help of the emotionally charged words such as "meet" and "more worth", the poet's pleasure, comfort, and tranquility in the beautiful scenery in front of him, as well as the smiling and complacent scenes of the two friends who shared such a beautiful night, have been vividly presented to the reader.
Looking at the cave
【Tang】Liu Yuxi
The lake and autumn moon are harmonious, and the surface of the lake has no wind mirrors and is not polished.
Looking at the green mountains and rivers of Dongting from afar, there is a green snail in the silver plate.
This is a poem that laments the scenery of the lake and the mountains on a moonlit night, with a clear and strange feeling, a beautiful poetic style, and a beautiful scenery and elegance.
The opening chapter "The harmony of the lake and the autumn and the moon" writes that the lake surface rises slightly at night, and the water ripples and flashes with silver light, blending with the bright moon in the sky, serene and quiet, full of harmonious beauty. "The surface of the pond has no wind and the mirror has not been polished", this sentence writes a still scene, when there is no wind, the water surface is stable, like a mirror that has not been polished, hazy and ethereal. Moving and quiet, the two styles of Dongting are incorporated into the bottom of the eye, full of vitality and complementing each other.
"Looking at the green mountains and rivers of Dongting from afar", the poet looked into the distance, and the mountains and rivers of Dongting Lake were interdependent, and the emerald color was pleasing to the eye. "A green snail on a silver plate", the verdant Jun Mountain in Dongting Lake is like a green snail on a silver plate. The poet compares the lake with the "silver plate" and the reflection of the mountain with the "green snail", not directly writing about the beautiful scenery of the landscape, but writing the shadow of the landscape in another way, which is fresh and refined.
Although there is no beautiful rhetoric in the whole poem, the scenery of the cave garden is written with poetic and picturesque feelings, giving people a beautiful enjoyment.
Autumn evening
【Tang】Du Mu
The silver candle autumn light cold painting screen, light Luo small fan fluttering fireflies.
The night is as cool as water, lying down to see the morning glory Vega.
This poem writes about the lonely life and desolate mood of a frustrated palace maid.
The first two sentences already paint a picture of life in the deep palace. On an autumn evening, the white candles glow dimly, adding a dim and cold hue to the pictures on the screen. At this time, a lonely palace maid was using a small fan to flutter the fireflies flying around. This scene depicts the loneliness of the palace maid, and the fluttering fireflies fly, probably the palace maid's residence is also desolate. In ancient times, the fan was originally used to fan the wind in summer to cool down, but it was useless in autumn, so ancient poems often used autumn fans as a metaphor for abandoned women.
The "heavenly steps" of "heavenly steps, which are as cool as water at night", refer to the stone steps in the imperial palace. "The night is as cold as water" suggests that the night is deep, the chill is blowing, and it is time to go inside and sleep. But the palace maid still sat on the stone steps, looking up at the Altair and Vega on both sides of the Tianhe. Folklore, the Weaver Girl is the granddaughter of the Emperor of Heaven, married to the morning glory, and crosses the river to meet him once a year on Qixi Festival, and there is a magpie as a bridge. The palace maid looked at the morning glory Vega for a long time, and she didn't want to sleep late at night, because the story of the morning glory and the weaver girl touched her heart, reminded her of her unfortunate life experience, and also made her yearn for true love. It can be said that all the things in my heart are looking up here.
Maple Bridge Night Parking
【Tang】Zhang Ji
The moon is falling and the sky is full of frost, and Jiang Feng is sleeping.
Hanshan Temple outside the city of Gusu, the bell rings in the middle of the night to the passenger ship.
This is a masterpiece sung through the ages, the whole poem does not mention homesickness, but the whole article describes homesickness, and the artistic conception is far-reaching and long.
"The moon falls and the sky is full of frost", the first sentence writes the scene, the moon sinks and the stars fall in the middle of the night, the crows cry, and the frost pavement, as if the sky is full of frost, which is a cold and desolate atmosphere. In such an atmosphere, the poet's heart is uneasy, "Jiang Feng fishing fire to sleep", the Maple Leaf Chinese Restaurant by the river is scattered, the fishing fire on the river in the distance is lit, and there is more emptiness and loneliness in the depression. The poet is alone, alone, and only sorrow accompanies him on his journey. The dim moonlight, the cold air, the maple trees in the dark night, and the fishing fire on the river are allegorical to the scene, and the poet's loneliness is vividly described.
The poet could not sleep on the boat, and in the gloomy and hazy period, he suddenly heard the bell, "Hanshan Temple outside the city of Gusu, the bell rings in the middle of the night to the passenger ship." The poet does not write about hearing the bells, but writes about the bells being transmitted from Hanshan Temple to the passenger ship, and the bells set off the silence of the night even more silently. The author stayed overnight in Gusu City, far from his hometown and seemed to have nowhere to go, and the loneliness conveyed a deep sense of homesickness.
Fifteen nights looking at the moon and sending it to Du Langzhong
【Tang】Wang Jian
The atrium is white arboreal crows, and the cold dew is silent wet osmanthus.
Tonight, the moon is bright, and I don't know who is thinking about it in autumn?
This poem was written by the poet on the night of the Mid-Autumn Festival to miss his old friend. Through the description of the night scene of the Mid-Autumn Festival, the poem expresses infinite feelings of longing.
The first sentence "white arboreal crows in the atrium" writes about the moon-watching scene in the courtyard, which sets off a cold and sad atmosphere. The courtyard is deep, the ground is covered with hoarfrost, the branches and leaves of the big trees in the courtyard are scattered, and the crows are perched. "Cold dew silent wet osmanthus", closely following the previous sentence, further writes the moon scene with the help of feelings. The weather turned cold, the dew was heavy, and the osmanthus was wet, and the fragrance of osmanthus contained the taste of autumn.
"Tonight the moon is bright", the Mid-Autumn Festival of the 15th Five-Year Festival, the full moon is bright, people are eagerly looking forward to the reunion of their relatives, the word "end" points out the depth of hope, the difficulty of reunion. "I don't know whose house the autumn thoughts fall on", in the festival accompanied by relatives, I don't know where the autumn sorrows drift to, and whether anyone also has feelings of sadness. The poet did not write about the content of Qiu Si, nor did he mention his own state of mind, but pinned on the description of the scene, and in the sad atmosphere, poetry spontaneously emerged.
This poem writes about the moonscape, the layers are orderly, there is movement and stillness; Writing thoughts, blending scenes, subtle and euphemistic, deep and far-reaching, widely recited for future generations.
Twenty-two members of the autumn night Jiqiu
[Tang] Wei Yingwu
Huaijun belongs to the autumn night, walking in the cool day.
The mountain is empty and the pine nuts fall, and the ghost should not sleep.
This is a poem in memory of a friend. Qiu Yuanwai, referring to Qiu Dan, was a close friend of Wei Yingwu when he was in Suzhou, and there was often harmony between the two. At that time, Qiu Dan practiced Taoism in Linping Mountain, and Wei Yingwu wrote this poem to express his feelings.
The first sentence "Huaijun belongs to the autumn night" points out that the time is the autumn evening, and the scenery of this "autumn night" and the feelings of "Huaijun" just reflect each other. The second sentence "take a walk and sing the cool day" naturally follows the previous sentence and is closely linked with the meaning of the previous sentence. The third and fourth verses are the poet's imagination of the person in his arms in a distant place at the moment, and the hermit often eats pine nuts as food, so that when the pine nuts fall, they will remember each other. The last two lines are fictitious, out of the poet's imagination, not only from the first two lines, but also deepen the poetry of the first two lines. Judging from the whole poem, the poet uses a combination of real writing and fictional writing techniques to present the scene in front of him and the scene in his mind at the same time, connecting the people who miss his friends and the people he misses, and then express the deep feelings of lovesickness between the two places. There is not much ink in the whole poem, but it contains infinite meaning; The words are light and affectionate, and the words are short and profound.
Autumn Wind Words
【Tang】Li Bai
The autumn breeze is clear, the autumn moon is bright,
The fallen leaves gather and disperse, and the jackdaws are frightened.
When do you know when you will see each other? It's embarrassing to be on this night!
This poem is both a joyful tryst and full of parting emotions. The whole poem changes from the joy of a short tryst under the clear wind and the moon to the sorrow of a long longing after parting, a mixture of joy and sorrow.
"The autumn breeze is clear, the autumn moon is bright", these two sentences outline the scene of the tryst between the two in the style of white drawing. The autumn breeze is cool, the autumn moon is bright, and the white moonlight envelops a pair of whispering lovers, how beautiful this scene is!
"The fallen leaves gather and disperse, and the jackdaws perch on the two sentences", the atmosphere of the word suddenly changes, from static to moving, and the meaning is far-reaching. These two sentences depict the complex psychological state of the couple during their tryst, which is delicate and moving. "Falling leaves" and "jackdaws" both use metaphors, and "gathering and dispersing" and "perching and refuting" also write about the desolation and uneasiness of lovers who love each other but are difficult to stay together, and who are afraid of being discovered when they get together.
"Lovesick to see each other know when the day, this night is embarrassing", the last two sentences, a question and an answer, directly express the heartfelt feelings, clearly say the worries of the characters, and make a note on the "surprise", they don't know when they can meet, worried that the day when the love will not continue, there is a great "people have joys and sorrows, the moon has clouds and sunny days" The philosophy is contained in it.
A few lines of picturesque text, revealing a hint of refreshing coldness, make people sad and sigh for eternity.
Seen in the night book
【Song】Ye Shaoweng
Xiao Xiao Wuye sent a cold sound, and the autumn wind on the river moved the guests.
Knowing that there are children who pick and promote weaving, a light falls on the fence in the middle of the night.
This poem concisely describes the scene, vaguely revealing the longing for the hometown, the meaning is not profound, but the idea, the scenery is emotional, and the form is lyrical.
"Xiao Xiao Wuye sends the cold sound, and the autumn wind on the river moves the guests." The sound of the cold wind brought by the falling leaves, and the autumn wind on the river blew, making the guests in a foreign land unconsciously emotional. The word "Xiao Xiao" sets off the atmosphere, and in the autumn breeze of Xiao Suo, the coldness sent by the cold wind makes people involuntarily miss their hometown. The words "send" and "move" vividly express the arrival of autumn, and have a little novelty, which makes people unconsciously moved. The "cold wind" was silent, but it became loud because of the "guest feelings", which vividly portrayed the inner feelings of travelers living in a foreign country.
"I know that there are children who pick and weave, and a light falls on the fence in the middle of the night." Innocent children teased and weaved, and a light could be faintly seen in the courtyard in the distance in the middle of the night. Originally, the scene of children's play should make people feel warm, but the poet used it instead, deliberately using this scene to highlight the deep night, silence, and dim scene in the distance, and through this form, it further set off the melancholy of ionic homesickness. The scenery is described from near to far, with a strong sense of layering, and through the "one light" is a metaphor for the hometown of thousands of miles away, shining on their own return in the dark environment, which makes people think and feel more homesick.
Autumn nights
[Song] Zhu Shuzhen
The night is sleepless and the autumn air is clear, and the candles are frequently cut and desired.
Make the bed cool full of sycamore moon, and the moon is bright in the absence of sycamore.
On the fresh night of autumn, she couldn't sleep for a long time, and at the third watch, she frequently cut candles. When I was making the bed and falling asleep, I found the moon shadow on the bed that was sifted from between the sycamore leaves. Looking up at the window, the moon loomed in the gap between the sycamores.
This is a poem that expresses the bitterness of the feelings, and it is quite distinctive in art. Autumn is the season that makes people feel sad, and the moon and sycamore are the most provocative scenery. Zhu Shuzhen once wrote in "Autumn Occasional": "When the Mid-Autumn Moon is full, I will pay Xiao Lang 10,000 poems." "Xiao Lang, commonly used in Tang poetry, refers to the lover. In this long autumn night, lonely sleeping, candle flowers are frequently cut, white horse Xiao Lang, the long time is not available, the only person who accompanies me is the moonlight and the shadow of Tong, this situation, how can I be worried! The whole poem is allegorical in the scene, and the love is written in the scene, not the words are sad, but the sentences are sad.
Title: Qingcao Lake, Longyang County
【Yuan】Tang Heng
The west wind blows the old Dongting waves, and Xiangjun has a lot of white hair overnight.
When drunk, I don't know that the sky is in the water, and the boat is full of dreams and the galaxy.
Tang Heng lived in the late Yuan Dynasty and early Ming Dynasty, the word Wen Ru, was a native of Huiji Shanyin (now Shaoxing, Zhejiang), there are few records about him, and there are very few poems that have been circulated in the world.
"Longyang County" is now Hanshou County, Hunan Province, Qingcao Lake is in the south of Dongting Lake, the two lakes are connected, and they are called together, so the title of this poem is marked as "Qingcao Lake", and the poem is "Dongting Lake". The good thing about this poem is that it has "three odds".
When the ancients described and lamented autumn, they often wrote about the changes in the scenery, for example, when autumn came, the leaves of the trees withered, and the geese flew south. The scenery changes with the change of the seasons, and the changes of flowers, trees, birds, insects and other scenery can also reveal the breath and atmosphere of the season. However, this poem does not write about geese, autumn insects, and chrysanthemums, but writes from the lake water, which has little to do with the change of seasons, saying that the west wind in autumn blows the water of Dongting Lake "old". Isn't the lake the same as it was? Where is the distinction between "old" and "not old"? This sentence only feels very abrupt and powerful, as if this gust of autumn wind is really powerful, and even the waves of the lake are blowing "old", which is a strange thing about this poem.
Xiangjun is the goddess of Xiangshui, since she is a goddess, she is naturally immortal and eternally young, but the poet said that in the face of such a bleak and fierce autumn wind, even Xiangjun could not be indifferent, but was full of sorrow, and increased a lot of gray hair overnight. This is the second wonder of this poem.
What's even more strange is the last two sentences of this poem, "When I am drunk, I don't know that the sky is in the water, and the boat is full of dreams and the galaxy." The poet sat in the boat, drinking and enjoying the scenery from day to night. The surface of the lake is so vast, and the clouds in the sky are reflected in the lake water so clearly, the poet is a little drunk, and feels as if the boat he is sitting on is not in the water, but already in the sky. This is strange and strange in the word "dream". "Dreams" are intangible and have no volume, but the poet says that his "dreams" fill the cabin; "Dreams" don't matter how important they are, but the poet says that his "dreams" are pressed on the stars, and the heaviness of his dreams can be known. With this fourth sentence, the originally ethereal dream becomes visible and tangible, and it merges with the vast sky and lake.
From this strange and strange description, we seem to see the image of a poet who drinks freely, enjoys the scenery, falls into a dream, and imagines it.
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