At a recent press conference of the Taiwan Affairs Office of the State Council, spokesman Chen Binhua expressed his profound views on the global distribution of the triple-A game "Black Myth Wukong" produced by mainland enterprises and its enthusiastic response in Taiwan. This game has not only won wide acclaim around the world, but also set off a wave of enthusiasm among young game lovers on the island, becoming a new example of cross-strait cultural exchanges and integration.
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Chen Binhua pointed out that the successful launch of "Black Myth Wukong" marks a solid step forward for the mainland game industry on the road to internationalization. This game has won the favor of players around the world with its exquisite production technology, rich cultural connotation and innovative gameplay design.
"Black Myth Wukong" is based on the classic Chinese masterpiece "Journey to the West", a well-known story and characters that make players on the island feel particularly familiar and familiar. In particular, it is worth mentioning that its popularity among young people on the island is beyond imagination, not only because of the high quality of the game itself, but also because it deeply touches the cultural memory and emotional bond shared by young people on both sides of the strait.
"After all, they are all Chinese who grew up watching the four famous works", this sentence is short but powerful, and it expresses the common cultural roots and emotional ties of young people on both sides of the strait. In Chen Binhua's view, whether they are in the mainland or Taiwan, young people on both sides of the strait are the inheritors and disseminators of Chinese culture.
They have read the four famous novels since they were children, and have been nurtured and nourished by Chinese culture, and this common cultural background allows them to quickly resonate and identify with cultural products such as "Black Myth Wukong".
Chen Binhua emphasized that compatriots on both sides of the strait are the inheritors and disseminators of Chinese culture, and no matter where they are, their love and recognition of traditional culture will never be severed. Therefore, when seeing the familiar scenes, characters and plots in "Black Myth Wukong", many players on the island seem to travel back to their childhood and relive the happy years that accompanied "Journey to the West".
He also mentioned that Taiwan musicians have also made outstanding contributions in excavating and inheriting Chinese culture. Their classic games such as "The Legend of Sword and Fairy", "Xuanyuan Sword" and "The Legend of the Three Kingdoms" have not only enjoyed a high reputation in China, but also won wide recognition internationally.
The success of these games not only demonstrates the innovation ability and cultural heritage of Taiwan's game industry, but also provides useful reference and inspiration for cross-strait cultural exchanges and cooperation.
When talking about the significance of "Black Myth Wukong" to cross-strait cultural exchanges, Chen Binhua said that this game not only deepened the understanding and recognition of Chinese culture among young people on both sides of the strait, but also built a new platform for cross-strait cultural exchanges and cooperation.
It allows young people on both sides of the strait to find a common point of convergence in a common cultural background, and promotes mutual understanding and exchanges. At the same time, it also shows the unique charm and infinite possibilities of Chinese culture to the world, and enhances the international influence and competitiveness of Chinese culture.
In the process of cross-strait cultural exchanges, we should maintain a rigorous and serious attitude, respect and accurately disseminate every cultural symbol and the name of the work. Only in this way can we better inherit and carry forward the Chinese culture and promote the continuous development of cross-strait cultural exchanges and cooperation.