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Qi Baishi's "Fish", annotated with "Saving the Sketches of the Eight Mountain People"
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Bada Shanren and Qi Baishi, although there has been a gap of more than 300 years between the two art masters, they have a wonderful fate and relationship.
Qi Baishi once had a poem: Qingteng Snow is an ordinary fetus, and the old man is not talented in his declining years. I want Jiuyuan to be a lackey, and the three families will turn the wheel.
It can be seen that Qi Baishi's admiration for the Bada Mountain people jumped on the paper.
Qi Baishi wrote, "Qingteng Snow is far away, and the old man is talented in his declining years." I want Jiuyuan to be a lackey, and the three families will come under the wheel."
The paintings of the Bada Shanren are full of compassion and cold eyes, which are very popular with Qi Baishi.
Qi Baishi doesn't like to copy other people's works, and he usually doesn't go to exhibitions, but only for the works of Bada Shanren, he must copy them when he sees them.
Qi Baishi, chasing eight big ducks, Beijing Fine Art Academy
For example, in Qi Baishi's "Eight Ducks", Qi Baishi remembers:
"When I traveled to Jiangxi, I saw the Bada Shanren booklet painting ducklings, and I used them as a powder. Ding Si's family was in turmoil, and then found this manuscript in the ashes, and sighed Zhu Jun's painstaking efforts. Although the copy of the later generations, there are still ghosts and gods to protect it. I paint this picture today, and I remember it. The old man in Jiping Hall lives in Jinghua. ”
On this small album of vase flowers, Qi Baishi wrote: "I don't like to paint for the rest of my life (imitation), and I have seen the Bada Mountain people in this frame, because I remember." When he lived in Jinghua, Baishi. ”
This crow work is inscribed with the word "test ink", and according to the old man, it is the work of the Bada Shanren who "backs".
There are only a few crows of brushes, there is not much pen and ink, and there is no coloring, it can have both form and spirit, and there is really the wind god of the eight mountain people with a cold eye. Sometimes the works of the "Back" Eight Congresses, especially write "back with snow".
Qi Baishi is a picture of eight large brushstrokes of white parrots
We have seen more of the landscapes, flowers and birds of the Bada Shanren, but there are very few figure paintings, and the characters in the landscape paintings are only simply outlined, and the facial features are not seen.
Surprisingly, not only did Qi Baishi's diary record that he had seen the eight major "painting Buddhas", but also the manuscripts and many works in the collection of the Beijing Academy of Fine Arts also provided strong evidence that he was studying the eight major figure paintings, and even became the highlight of Qi Baishi's figure paintings, which is extraordinary.
Qi Baishi's sketch of the characters of the Bada Shanren
Qi Baishi came to the early years and imitated the Bada Mountain people, but because of this forced livelihood, he gave up this "road".
However, in his later years, Qi Baishi, who had become a highly respected figure in the painting world, regretted giving up the painting style of "Bada Shanren".
For example, when Qi Baishi was eighty-five years old, he inscribed his 1945 "Ink Pen Flower and Fruit Book", cloud:
"For the painting after the age of fifty, cold and easy as snow, to avoid the troubled times in Beijing. There are few people who know, and friends have advised them to reform, and if they believe it, they will abandon it. Seeing this book today, I regret it, and I am eighty-five years old. Etounitary, Shiraishi. ”
Qi Baishi's back-scratching drawing in the character sketch of the Bada Shanren
Regret to regret, in the end, Qi Baishi with the ancient and cold painting style of the Bada Shanren, transformed into the vulgar and elegant "red flower ink leaves", combining Chinese freehand painting with folk art, the subject matter from the literati to the common people, farmers to see the small scenes, but also to people to appreciate the classic works, and pleasant enjoyment.
Qi Baishi's "Scratching the Back" is annotated with "Eight large and small volumes"
The paintings of the Bada Shanren are exaggerated, simple, and obscure, and the world is independent and sober; Qi Baishi's paintings are simple, innocent, childlike, and vibrant. The styles of the two representing his highest personal achievements seem to be very different, but it is precisely the "learning but not similarity" of imitating the Eighth National Congress in his early years that he was able to "dare to be original", which is also the true meaning of Qi Baishi's "Baishi Snow is the same liver and gallbladder".
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