"Falling into Hell": The reincarnation of purgatory that subverts the three views
Huang Zihong
Into Hell is a thriller produced by Universal Pictures, directed by Sam Remy and starring Alison Lohmann and Justin Long, released in the United States on May 29, 2009.
The film tells the story of an ambitious young woman, a bank loan officer, eager for promotion and rejecting an elderly Hungarian woman's request for mortgage extension. This was taken as a great mistake by the old woman, so she cursed the young woman and plunged her into a terrible and terrifying thing.
The young and beautiful Kristen Brown is a loan collector at a bank in Los Angeles. One day, an old woman came to her and begged for a grace on her mortgage or she would be homeless. So Christine was very sympathetic to the old woman's plight, but in order to win the boss's appreciation and seize the opportunity to be promoted to assistant manager, Kristen Brown resolutely refused the old woman's request. The old woman was furious and attacked Kristen Brown in the parking lot, the old woman took one of Kristen's buttons and then cursed Kristen Brown.
Professor Clay Dalton is Christina Brown's boyfriend, an attractive man, and although the relationship between the two is opposed by each other's mother, it is also a good idea. Everything in life was very smooth and fulfilling. However, a senseless disaster pushed Kristen Brown's life to the bottom.
In order to help Kristen Brown, whose mental condition is close to being fragmented, get back on track in life, Ram Jace takes her on a frantic quest, and their ultimate goal is to reverse the spell – when the evil forces triggered by the curse are sealed, Kristen Brown has to face perhaps the most incredible fantasy world: in order to break the curse, she must pay a different price...
The film is based on a true report of events in Oregon in 1996, and the film is still wonderful and weird enough to make people feel quite exciting. In the film, Alison Lohmann vividly expresses the heroine's mentality of being tormented by a horrible hell, successfully conveying the effect of "thriller after thriller".
However, in the aesthetic consciousness of an ordinary Oriental audience, the heroine only acts according to the regulations, and does not have any out-of-the-ordinary words and deeds, and it is inevitable that people will not be able to bear it and feel that the three views are subverted.