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Just recently, the Reuters photos of Yang Mi's new drama "All Things" were unexpectedly exposed to the public. Under Zhang Xiaohan's keen and sharp lens, Yang Mi presented an unprecedented, refreshing and subversive image in front of the public.
The low-pulled ball head seems casual but a little rustic; The large cotton jacket with dense colors is colorful but slightly rustic; Particularly striking is the high bulging belly, a combination of elements that clearly shows that she is trying to portray a rural woman with all her might.
As soon as this new and bold image appeared, it was like a boulder thrown into a calm lake, which quickly aroused widespread doubts and heated discussions among netizens. Many people bluntly and unreservedly believe that Yang Mi's own temperament and appearance, no matter from which angle they look at, there is an insurmountable gap with the role of rural women. Some people even made no secret of their deep disappointment and extreme concern about her acting ability, and their words were full of doubts and distrust about her ability to perform the role.
Looking back on Yang Mi's recent works, it is really difficult to be satisfied, and it can even be said to be quite disappointing. This year, none of the three dramas she broadcast one after another were spared, and all of them suffered the so-called "triple pounce". This series of defeats, like an incomparably heavy hammer, slammed the cornerstone of the audience's trust in her again and again, further deepening the audience's doubts about her acting ability.
Her performances have been sharply and mercilessly criticized for lacking a strong desire and inner drive for self-creation, and the state presented is basically the same pattern and repetition, as rigid and rigid as a mechanical operation, with no new ideas or breakthroughs to speak of. More observant and delicate netizens pointed out that the smart and flickering look in Yang Mi's eyes has disappeared, and the whole person looks tired, as if she has lost the support of her soul and the source of inner vitality, which forms a very vivid and embarrassing contrast with her once vibrant, radiant and charming image.
Under such a worrying and questioning background, netizens involuntarily and naturally began to make nuanced and in-depth and comprehensive comparisons between Yang Mi and other post-85s Hua Dan in the same period. Zhao Liying's TV series seems to have a magical magic, and almost every launch can instantly trigger a frenzy of national drama chasing, and easily achieve a double harvest of word-of-mouth and ratings. Her courageous and fearless entry into the film industry, which has attracted widespread attention and received high praise, fully proves her unwavering successful transformation on the road of acting and her firm determination to constantly break through herself and surpass the limit, thus naturally winning the audience's heartfelt recognition and unreserved appreciation.
Last year, with the well-crafted work "Flowers", Tang Yan achieved a qualitative leap in her interpretation skills and overall image with her eye-catching performance, stepping to a new level and a higher level, and her transformation path seems to be more and more broad and flat, and her future is bright.
Although Liu Shishi only has one "Yi Nian Guan Mountain" came out, her wonderful and amazing fight scenes in it are like dazzling meteors in the night sky, making the topic and popularity of the play high from beginning to end, like a burning bonfire, which continues to attract the attention and heated discussions of the audience. This undoubtedly brought a lot of pressure and severe challenges to Yang Mi, who was in trouble and was questioned, like a heavy mountain pressing on her shoulders.
At the same time, we should not ignore a crucial fact, that is, the predicament faced by Yang Mi is by no means an isolated phenomenon. In the entertainment industry, where the competition is fierce to the point of being almost cruel and rapidly changing to the dizzying eye, every role choice of every actor and the presentation of every work,
They are likely to face the severe test from the market like a ruthless storm, as well as the audience's kaleidoscope of diverse and complex evaluations and scrutiny.
The success of Zhao Liying, Tang Yan and Liu Shishi is certainly admirable and admirable, but this does not mean that their acting careers have never experienced the ruthless baptism of setbacks and failures, and have never tasted the bitter taste of loss and confusion.
The reason why they can stand out and stand out from their peers is largely due to their fearless courage to challenge the unknown, and their firm belief and determination to break through their own limitations.
In this industry full of cruel competition and the law of the jungle, every actor needs to always maintain a humble and studious heart, like a dry land longing for the moisture of rain, constantly absorbing the nutrients of knowledge and experience, and continuously improving their professionalism and comprehensive ability.
In order to adapt to the never-ending, never-ending, ever-changing market demand and the increasingly discerning and demanding aesthetic vision and artistic standards of the audience.
Yang Mi's new drama "All Things" may be just a small episode and a short chapter in her long acting career, but it also reminds us in a timely and appropriate way that every actor needs plenty of time to grow, reflect, precipitate, and improve themselves.
At the end of the article, we can't help but fall into deep thinking and endless reverie: can Yang Mi's new drama "All Things" become a key turning point in her acting career? The answer to this question full of suspense and unknowns may only be the most accurate, authoritative and convincing proof that time, an impartial and silent referee, can give.
But what is certain is that no matter whether the final result is an ecstatic success or a sad failure, Yang Mi's brave and fearless attempt deserves our respect and full expectation with high respect. In this entertainment industry full of controversy and hustle, impetuousness and prosperity,
We should give every actor more understanding and support, and create a relatively relaxed, tolerant and harmonious creative environment for them, so that they have enough space and freedom to bravely explore unknown areas, boldly innovate and break through themselves, and show their unique artistic charm and talent.
After all, the true value and far-reaching significance of art lies not in the momentary gains and losses, success or failure, not in the short-term glory and loneliness, but in the never-ending, never-extinguished, never-giving up pursuit and innovative spirit, and in the unremitting pursuit and perseverance of perfection and excellence.
Let's wait and see, with anticipation, like waiting for spring flowers to bloom, to see how Yang Mi shows a more mature, more diverse, more amazing, and more charming new self in the face of new challenges and opportunities.